Best Podcast Episodes About Timothée Chalamet
Everything podcasters are saying about Timothée Chalamet — curated from top podcasts
Updated: Apr 11, 2026 – 34 episodes
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Ridealong has curated the best and most interesting podcasts and clips about Timothée Chalamet.
Top Podcast Clips About Timothée Chalamet
“… right so pause it every moment and you say a word take the beer from al no i'm not even cooking yet no you're cooked uh we need what we need is a chalamet okay because they just dropped dune part three were you a fan do you like the dune okay you're into dune yeah yeah okay how do you think of him as an actor in dune great phenomenal he's nice like this i think he's a good actor this is the revisionist history shit i don't like you said he's phenomenal actor i think he's phenomenal he's not phenomenal he's good can you just give me baseline for phenomenal is leo your baseline for phenomenal he …”
“… dune we probably can't watch it right when we get clipped if we watch it why we're reviewing yeah i mean talking over it and like pausing and stuff that's where we get caught as we just play it through oh we play it straight through all right fair all right so pause it every moment and you say a word take the beer from al no i'm not even cooking yet no you're cooked uh we need what we need is a chalamet okay because they just dropped dune part three were you a fan do you like the dune okay you're into dune yeah yeah okay how do you think of him as an actor in dune great phenomenal he's nice like this i think he's a good actor this is the revisionist history shit i don't like you said he's phenomenal actor i think he's phenomenal he's not phenomenal he's good can you just give me baseline for phenomenal is leo your baseline for phenomenal he yeah he's up there yeah yeah okay and he's not leo yet yeah yeah is he leo at 27 how old was leo when he was titanic uh gilbert great uh i can tell you that was wild that's you didn't have to do that to say it he did say the name of the character that was wild and i'm the bad one i'm not saying that you're bad but like if i'm impersonating like if …”
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In a hilarious back-and-forth, the hosts debate whether Timothée Chalamet is on the same acting level as Leonardo DiCaprio. The comedic tension builds as they argue over what constitutes 'phenomenal' acting, with one host hilariously insisting that Chalamet's talent is just as good as Leo's iconic performances. The absurdity of comparing their ages and acting prowess makes for a laugh-out-loud segment.
“… girl. You're protecting your peace, girl. I spend my time listening to NPR. Well, that's good for you. No, I'll give it to you. It's Timothee Chalamet. The star of Marty Supreme seemed pretty much on track to win a Best Actor Oscar, but then he really pissed off the opera and ballet people with that comment. Weird move from a guy whose own name sounds like a ballet move. Yeah. Plie, releve, Chalamet. Yeah. I tore a hamstring doing a Chalamet once. Yeah. you gotta be young you gotta be young and flexible to chalamet uh he said this he was talking to uh matthew mcconaughey of all people uh …”
“… a hint. Well, let's see. I mean, he doesn't think that opera and ballet are as important and culturally significant as, say, movies about ping pong players. Oh, I'm afraid I have no idea. Or chocolatiers. You really live out there. Yeah, Jen, I am jealous. girl. You're protecting your peace, girl. I spend my time listening to NPR. Well, that's good for you. No, I'll give it to you. It's Timothee Chalamet. The star of Marty Supreme seemed pretty much on track to win a Best Actor Oscar, but then he really pissed off the opera and ballet people with that comment. Weird move from a guy whose own name sounds like a ballet move. Yeah. Plie, releve, Chalamet. Yeah. I tore a hamstring doing a Chalamet once. Yeah. you gotta be young you gotta be young and flexible to chalamet uh he said this he was talking to uh matthew mcconaughey of all people uh about how he did not want movies to come become irrelevant like ballet and opera this brought an enormous clap back from people like isabel leonard and sean tester and many others that let us be honest you have never heard it it's my personal opinion yes that timothy is beefing with his sister and mother right now turns out yeah they both have this …”
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In a hilarious twist, Timothée Chalamet's offhand comment about opera and ballet nearly derails his Oscar hopes, leading to a comedic backlash. The segment features jokes about cabinet members wearing ill-fitting shoes and a playful jab at Chalamet's name sounding like a ballet move, making for a laugh-out-loud exploration of celebrity faux pas.
“… nuggets of information from one interview that you actually use on a completely different interview? Yeah, I did that the other night with Chalamet because when Timothy and I sat down for Little Women, it was him and Greta Gerwig. I love that movie. Love that movie too. And there's a theme in that film about going from childhood to adulthood and like your childhood being taken away. And I remember I had asked Chalamet at that press junket, do you remember the moment in your own life when you felt your childhood slip away and you became an adult? And he said this answer to me that was so …”
“… wow, it's there's nothing there's nothing like that. It's special. When have you been the most starstruck? For me, it's directors. So Christopher Nolan, Spielberg, Scorsese. Do you find that like when you're interviewing people, you're often like remembering nuggets of information from one interview that you actually use on a completely different interview? Yeah, I did that the other night with Chalamet because when Timothy and I sat down for Little Women, it was him and Greta Gerwig. I love that movie. Love that movie too. And there's a theme in that film about going from childhood to adulthood and like your childhood being taken away. And I remember I had asked Chalamet at that press junket, do you remember the moment in your own life when you felt your childhood slip away and you became an adult? And he said this answer to me that was so profound that I think about almost every day, which is like it the moment you realize your parents also don have everything figured out Because you grow up thinking your parents are superheroes and they have every answer And then you go no no no no They just figuring it out too And so Marty Supreme, you've seen Marty Supreme.”
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Timothée Chalamet's poignant reflection on the loss of childhood innocence, shared during an interview about the film 'Little Women,' highlights a universal truth: realizing that parents are not infallible. This moment of clarity often marks the transition into adulthood, as Chalamet articulates the moment when he recognized that his parents were just as uncertain as he was. This discussion not only reveals the depth of character development in films but also resonates deeply with anyone who has grappled with this realization.
“… popular actors, I don't know half of them in the top 10. You don't know the Bo Garrett. I don't know the Bo Garrett. Garrett, who's a chick. Timothy Chalamet. All right. Uh-huh. Oh, Nicholas Brendan just died. I don't think I know who Emily Rudd is either. Well, there must be a Paul Rudd thing, sister. Possibly. Keep going. That would make sense. Let's see. Sean Penn. All right, Oscars. Ryan Gosling, movie out. Alan Richardson's beat a guy down in the street. Elle Chapman. don't know turned out we were right about Richson by the way what would we figure out the part of the video that you don't see …”
“… this is fresh off the Oscars, though. That's the problem with this. Nicholas Brendan. Don't know who he is. Don't know who that is. Michael B. Jordan. I do know that. Leonardo DiCaprio. All right. Emily Rudd. How is it that the list of the 100 most popular actors, I don't know half of them in the top 10. You don't know the Bo Garrett. I don't know the Bo Garrett. Garrett, who's a chick. Timothy Chalamet. All right. Uh-huh. Oh, Nicholas Brendan just died. I don't think I know who Emily Rudd is either. Well, there must be a Paul Rudd thing, sister. Possibly. Keep going. That would make sense. Let's see. Sean Penn. All right, Oscars. Ryan Gosling, movie out. Alan Richardson's beat a guy down in the street. Elle Chapman. don't know turned out we were right about Richson by the way what would we figure out the part of the video that you don't see is the neighbor jumping in front of Alan Richson's motorcycle and screaming at him God his kids what a life what a life Matt Clark just died too I guess maybe in a weird way the problem with this list is there's some guy you never heard of, but he just got a DUI. So now he's at the number five. Like, I don't I don't think that's a good way to …”
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In a hilariously absurd moment, the host recounts the commitment of letting a neighbor's house burn down instead of calling the fire department, all while pondering the strange power dynamics of celebrity rankings. The segment blends humor with a critique of Hollywood's celebrity culture, leaving listeners in stitches over the ridiculousness of it all.
“… the way Timmy is dressing? It's, you know, there's a sort of collective unconscious, but also there is something about as much as people think like, Chalamet was great, that's the best performance of the year. And then you get your link and you open up for voting and you look at the five and suddenly there's this sort of like, wait a second. Yeah. You run the mental simulation. You imagine the speeches they're going to give. And sometimes I think you make an impulsive decision based on like vibes, right? Yeah. And I think you look at the two other, the two youngest best actor winners of all time. …”
“… unserious in a way that we can't reward him until he gains that piece. Right. Yeah. And obviously we talk about these things as if the Academy is like, you know, 800 people in robes who all sit around a long table and go, how do we feel about the way Timmy is dressing? It's, you know, there's a sort of collective unconscious, but also there is something about as much as people think like, Chalamet was great, that's the best performance of the year. And then you get your link and you open up for voting and you look at the five and suddenly there's this sort of like, wait a second. Yeah. You run the mental simulation. You imagine the speeches they're going to give. And sometimes I think you make an impulsive decision based on like vibes, right? Yeah. And I think you look at the two other, the two youngest best actor winners of all time. The people that Chalamet would have been in the class with are Richard Dreyfuss and Adrian Brody, who are both cases. Beloved figures. Where they gave it to these guys young and their egos went out of control. It's ruined them, yeah. And arguably were already bad like before. Yes. Yeah. Right. And I think, to me, a current state is better than either …”
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Timothée Chalamet's Oscar presence sparks debate over whether his perceived unseriousness affects voters' decisions. The discussion compares him to past young winners like Richard Dreyfuss and Adrian Brody, highlighting concerns about ego and character portrayal. Ultimately, the conversation suggests that voters may subconsciously reject Chalamet due to his character's moral ambiguity in his latest film.
“Our first question is an amalgamation of about 5,000 emails. Is Timothee Chalamet going to be okay? Will he be nominated for Dune Part 3? And is he the next Leo and will need to wait a painfully long time? yes maybe yes is the short version he's gonna be fine our our our sweet baby timothy chalamet we never we never stopped believing uh even if we had some notes about delivery and you know maybe we also maybe we all learned something from that that that that you do got to think about what you're saying before you say it …”
“Our first question is an amalgamation of about 5,000 emails. Is Timothee Chalamet going to be okay? Will he be nominated for Dune Part 3? And is he the next Leo and will need to wait a painfully long time? yes maybe yes is the short version he's gonna be fine our our our sweet baby timothy chalamet we never we never stopped believing uh even if we had some notes about delivery and you know maybe we also maybe we all learned something from that that that that you do got to think about what you're saying before you say it whether you're typing it or whether you're saying it on a recorded podcast slash town hall but on the other hand it's him not thinking before he says things that got him where he was and gotten millions of people to go see marty supreme in theaters the rest of the time so you win you lose some Timmy going to be fine Timmy we love you They never take …”
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Timothée Chalamet is likely to be just fine in his career, despite speculation about his Oscar chances for 'Dune: Part Three.' While comparisons to Mel Gibson's 'Braveheart' highlight the challenges of being a lead in a war epic, Chalamet's smart choices in roles suggest a promising future. The discussion emphasizes the importance of balancing prestige and genre, showcasing Chalamet's unique path in Hollywood.
“… a short opera and short opera because 45 minutes yeah it's pretty short right operas are i think longer yeah yeah um i don't know timothy would know chalamet I don't know how long I love how he's become Like the punching bag of Ballet and opera I didn't say good or bad Yeah but like No no no But I mean like He was right though That it is a dying eye form I think the way he said it Might have inflamed Some people's emotions Yeah Because he said it in a very flippant way Yeah But he was having a conversation Yeah And then Can I tell you There's a weird thought I had When it was happening though i was …”
“… the choir were you good in the choir one year my uncle I was never asked back after our big performance the cantata you know what a cantata is no i do not yeah i didn't either guess what it's 45 minutes of singing for easter there was this it's like a short opera and short opera because 45 minutes yeah it's pretty short right operas are i think longer yeah yeah um i don't know timothy would know chalamet I don't know how long I love how he's become Like the punching bag of Ballet and opera I didn't say good or bad Yeah but like No no no But I mean like He was right though That it is a dying eye form I think the way he said it Might have inflamed Some people's emotions Yeah Because he said it in a very flippant way Yeah But he was having a conversation Yeah And then Can I tell you There's a weird thought I had When it was happening though i was going like oh is is the world like trying to find its old um like analog days back yeah like no no no like like our old our old outrage oh i was thinking to myself we are living in a world where world war iii seems imminent every day yeah where you you know inflation is crazy where people are terrified of what's happening in the streets in america …”
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In a humorous reflection on cultural outrage, comedian Atsuko Okatsuka discusses how Timothée Chalamet became an unexpected target for criticism regarding ballet and opera. She highlights the absurdity of this outrage amidst global crises, suggesting that society needed a scapegoat to express its frustrations. Ultimately, she appreciates Chalamet for bearing the brunt of cultural tensions, framing him as a symbol of simpler times.
“… And someone would be like, it fell off. Like, I don't know. Like, the vibe felt off. I think I watched. Oh, my God. Okay. There's a clip of Timothee Chalamet and Kylie. Timothy's sister walks up to them Kylie gets up and just goes I love your dress She hates her dress She hates Timothy's sister Is hated by Kylie Timothy's sister never wants Kylie to marry Timmy Because of that clip It's actually out of control It's out of control The parasocial commentary This is a perfect example At the Oscars Just like when I did the snacks bit again, there were people in the comments of like one. I think it was …”
“… when you're joking around and, like, riffing with someone. And they're like, I don't know. Did anyone feel like maybe this was for real? And maybe they actually fucking dislike each other? You're dumb. You could literally be doing a sketch on SNL. And someone would be like, it fell off. Like, I don't know. Like, the vibe felt off. I think I watched. Oh, my God. Okay. There's a clip of Timothee Chalamet and Kylie. Timothy's sister walks up to them Kylie gets up and just goes I love your dress She hates her dress She hates Timothy's sister Is hated by Kylie Timothy's sister never wants Kylie to marry Timmy Because of that clip It's actually out of control It's out of control The parasocial commentary This is a perfect example At the Oscars Just like when I did the snacks bit again, there were people in the comments of like one. I think it was my clip with Chase Infinity. I was like talking to her. Love her. And so she really wanted a snack. She was like, oh, my God, it's perfect. I have a pocket. Whatever. The clip was real cute. It was like real innocent. And I was like, they don't have food in there. Like, do you want a snack? And then someone goes, actually, they for sure do have food …”
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In this hilarious segment, Meg Stalter dives into the absurdity of celebrity interactions and online criticism. The funniest moment comes when she hilariously recounts a comment about her jokingly scaring a fellow actress into eating snacks, showcasing the ridiculousness of parasocial relationships and how fans can misinterpret light-hearted banter.
“… when it comes to boys. Okay. We're clearly like her and her girlfriends talk about it. And some of her girls are boy crazy. All of Timothy Chalamet, right? There's like some go-tos. Here's who they love.”
“… deal with this shit. No. And so I've always hated homework and seeing them have to do like hours of homework, I'm like, just let it be kids. Have you had a Valentine's heartbreak yet? No, not a Valentine's. She has been perfect amount of healthy detachment when it comes to boys. Okay. We're clearly like her and her girlfriends talk about it. And some of her girls are boy crazy. All of Timothy Chalamet, right? There's like some go-tos. Here's who they love.”
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Ike shares a relatable and hilarious moment when he excitedly prepares his daughter's favorite dinner, only to find out she's opting to sleep over at a friend's house instead. His emotional rollercoaster of feeling proud yet heartbroken resonates with any parent who's faced similar disappointments.
“… wise. Yep. What even are the like the valences and what what works as a movie star? What what doesn't work? Again, we will be talking about Timothee Chalamet and, you know, and what people respond to. So that one that one's imperfect, but is also it's usually the deciding factor. Right. And it's because that's our list and we're in charge. That's right. And we're we're students of this. Yeah. And I feel comfortable holding on to that very fake mathematical formulation that we created some years ago. I was thinking a bit about television, too. And we have thought about TV as, again, part of the …”
“… even since we've been doing this but also generationally and also what does it mean for an audience to respond to you they have to respond to you in the film i think they do have to respond to you outside of the film more and more like press tour wise. Yep. What even are the like the valences and what what works as a movie star? What what doesn't work? Again, we will be talking about Timothee Chalamet and, you know, and what people respond to. So that one that one's imperfect, but is also it's usually the deciding factor. Right. And it's because that's our list and we're in charge. That's right. And we're we're students of this. Yeah. And I feel comfortable holding on to that very fake mathematical formulation that we created some years ago. I was thinking a bit about television, too. And we have thought about TV as, again, part of the feeder system over the years. But we have a handful of very noisy contributors I would say to the potential of this list that are active right now The one that I can think of the most that was doing this the last time we spoke was looking back on the Once Upon a Time in Hollywood cast and saying wow was this the most impressive trampoline for five or …”
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Glenn Close exemplifies the changing landscape of movie star status, where traditional metrics of box office success are evolving. In discussing the impact of shows like 'Euphoria,' the hosts highlight how young stars like Zendaya and Sydney Sweeney are redefining what it means to be a movie star today, emphasizing both on-screen and off-screen presence. This shift reflects a broader cultural conversation about the relevance of movie stars in a post-pandemic entertainment industry.
“… at the end. And so maybe if you want to save your answer to this. So then what do you give in? Hey, we're this is just our cast. We've got Timmy Chalamet and Zendaya and Pew and like. He long he took it a challenge that already existed with the time jump and made it bigger. It's 12 years in the text and he made it 17. What what is your do you have a theory for why? Not that I have a very strong theory, but not outside. OK, we'll come back to it. We will come back to it then. So yeah 17 years later is where we find these characters I will say on your just the kind of opening reminder of of frank …”
“… do a very, very quick, just a few minutes. We're going to talk about doing a lot over the next few months before we get to watch this movie in December. This will not be the only preview conversation we have. We'll do a few minutes of book spoiler talk at the end. And so maybe if you want to save your answer to this. So then what do you give in? Hey, we're this is just our cast. We've got Timmy Chalamet and Zendaya and Pew and like. He long he took it a challenge that already existed with the time jump and made it bigger. It's 12 years in the text and he made it 17. What what is your do you have a theory for why? Not that I have a very strong theory, but not outside. OK, we'll come back to it. We will come back to it then. So yeah 17 years later is where we find these characters I will say on your just the kind of opening reminder of of frank herbert desire to interrogate the idea of the chosen one the messiah the savior the figure of lore and prophecy um i i think that and we like you like you you mentioned we've been talking about this across the the coverage of both of the prior films but i that was one of the things that i thought like Villeneuve did so undeniably well was like …”
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In 'Dune: Part Three', Paul Atreides grapples with the heavy burden of power and the cycle of violence he has inadvertently created. Set 17 years after the previous film, this installment explores the consequences of being viewed as a messiah and the emotional turmoil that comes with it. The discussion highlights the challenges of adapting Frank Herbert's themes, particularly the critique of the savior narrative.
“… there. And then he said, distinctly disrespectfully, I just lost 14 cents in viewership. Damn, I just took shots for no reason. There is evidence of Chalamet showing having made similar comments before, such as on the Graham Norton show in 2019, when he called opera a, quote, outdated art form, and at an event the same year where he was worried that cinema would become like opera or ballet or something, kind of a dying art form or something. He also, as many people, as many of those who claim to feel so offended have pointed out, has close family connections to the world of classical dance. His …”
“people out there. And then he said, distinctly disrespectfully, I just lost 14 cents in viewership. Damn, I just took shots for no reason. There is evidence of Chalamet showing having made similar comments before, such as on the Graham Norton show in 2019, when he called opera a, quote, outdated art form, and at an event the same year where he was worried that cinema would become like opera or ballet or something, kind of a dying art form or something. He also, as many people, as many of those who claim to feel so offended have pointed out, has close family connections to the world of classical dance. His mother, grandmother, and sister all dance with the New York City Ballet. Wow. And he has spoken out about growing up, dreaming big backstage at the Koch Theater in New York, where the ballet performs. As someone who tried to pursue a career in pop music while my older sister, this is the writer in the Financial Times, my older sister pursued one in …”
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Timothée Chalamet sparked backlash by calling opera and ballet outdated art forms, claiming cinema might follow in their decline. Despite his family's deep ties to ballet, his comments seemed to invite criticism, as they undermined other artists' pursuits of greatness. This incident highlights the tension between different art forms and the evolving landscape of entertainment.
“In the second one, they make friends with some of the sand people. That's where you see Timothee Chalamet riding the giant worm. He becomes the leader. But now you have the people who do not want him to be in that position. Try to take him down. There's going to be tragedy. There's going to be babies. There's going to be people fighting again over spices. So to me, the spices in Dune are like the trees in Lord of the Rings. Another thing I just could not buy into everything. was just walking and talking in that movie, and here everybody is just …”
“In the second one, they make friends with some of the sand people. That's where you see Timothee Chalamet riding the giant worm. He becomes the leader. But now you have the people who do not want him to be in that position. Try to take him down. There's going to be tragedy. There's going to be babies. There's going to be people fighting again over spices. So to me, the spices in Dune are like the trees in Lord of the Rings. Another thing I just could not buy into everything. was just walking and talking in that movie, and here everybody is just arguing about spices. Even though I don't love the story itself, I do love the visual aspect of these movies, because Denis Villeneuve has put out some bangers. Because when I watch one of his movies, whether it's Arrival, Blade Runner, even Sicario of Prisoners that were earlier in his career, I feel like I am transported wherever those characters …”
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In a hilarious take on the upcoming movie battle, Mike compares the spices in 'Dune' to the trees in 'Lord of the Rings,' questioning why everyone is so obsessed with them. His diabolical movie take leads to a comical debate about what makes a film worth seeing in theaters versus at home, leaving listeners both amused and bewildered.
“… not super surprising. Stock's up around 2% today. I would expect this to pop even harder once these layoffs are actually announced. Yeah. Timothee Chalamet is getting taken to task in the Financial Times over his views on opera and ballet, of all things. It's quite sweet, really. So desperate are some people to get their knickers in a twist on the Internet that in the face of a lull in the culture wars, we have real wars now. The only thing they have found to get outraged about recently relates to a man saying nobody cares about ballet and opera anymore. The man I refer to as Timothee Chalamet, a …”
“Three sources familiar with the matter told Reuters, as Meta seeks to offset AI infrastructure bets and prepare for greater efficiency brought by AI-assisted workers. Again, not super surprising. Stock's up around 2% today. I would expect this to pop even harder once these layoffs are actually announced. Yeah. Timothee Chalamet is getting taken to task in the Financial Times over his views on opera and ballet, of all things. It's quite sweet, really. So desperate are some people to get their knickers in a twist on the Internet that in the face of a lull in the culture wars, we have real wars now. The only thing they have found to get outraged about recently relates to a man saying nobody cares about ballet and opera anymore. The man I refer to as Timothee Chalamet, a talented young actor who stars in the multi-Oscar nominated Marty Supreme. He said, I don't want to be working in ballet or opera or things where it's like, hey, keep this thing alive, even though like no one cares about this anymore. So his apparent instant regret, his slip felt a bit disingenuous. There's a world where the film and movie industry …”
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Timothée Chalamet ignited controversy by claiming that no one cares about ballet and opera anymore, leading to backlash from the arts community. His comments reflect a larger conversation about the relevance of traditional art forms in modern culture, especially as he positions himself as a figure striving for greatness in film. This clash highlights the tension between pursuing personal success and respecting established artistic traditions.
“… with money What one stock everyone should own Oh that this It's the index. That's what you should know because you can't ever get it right. Timothy Chalamet. Is he a better actor or ping pong player? He's a better actor. There's a lot of CGI in that he can play ping pong, though. He's a pretty good guitarist, too, by the way. That kid's pretty talented. Secret to building wealth in one sentence Discipline That was one word That's pretty good Yeah What's your number one regret? I don't have any I wouldn't change a thing Do you still want more money? And if so, how much? No I don't want more money …”
“… 50, you don't even need any more money. I mean, people say, I want to buy a yacht and all this crap. But my life didn't change after I had $5 million very much. I mean it just you know I have a lot more now but other than watches I don do crazy stuff with money What one stock everyone should own Oh that this It's the index. That's what you should know because you can't ever get it right. Timothy Chalamet. Is he a better actor or ping pong player? He's a better actor. There's a lot of CGI in that he can play ping pong, though. He's a pretty good guitarist, too, by the way. That kid's pretty talented. Secret to building wealth in one sentence Discipline That was one word That's pretty good Yeah What's your number one regret? I don't have any I wouldn't change a thing Do you still want more money? And if so, how much? No I don't want more money I'm very fortunate I get more money Because I really focus on what I do But I don't need more I need more time Would you retire for $10 billion post-tax right now? No No interest in that If you were to leave the viewer with one piece of advice It doesn't have to be money It doesn't have to be finance It could be anything. What would it be? Figure out …”
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Kevin O'Leary reveals that reaching $5 million in T-bills is the key to financial freedom, after which investing in stocks and alternatives can enhance quality of life. He emphasizes that true wealth isn't about accumulating more money but focusing on what truly matters in life. O'Leary shares his personal philosophy on wealth, discipline, and the importance of avoiding distractions.
“… names and make a portmanteau of Dune and Doomsday. And luckily, the film stars already did it for us. if Doomsday star Robert Downey Jr. and Timothy Chalamet, the star of Dune, were at an event in January and Downey joked, we both have films opening on December 18th and we decided to coin it. We're thinking Doomsday. We'll see if we're still friends by then. That seems pretty on the end. I had not even thought about it before five seconds ago and that was the first thing that came to mind. But if you had to move one, which one would you move? I mean, it feels like Disney because again, I think the …”
“… the Oppenheimer treatment in the large scale. But that movie made one point four seven billion dollars globally. It actually outgrossed Oppenheimer. So maybe IMAX isn't as big of a draw in this particular case. Obviously, you have to combine the two names and make a portmanteau of Dune and Doomsday. And luckily, the film stars already did it for us. if Doomsday star Robert Downey Jr. and Timothy Chalamet, the star of Dune, were at an event in January and Downey joked, we both have films opening on December 18th and we decided to coin it. We're thinking Doomsday. We'll see if we're still friends by then. That seems pretty on the end. I had not even thought about it before five seconds ago and that was the first thing that came to mind. But if you had to move one, which one would you move? I mean, it feels like Disney because again, I think the IMAS thing is an issue, even though I just said it's not a big issue. that's kind of Disney coping, I think, because you just make way more money from these big screen formats. It feels like a bigger event when you go to an IMAX theater. So if I was Disney, I'd be the one to budge, especially because I was second to this weekend. I thought you were …”
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Doomsday, starring Robert Downey Jr. and Timothy Chalamet, is set to clash with Dune 3 at the box office on December 18. Despite the IMAX hype, Doomsday has already outgrossed Oppenheimer with $1.47 billion globally, suggesting that big names might be the real draw rather than the format. With both films vying for attention, the question remains: which will dominate the box office?
“… the morning, at times having started at lunchtime. And even as I was feeling sorry for myself, everybody else, especially the director and Timothee Chalamet, were working round the clock. And as soon as they stopped, Timothee Chalamet had a series of other engagements because his film was up for the Academy Award last year, A Complete Unknown, in which he was playing Bob Dylan. But I think part of what was interesting about this film was that almost all the scenes in which I was acting were completely improvised and unscripted. So I spent a lot of weeks in advance diligently learning my lines for …”
“… hard work, much harder even than I'd imagined. Really? Oh, my goodness. It made me happy by comparison to go back to my desk where I just write for eight hours a day because many in this crew were putting in 23-hour days. We were filming at four in the morning, at times having started at lunchtime. And even as I was feeling sorry for myself, everybody else, especially the director and Timothee Chalamet, were working round the clock. And as soon as they stopped, Timothee Chalamet had a series of other engagements because his film was up for the Academy Award last year, A Complete Unknown, in which he was playing Bob Dylan. But I think part of what was interesting about this film was that almost all the scenes in which I was acting were completely improvised and unscripted. So I spent a lot of weeks in advance diligently learning my lines for every scene. And then when my first scene came up, it was late at night, I was suddenly whisked off to a little room, all kinds of cameras began to descend upon me. Suddenly, Timothee Chalamet walked into the room and we started shouting at one another. I'm good for table tennis, Mr. Seth. Appeal to the USTTA, maybe they can find something better. …”
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Pico Iyer reveals that acting in 'Marty Supreme' was far more challenging than he anticipated, involving intense improvisation and long filming hours. Despite being a seasoned TED speaker, he had to adapt quickly, delivering unscripted lines and navigating a chaotic filming environment, which ultimately transformed his perspective on performance and creativity.
“… you. I also, even though it became sort of like the running gag of the night, and it got old very quickly, I did find it quite amusing how Timmy Chalamet just kept coming. He was the punching bag of the night. him and Trump were like the bunch of guys for very different reasons, obviously. But of course, there was this clip that went around from this town hall interview he did with Matthew McConaughey, where Timmy Chalamet is saying like, he wants to keep movie theaters alive and how he doesn't want to be working in ballet or opera things that as he says no one cares about anymore You know there …”
“I absolutely agree with you. I also, even though it became sort of like the running gag of the night, and it got old very quickly, I did find it quite amusing how Timmy Chalamet just kept coming. He was the punching bag of the night. him and Trump were like the bunch of guys for very different reasons, obviously. But of course, there was this clip that went around from this town hall interview he did with Matthew McConaughey, where Timmy Chalamet is saying like, he wants to keep movie theaters alive and how he doesn't want to be working in ballet or opera things that as he says no one cares about anymore You know there were a lot of jokes they were beaten dead but I did find it kind of amusing because you know Well and the sound was a constant problem all evening And I will grant you, this is a really complex, lots of moving parts, sort of engineering feat, I am sure. But it was roof. Well, and one section where the sound suffering kind of meant the most was in, …”
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At the 2026 Oscars, Timothée Chalamet became the night's running gag, enduring jokes alongside Donald Trump. While the humor was prevalent, the ceremony faced significant sound issues that marred key moments, including a rare performance by Barbra Streisand during the in-memoriam segment, highlighting the challenges of live event production.
“… My, on my gravestone, it's going to be that I interviewed you. And also before we get started, I just got to say the Timmy shout, Timothy, Timote, Chalamet shout out was so cool. Oh, and my daughter was, that was it for her. She's 15. That was it. Timothy Chalamet, mama. I mean, good company to be in. And of course, we all agreed with him. But you spoke about it. And I love what you said about how you loved his speech. What did you love about it? Because I did too Like the essence of what he was saying in that speech Well what I loved about the speech is he has a spirit of excellence You know some …”
“… cool. I mean, it's just, it is. And I, again, not something anyone's like thinking about when they're starting out, but just. It's cool. It's cool. It is. It's cool. It's cool. It's not going to be on my gravestone, Amy, but it's cool. It is so cool. My, on my gravestone, it's going to be that I interviewed you. And also before we get started, I just got to say the Timmy shout, Timothy, Timote, Chalamet shout out was so cool. Oh, and my daughter was, that was it for her. She's 15. That was it. Timothy Chalamet, mama. I mean, good company to be in. And of course, we all agreed with him. But you spoke about it. And I love what you said about how you loved his speech. What did you love about it? Because I did too Like the essence of what he was saying in that speech Well what I loved about the speech is he has a spirit of excellence You know some people I always negotiate, Amy. So if you feel like I take a long pause, I'm just negotiating what I'm about to say. So I don't step on toes and I don't work ever again in the industry. But some people don't have the spirit of excellence. They have this spirit of mistaking their presence for the event. Yeah. For mediocrity, for just beauty. But …”
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Viola Davis hilariously reflects on her love for 'bad kids' after a little one stuck their finger in her wedding cake. She shares her East Coast pride and the differences between Rhode Island and Boston, leading to a funny misunderstanding about a 'bubbler' that leaves everyone confused. The segment is filled with charming anecdotes and a delightful mix of humor and wisdom.
“… who's back? My who's back, speaking of not winning, is just not being able to win the big one. Yeah. A few Dominican came in the big one. Timothy Chalamet. Yeah. Did not win. Did you hear there might have been someone part of the PMT team who made a guarantee on Timothy Chalamet winning that Who would Oh Shane Yeah our number one movie guy Shane No no He guaranteed it corn dog that all he does is watch movies i know and he said he cared literally just we that's all he does we want we were watching it in the cave and he's just like what michael b jordan how could that happen we're like shane that …”
“… Yeah. What a ride. Magic Wand would be a great nickname for Minnesota. We were listening on the drive tonight. The sound was cutting in and out. PFT was just doing play-by-play at one point. Yeah. It was painful. Great note. Great play-by-play. Okay, who's back? My who's back, speaking of not winning, is just not being able to win the big one. Yeah. A few Dominican came in the big one. Timothy Chalamet. Yeah. Did not win. Did you hear there might have been someone part of the PMT team who made a guarantee on Timothy Chalamet winning that Who would Oh Shane Yeah our number one movie guy Shane No no He guaranteed it corn dog that all he does is watch movies i know and he said he cared literally just we that's all he does we want we were watching it in the cave and he's just like what michael b jordan how could that happen we're like shane that was a guarantee bolt up shane ah brutal that's tough. Chalamet, he'll win one. Yeah. Yeah, but he's now in that, like, can he win the big one? I think it's his third time. Nothing. Can't win the big one. Nothing to show. Chalamet and Caitlin Clark. Yeah. Can't win the big one. As a guy that didn't see either of the movies, Sinners or Marty Supreme, …”
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Timothée Chalamet's third Oscar nomination ended in disappointment, leaving fans questioning if he can ever win the big one. Despite being a favorite, he lost to Michael B. Jordan, igniting a debate among movie enthusiasts about his performances. This segment dives into the frustrations of fans and the pressures of high expectations in Hollywood.
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