Best Podcast Episodes About Chalamet
Everything podcasters are saying about Chalamet — curated from top podcasts
Updated: Apr 02, 2026 – 30 episodes
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Ridealong has curated the best and most interesting podcasts and clips about Chalamet.
Top Podcast Clips About Chalamet
“… or conversation. Yeah, yeah. It robs us of the nuance that you experience in murder documentaries that like helps us communicate. If Timothee Chalamet had said, it was Timothee, right? But I guess you seem weird if you say Timothee, whatever. Timothee. Timothee, Timothee. But if Timothee Chalamet had said, you know, I grew up, my family was in ballet and my mom was a ballet dancer and my grandmother was a ballet and I grew up in the ballet”
“… does ballet and his sister too. That's what people don't realize about the statements. About his statement? Yeah, is that he grew up in that world. Yeah, yeah, yeah. And so he was saying, this is what I mean by the context we remove from every statement or conversation. Yeah, yeah. It robs us of the nuance that you experience in murder documentaries that like helps us communicate. If Timothee Chalamet had said, it was Timothee, right? But I guess you seem weird if you say Timothee, whatever. Timothee. Timothee, Timothee. But if Timothee Chalamet had said, you know, I grew up, my family was in ballet and my mom was a ballet dancer and my grandmother was a ballet and I grew up in the ballet”
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Timothee Chalamet's upbringing in a ballet family adds depth to his public persona, challenging societal expectations. This segment explores how context is often stripped from celebrity statements, emphasizing the importance of understanding their backgrounds. By recognizing Chalamet's ballet roots, we can appreciate the nuances behind his statements and the media's portrayal of him.
“Our first question is an amalgamation of about 5,000 emails. Is Timothee Chalamet going to be okay? Will he be nominated for Dune Part 3? And is he the next Leo and will need to wait a painfully long time? yes maybe yes is the short version he's gonna be fine our our our sweet baby timothy chalamet we never we never stopped believing uh even if we had some notes about delivery and you know maybe we also maybe we all learned something from that that that that you do got to think about what you're saying before you say it …”
“Our first question is an amalgamation of about 5,000 emails. Is Timothee Chalamet going to be okay? Will he be nominated for Dune Part 3? And is he the next Leo and will need to wait a painfully long time? yes maybe yes is the short version he's gonna be fine our our our sweet baby timothy chalamet we never we never stopped believing uh even if we had some notes about delivery and you know maybe we also maybe we all learned something from that that that that you do got to think about what you're saying before you say it whether you're typing it or whether you're saying it on a recorded podcast slash town hall but on the other hand it's him not thinking before he says things that got him where he was and gotten millions of people to go see marty supreme in theaters the rest of the time so you win you lose some Timmy going to be fine Timmy we love you They never take …”
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Timothée Chalamet is likely to be just fine in his career, despite speculation about his Oscar chances for 'Dune: Part Three.' While comparisons to Mel Gibson's 'Braveheart' highlight the challenges of being a lead in a war epic, Chalamet's smart choices in roles suggest a promising future. The discussion emphasizes the importance of balancing prestige and genre, showcasing Chalamet's unique path in Hollywood.
“I mean, what else you got? One more thing I wanted to talk about at the Oscars. Did you see this Timothy Chalamet, your buddy, Timmy? Did you see he got in trouble for this clip that's going around? It's him talking to Matthew McConaughey. And it's let me hear the clip. I know the clip, but I haven't seen it. Yeah, we'll pull the clip up. This is from one of those variety, like actors on actors kinds of kinds of discussions. I admire people. when I've done it myself to go on a talk show and go, hey, we've got to keep movie theaters alive. You know, we've …”
“I mean, what else you got? One more thing I wanted to talk about at the Oscars. Did you see this Timothy Chalamet, your buddy, Timmy? Did you see he got in trouble for this clip that's going around? It's him talking to Matthew McConaughey. And it's let me hear the clip. I know the clip, but I haven't seen it. Yeah, we'll pull the clip up. This is from one of those variety, like actors on actors kinds of kinds of discussions. I admire people. when I've done it myself to go on a talk show and go, hey, we've got to keep movie theaters alive. You know, we've got to keep this genre alive. And another part of me feels like if people want to see it like Barbie, like Oppenheimer, they're going to go see it and go out of their way and be loud and proud about it. And I don't want to be working in ballet or opera or, you know, things where it's like, hey, keep this thing alive, even though no one cares about …”
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Timothée Chalamet faced backlash after discussing the relevance of ballet and opera compared to modern cinema. Initially criticized by Doja Cat and others, he ultimately sparked a conversation about the changing landscape of entertainment and audience preferences. This controversy highlights how social media reactions can often lead to misunderstandings and hasty judgments.
“… Peaches and Cream, 23 bucks. Peaches and Cream. Wow. Know what I mean? Peaches and Cream. Wow. Now she's with, what's his name? Timothy. Timothy Chalamet. She's a Chalamet-er now. Yeah. That guy, man. Love him. He's batting 1,000, huh? Oh, yeah. Movies, girls, right? His dating roster is amazing. Batting 1,000, this kid. When does it end for him? It doesn't. No, he's forever. Isn't that great? It's great. Good. Yeah, he's Leo. He's Leo. He's Leo. Yeah, yeah, yeah. But the difference is, we don't see him in a baseball hat covering his face all day. He's kind of out in them streets. He wants an …”
“… get a piece of that? Of course. I think she probably got a signing, like a deal with them. They probably gave her a couple million just to use her name. Travis Scott has one too. Travis Scott has a smoothie? My God. There it is. There's her smoothie. Peaches and Cream, 23 bucks. Peaches and Cream. Wow. Know what I mean? Peaches and Cream. Wow. Now she's with, what's his name? Timothy. Timothy Chalamet. She's a Chalamet-er now. Yeah. That guy, man. Love him. He's batting 1,000, huh? Oh, yeah. Movies, girls, right? His dating roster is amazing. Batting 1,000, this kid. When does it end for him? It doesn't. No, he's forever. Isn't that great? It's great. Good. Yeah, he's Leo. He's Leo. He's Leo. Yeah, yeah, yeah. But the difference is, we don't see him in a baseball hat covering his face all day. He's kind of out in them streets. He wants an Oscar. Oh, once he gets one, you think he'll cover up? yeah hat down yeah do you think leo keeps his hat on when he's banging those models you think he keeps the hat on and the mask on the covid mask and covers up and headphones on while he's doing it who's that toby toby with uh his girlfriend at what is this who is she is she famous no mishka uh …”
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In a hilarious exchange, the hosts dive into the absurdity of celebrity smoothie endorsements, leading to a side-splitting discussion about awkward encounters with famous people. The story of one host's failed attempt to connect with Oscar Martinez from 'The Office' showcases the humorous pitfalls of trying to treat celebrities like peers.
“And Joyelle Nicole Johnson. After her performance celebrating sinners, black ballerina Misty Copeland will slap Timothy Chalamet in the face. And if any of that happens, we'll ask you about it on Wait, Wait, Don't Tell Me. Thank you, Alzo Slade. Thanks also to Rachel Koster, Adam Felber, Doyle, and Nicole Johnson. Thanks to our fabulous audience here at the Studebaker Theatre in downtown Chicago. Thank you all for listening wherever you might be. I'm Peter Sagal, and we'll be back with Bill Curtis next week.”
Ridealong summary
In a hilarious twist on Oscar predictions, the segment features the outrageous notion that ballerina Misty Copeland will slap actor Timothy Chalamet after a performance celebrating sinners. The absurdity of this scenario, combined with the lively atmosphere of a live audience, makes for a memorable comedic moment.
“… there. And then he said, distinctly disrespectfully, I just lost 14 cents in viewership. Damn, I just took shots for no reason. There is evidence of Chalamet showing having made similar comments before, such as on the Graham Norton show in 2019, when he called opera a, quote, outdated art form, and at an event the same year where he was worried that cinema would become like opera or ballet or something, kind of a dying art form or something. He also, as many people, as many of those who claim to feel so offended have pointed out, has close family connections to the world of classical dance. His …”
“people out there. And then he said, distinctly disrespectfully, I just lost 14 cents in viewership. Damn, I just took shots for no reason. There is evidence of Chalamet showing having made similar comments before, such as on the Graham Norton show in 2019, when he called opera a, quote, outdated art form, and at an event the same year where he was worried that cinema would become like opera or ballet or something, kind of a dying art form or something. He also, as many people, as many of those who claim to feel so offended have pointed out, has close family connections to the world of classical dance. His mother, grandmother, and sister all dance with the New York City Ballet. Wow. And he has spoken out about growing up, dreaming big backstage at the Koch Theater in New York, where the ballet performs. As someone who tried to pursue a career in pop music while my older sister, this is the writer in the Financial Times, my older sister pursued one in …”
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Timothée Chalamet sparked backlash by calling opera and ballet outdated art forms, claiming cinema might follow in their decline. Despite his family's deep ties to ballet, his comments seemed to invite criticism, as they undermined other artists' pursuits of greatness. This incident highlights the tension between different art forms and the evolving landscape of entertainment.
“… all of the acting nominees, directors as well. Now and again, a few other nominees if the Academy asks that. But yeah. For example, like Timothee Chalamet, he's going to be someone who will stop on the carpet. I hope so. Right. Oh my God, fingers crossed. So do you already have ideas of how that interview would start if he came up to you at the carpet? Yeah. Well, right now, no. I feel like that's what I need to get into over the next two weeks. But what happened last year was he walked past me and I thought, okay, I've lost him. Like that's it. You know everyone walks one way down the carpet and …”
“… doing my prep in January and I have my sister and then another writer called Albie Swigler, who we all work together doing the research and writing up questions. But yeah, I prepare for all of the normal. Well, I would say all the nominees. I would say all of the acting nominees, directors as well. Now and again, a few other nominees if the Academy asks that. But yeah. For example, like Timothee Chalamet, he's going to be someone who will stop on the carpet. I hope so. Right. Oh my God, fingers crossed. So do you already have ideas of how that interview would start if he came up to you at the carpet? Yeah. Well, right now, no. I feel like that's what I need to get into over the next two weeks. But what happened last year was he walked past me and I thought, okay, I've lost him. Like that's it. You know everyone walks one way down the carpet and you have to grab them in that moment Otherwise they gone you know and you can find them again so he walked past and I thought it so annoying because I prepped my questions and I was super excited to get an interview with Timothy Chalamet never had an interview with him before and then I'm and then I think someone in my ear says okay some another …”
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Interviewing Timothée Chalamet on the red carpet is a thrilling yet nerve-wracking experience. The speaker shares their preparation process and the excitement of finally catching Chalamet after almost missing him at a previous event. The unpredictability of his mood and demeanor makes each interview unique, showcasing the multifaceted nature of the actor.
“… the morning, at times having started at lunchtime. And even as I was feeling sorry for myself, everybody else, especially the director and Timothee Chalamet, were working round the clock. And as soon as they stopped, Timothee Chalamet had a series of other engagements because his film was up for the Academy Award last year, A Complete Unknown, in which he was playing Bob Dylan. But I think part of what was interesting about this film was that almost all the scenes in which I was acting were completely improvised and unscripted. So I spent a lot of weeks in advance diligently learning my lines for …”
“… hard work, much harder even than I'd imagined. Really? Oh, my goodness. It made me happy by comparison to go back to my desk where I just write for eight hours a day because many in this crew were putting in 23-hour days. We were filming at four in the morning, at times having started at lunchtime. And even as I was feeling sorry for myself, everybody else, especially the director and Timothee Chalamet, were working round the clock. And as soon as they stopped, Timothee Chalamet had a series of other engagements because his film was up for the Academy Award last year, A Complete Unknown, in which he was playing Bob Dylan. But I think part of what was interesting about this film was that almost all the scenes in which I was acting were completely improvised and unscripted. So I spent a lot of weeks in advance diligently learning my lines for every scene. And then when my first scene came up, it was late at night, I was suddenly whisked off to a little room, all kinds of cameras began to descend upon me. Suddenly, Timothee Chalamet walked into the room and we started shouting at one another. I'm good for table tennis, Mr. Seth. Appeal to the USTTA, maybe they can find something better. …”
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Pico Iyer reveals that acting in 'Marty Supreme' was far more challenging than he anticipated, involving intense improvisation and long filming hours. Despite being a seasoned TED speaker, he had to adapt quickly, delivering unscripted lines and navigating a chaotic filming environment, which ultimately transformed his perspective on performance and creativity.
“… Oklahoma on Broadway. Wagner Mora for The Secret Agent. Mora plays a researcher who goes into hiding during Brazil's military dictatorship. Timothy Chalamet for Marty Supreme. He plays Marty Mauser, a scoundrel, a hustler, and an aspiring world champion in table tennis. Well, I live with the confidence that if I believe in myself, the money will follow. Ultimately my struggle isn even about money How do you pay rent I don You avoiding the question No I not avoiding anything How do you plan on eating food today Honestly I was going to order room service the second you leave And Michael B Jordan for …”
“… our nominees are Leonardo DiCaprio for One Battle After Another. DiCaprio plays a washed-up ex-revolutionary whose past catches up with him. Ethan Hawke for Blue Moon. Hawke plays songwriter Lorenz Hart on The Worst Night of His Life, the opening of Oklahoma on Broadway. Wagner Mora for The Secret Agent. Mora plays a researcher who goes into hiding during Brazil's military dictatorship. Timothy Chalamet for Marty Supreme. He plays Marty Mauser, a scoundrel, a hustler, and an aspiring world champion in table tennis. Well, I live with the confidence that if I believe in myself, the money will follow. Ultimately my struggle isn even about money How do you pay rent I don You avoiding the question No I not avoiding anything How do you plan on eating food today Honestly I was going to order room service the second you leave And Michael B Jordan for Sinners he plays twins Smoke and Stack who face off against vampires when they open a juke joint. I never saw no roots, no demons, no ghosts, no magic, just power. And only money can give you that. So once again, we are going to start with who do you think will win? Aisha, who do you think will win? Actor in a leading role? You know, I made this …”
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Timothée Chalamet is poised to win the Oscar for Best Actor for his role as Marty Mauser in the film 'Marty Supreme.' Despite some controversy over his campaign tactics and persona, his performance is seen as showy and charismatic, setting him apart from other nominees. The discussion reveals insights into the dynamics of Oscar campaigning and public perception of actors.
“… you won't. Some of the, oh, and I haven't even mentioned my favorite aside from Eddington, Marty Supreme which was blank last night and Timothee Chalamet who gives what is easily the performance of the year if not the decade as the title character did not win Best Actor And this is a movie about 1952 New York and a Jewish hustler kid who was trying to get himself to a ping pong tournament in Tokyo and everything that goes wrong along the way. spectacular piece of work. People are arguing over it who see it because it's one of those classic questions, which is, can you like a movie that has a …”
“… and Irish immigrants and black people and stuff. It's very original and fascinating. And just down the line, I could mention nine or 10 movies this year that were genuinely worth your time. But so what? Like maybe you'll watch them on streaming or maybe you won't. Some of the, oh, and I haven't even mentioned my favorite aside from Eddington, Marty Supreme which was blank last night and Timothee Chalamet who gives what is easily the performance of the year if not the decade as the title character did not win Best Actor And this is a movie about 1952 New York and a Jewish hustler kid who was trying to get himself to a ping pong tournament in Tokyo and everything that goes wrong along the way. spectacular piece of work. People are arguing over it who see it because it's one of those classic questions, which is, can you like a movie that has a morally compromised protagonist who seems to behave in bad ways? And the answer is obviously, you should be able to. You like The Sopranos. You like Breaking Bad. I don't know why you can't like Marty Supreme, but there it is. And anyway, I'm saying, in a world in which people cared about the movies, there was more than enough. more than enough this …”
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Timothée Chalamet fears movies may fade into obscurity like opera and ballet. He passionately promotes his film 'Marty Supreme' to ensure it garners attention, reflecting a broader crisis in moviegoing culture. His comments highlight the struggle to keep cinema a central part of American life amidst changing entertainment preferences.
“… making a really important point here. He is not one to talk at a time when there's a lot of talk of closing movie theaters. And people talk about Chalamet wants to be great. I appreciate that about him. He wants to win Oscars. He wants to be considered great. He's in a field that's changing too. And everyone is sort of trying to figure out how to get attention. I'd say he's closer to great when he's in Marty Supreme than when he's sort of boring in Dune. You should come on every week and do pop culture analysis. Absolutely, 100%. But I just don't know that we need to single out any form. I …”
“… understood or whether again it's about that experience the shared experience of sitting at the little theater laughing at gremlins around Christmas or the shared experience of again playing a string duet with someone. Yeah, and those remarks, you're making a really important point here. He is not one to talk at a time when there's a lot of talk of closing movie theaters. And people talk about Chalamet wants to be great. I appreciate that about him. He wants to win Oscars. He wants to be considered great. He's in a field that's changing too. And everyone is sort of trying to figure out how to get attention. I'd say he's closer to great when he's in Marty Supreme than when he's sort of boring in Dune. You should come on every week and do pop culture analysis. Absolutely, 100%. But I just don't know that we need to single out any form. I remember when I started hosting this program 12 years ago, and people were saying, hey, you've got to have a conversation about, like, is it the death of classical? Is classical? That article has been written like every other year. It's actually been written since the Middle Ages, or since Renaissance. Were madrigals going to kill classical music? The …”
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Timothée Chalamet's comments spark a debate on the future of movie theaters amidst changing entertainment landscapes. He highlights the importance of shared experiences, like laughing together in theaters, while critics argue whether his perspective is relevant as cinemas face closures. This conversation reflects a broader cultural narrative about the arts and their evolution over time.
“… think in a lot of discussions here, Marty Supreme. 3.5 out of five. It's written by Josh Safdie with Ronald Bronstein set in the 50s. It's Timothee Chalamet, who turns in a truly terrific performance. Timothee Chalamet is really good in this. The basic premise of Marty Supreme is that Timothee Chalamet plays this table tennis player named Marty Mauser, who's loosely based on another real guy named Marty Reisman. He wants to become the world champion at table tennis, and basically he breaks all of his relationships and is terrible in pursuit of this, all the way up to trying to track down a guy who …”
“Marty Supreme, which came in as sort of an early front runner here and has nine nominations at the Academy Awards, but now is kind of being given short shrift. I think in a lot of discussions here, Marty Supreme. 3.5 out of five. It's written by Josh Safdie with Ronald Bronstein set in the 50s. It's Timothee Chalamet, who turns in a truly terrific performance. Timothee Chalamet is really good in this. The basic premise of Marty Supreme is that Timothee Chalamet plays this table tennis player named Marty Mauser, who's loosely based on another real guy named Marty Reisman. He wants to become the world champion at table tennis, and basically he breaks all of his relationships and is terrible in pursuit of this, all the way up to trying to track down a guy who beat him at the table tennis championships in Britain. And now he's trying to get to Japan, and basically he's willing to do anything and exploit anyone. And so the movie is sort of a meditation on 1950s Jewish culture in a particular way. I thought that its take on Jewish culture is pretty ugly. It's sort of apprenticeship of Duddy Kravitz without …”
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'Marty Supreme' is a complex film that explores the dark side of ambition through Timothée Chalamet's character, a ruthless table tennis player willing to sacrifice everything for glory. While it presents a compelling performance and fast-paced storytelling, the movie's portrayal of 1950s Jewish culture raises ethical questions about its moral take. Ultimately, it challenges viewers to think deeply about the cost of chasing dreams and the journey toward redemption.
“… been an Academy Award nominated, and he's like, I really want to make a Star Wars movie, you know? and he's going to make a thriller with Timothy Chalamet, but he's also working on a star Wars movie. And there's a certain class of person who's already like crossed the threshold of being able to work, but they know that to keep working at scale and to get their smaller movies made, they really do got to participate in the big old franchise game. And Paramount's going to up the ante on that stuff too. So that'll be interesting. Now, younger filmmakers, it's fucking hard, man. Well, this was, you …”
“… more money. It's harder to get something off the ground. I think it's interesting to look at what, like, James Mangold is somebody I think a lot about in this configuration, right? Like, really, like, older craftsman who has a ton of respect, who has been an Academy Award nominated, and he's like, I really want to make a Star Wars movie, you know? and he's going to make a thriller with Timothy Chalamet, but he's also working on a star Wars movie. And there's a certain class of person who's already like crossed the threshold of being able to work, but they know that to keep working at scale and to get their smaller movies made, they really do got to participate in the big old franchise game. And Paramount's going to up the ante on that stuff too. So that'll be interesting. Now, younger filmmakers, it's fucking hard, man. Well, this was, you know, my little purity tests that I used to maintain are like, not against the filmmakers, but against the industry insisting that like, you know, the Trey Edward Schultz's of the world can't go into the tractor beam because look at what they have to offer the world. Yeah. Like, or, you know, they can go to TV. I mean, and I think a lot of Eggers, I …”
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Filmmakers today face a tough choice: make blockbuster franchise films or risk not working at all. This dilemma highlights the struggle for artistic integrity in an industry increasingly dominated by big conglomerates. As artists like Chloe Zhao transition to major franchises, the question remains: what does this mean for the future of diverse storytelling in cinema?
“… a subconscious thing where I was like, I just want, I'm not, and predicting and wanting is not the same thing. but I kind of confused them. I wanted Chalamet to win solely so we wouldn't have to have this discourse anymore, that we could finally be done with it because we all chilled out on Leo and that was in a much younger social media age than we are now. But yes, you're right. That didn't happen. I think the ultimate, the end result was the better one. But yeah, I sort of do dread already what the next,”
“… And I had to do a little analysis of that when I wrote about the show after the broadcast. And I think that one of them was I was reading sort of tea leaves about like BAFTA and SAG a little bit wrong or a lot wrong. The other was I think there was a subconscious thing where I was like, I just want, I'm not, and predicting and wanting is not the same thing. but I kind of confused them. I wanted Chalamet to win solely so we wouldn't have to have this discourse anymore, that we could finally be done with it because we all chilled out on Leo and that was in a much younger social media age than we are now. But yes, you're right. That didn't happen. I think the ultimate, the end result was the better one. But yeah, I sort of do dread already what the next,”
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Timothée Chalamet's loss at the 2026 Oscars has ignited a debate about the expectations surrounding young actors in Hollywood. The discussion reflects on how personal wishes can cloud predictions, as the speaker admits to wanting Chalamet to win to end the ongoing discourse surrounding his career. Ultimately, while the speaker acknowledges the better outcome, they express dread over the future conversations this loss may provoke.
“… to me i i i like it i've always liked it i you know it and it works on me from beginning to And I just it's where I am. I'm in the bag for for Timmy Chalamet. And that's fine. You don't have to be. There's I still think there's a chance he wins. He's still running at like 35 percent. Like it's not like he's not going to get any votes. This is not. I think that the thing the other thing that goes against him, of course, is that he's a young guy and young guys don't usually win. And MBJ is just now crossing the threshold of when it's like, OK, this is when a person who's been in the industry for a …”
“… that we can really we can start unleashing everything so as soon as you get to the mountaintop that's when they start taking you down there's definitely something going on there um i don't know i'm from new york his energy is very very notable to me i i i like it i've always liked it i you know it and it works on me from beginning to And I just it's where I am. I'm in the bag for for Timmy Chalamet. And that's fine. You don't have to be. There's I still think there's a chance he wins. He's still running at like 35 percent. Like it's not like he's not going to get any votes. This is not. I think that the thing the other thing that goes against him, of course, is that he's a young guy and young guys don't usually win. And MBJ is just now crossing the threshold of when it's like, OK, this is when a person who's been in the industry for a while usually starts to win. one important note here in the past five years there's been a big trend where leads match with best picture winners for the five past years there's been a best actor best actress lead winner that has been matched with best picture now it doesn't have to happen but it being more common you're kind of you're killing murphy …”
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As Timothée Chalamet continues to rise in Hollywood, he faces the inevitable scrutiny that comes with fame. This segment discusses the mixed perceptions surrounding Chalamet, drawing parallels to the online backlash faced by other celebrities like Blake Lively. The conversation hints at the pressures young actors face in an industry that often seems ready to tear them down as soon as they reach the top.
“And I feel like this is a yes. This is a for now. I mean, they just did. You know, Timmy's been doing the, what's it called? Timothee Chalamet Live. Give me an Oscar. Give me an Oscar tour. The screenings across LA of all of his films. And so he's, you know, he was with McConaughey. He was with Nolan. Yeah. And he like talked then and you know you can find these clips online about how like Interstellar is like his favorite movie of all time And he loves it and he like talked then and then you know you can find these clips online uh about how like interstellar is like his favorite …”
“And I feel like this is a yes. This is a for now. I mean, they just did. You know, Timmy's been doing the, what's it called? Timothee Chalamet Live. Give me an Oscar. Give me an Oscar tour. The screenings across LA of all of his films. And so he's, you know, he was with McConaughey. He was with Nolan. Yeah. And he like talked then and you know you can find these clips online about how like Interstellar is like his favorite movie of all time And he loves it and he like talked then and then you know you can find these clips online uh about how like interstellar is like his favorite movie all the time and he loves it he obviously worships nolan uh so it seems like they will work together again but it kind of surprising that it hasn happened yet i think he hasn't made that many movies since interstellar nolan not not timmy yeah timmy's been busy i think equally important anecdote to come out of that uh give me an oscar tour was …”
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Timothée Chalamet recently expressed his admiration for Christopher Nolan's film 'Interstellar,' calling it his favorite movie. The discussion highlights Nolan's unique storytelling style, particularly his complex treatment of time and character development, as well as the notable absence of strong female roles in his films. This segment also touches on potential future collaborations between Chalamet and Nolan, making it a captivating insight into their cinematic relationship.
“… from Mary Poppins. Oh, yes. Oh, that's nice. Yes. Yes. All I have to say is those hating on Nick, engaging in the arts, are sounding like Timothee Chalamet. And if you saw the Oscars, did you see that the sinners live performance brought out misty copeland a famous ballerina oh timothy was front row and they brought her out maybe trolling them did they put the camera on him did they i don't know if they put the camera on him but it was pretty like if this is all good clean fun I am here for it. I think it's amazing that we can get a little goofy and not take ourselves too seriously. If this is …”
“… I think I have to buy an adult coloring book and be like, this is for River. We got to bring it to the lake. No one does. We got to bring it to the lake. And then I'll find him doing it. The comment I appreciated the most was I reminded him from Bert from Mary Poppins. Oh, yes. Oh, that's nice. Yes. Yes. All I have to say is those hating on Nick, engaging in the arts, are sounding like Timothee Chalamet. And if you saw the Oscars, did you see that the sinners live performance brought out misty copeland a famous ballerina oh timothy was front row and they brought her out maybe trolling them did they put the camera on him did they i don't know if they put the camera on him but it was pretty like if this is all good clean fun I am here for it. I think it's amazing that we can get a little goofy and not take ourselves too seriously. If this is like, I have so much more respect for Doja Cat over the weekend because we saw her like, the heat for Timmy got a little hot. I mean, it started to get to the point where like, whoa, calm down. What are we talking about here? I mean, every celebrity was asked on the red carpet, like, what are your thoughts on Timothee Chalamet's recent comments about …”
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Doja Cat's candid reflection on her comments regarding Timothée Chalamet's remarks about ballet and opera highlights the importance of not taking oneself too seriously in the arts. During the Oscars, the scrutiny of Chalamet's words became overwhelming, prompting Doja Cat to admit her own performative stance. This moment serves as a reminder that artistic expression can be both serious and playful, and it's okay to embrace the goofy side of creativity.
“… telecast and say, I am so glad that in the acting categories, they showed us clips instead of having these long droning monologues about, Timothee Chalamet, you made me think you were a ping pong champion. Just show us the clip. Yeah. Yeah. I mean, it was a pretty old school night. I mean, the opening montage where Conan runs literally through several nominated films, that's a Billy Crystal shtick. That goes back. The opening monologue, which a bunch of absolutely mid jokes. That's tradition, too. Like the clips that you mentioned, Stephen, the presenter banter that was decidedly mid. Host jokes. …”
“… And The Girl Who Cried Pearls won in the Animated Short category. So let's get to the telecast. This ceremony had a lot of things for a lot of people, a lot of highs and a lot of lows. I'm going to start us off with general observations about the telecast and say, I am so glad that in the acting categories, they showed us clips instead of having these long droning monologues about, Timothee Chalamet, you made me think you were a ping pong champion. Just show us the clip. Yeah. Yeah. I mean, it was a pretty old school night. I mean, the opening montage where Conan runs literally through several nominated films, that's a Billy Crystal shtick. That goes back. The opening monologue, which a bunch of absolutely mid jokes. That's tradition, too. Like the clips that you mentioned, Stephen, the presenter banter that was decidedly mid. Host jokes. A lot of them all went along a theme of like, this is we're trying to reach out to the youngs. There were a lot of them, but they were short. They were like 30 seconds at most. That's good. Well, that was part of the joke, right? Because we have no attention span if you're under the age of 25. That's the idea. introducing the best picture nominees, …”
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Frankenstein swept the technical categories at the 2026 Oscars, winning awards for costume design, makeup, and production design. The film's impressive achievements reflect Guillermo del Toro's knack for assembling talented teams, making it a standout in a competitive year. Despite the dominance of Frankenstein, the ceremony had its share of ups and downs, including awkward moments during acceptance speeches.
“… are Michael B. Jordan for Sinners, Wagner Mora for The Secret Agent, Ethan Hawke for Blue Moon, Leonardo DiCaprio, One Battle After Another, Timothy Chalamet for Marty Supreme here And Patrick wrote in to ask, is Leonardo DiCaprio great? I think he's asking, is he great in this movie? Generally. Is he in the greatness pantheon now, Scott? He's awesome in this movie. And I think he's been in enough good roles where he's up. When he's in a movie, you pay attention generally. You'll give him that. Okay, Cielo? Yeah. He's the best. Yeah? Is he good in this? What is he in here? One Battle After the End. …”
“… be interesting between Paul Thomas Anderson and Ryan Coogler who directed Sinners. I think that is really where the interest of this ceremony is between those two movies, which are both great. I liked them both. The actor in a leading role nominees are Michael B. Jordan for Sinners, Wagner Mora for The Secret Agent, Ethan Hawke for Blue Moon, Leonardo DiCaprio, One Battle After Another, Timothy Chalamet for Marty Supreme here And Patrick wrote in to ask, is Leonardo DiCaprio great? I think he's asking, is he great in this movie? Generally. Is he in the greatness pantheon now, Scott? He's awesome in this movie. And I think he's been in enough good roles where he's up. When he's in a movie, you pay attention generally. You'll give him that. Okay, Cielo? Yeah. He's the best. Yeah? Is he good in this? What is he in here? One Battle After the End. Oh, One Battle After the End. Yeah, we all established that it's going to win and Scott's going to be wrong. probably so here probably is he great jared case is he a great actor i think at this point time yeah i mean when we talk about timothy chalamet is he a great actor now i don't see that i look at dicaprio at the same age and i see more from …”
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Michael B. Jordan's performance in 'Sinners' is strong enough to overshadow Leonardo DiCaprio's role in a Best Picture contender.
“The old Adrian Peterson comparison. Timothee Chalamet. Timothee Chalamet, or he may not. May not. No. Okay, time. Yeah, take that. He may not have. Timothee Chalamet, not have. Yeah. James in Virginia. Best and worst of the weekend, James. Oh, thank you for taking my call, brother. Happy Monday, DP, Dan. That's big time, all the time, every time. I salute the commanders, guys. Wonderful talking, man. Always listening, though. Always listening. Man, speaking of Washington, after the first week of …”
“The old Adrian Peterson comparison. Timothee Chalamet. Timothee Chalamet, or he may not. May not. No. Okay, time. Yeah, take that. He may not have. Timothee Chalamet, not have. Yeah. James in Virginia. Best and worst of the weekend, James. Oh, thank you for taking my call, brother. Happy Monday, DP, Dan. That's big time, all the time, every time. I salute the commanders, guys. Wonderful talking, man. Always listening, though. Always listening. Man, speaking of Washington, after the first week of free agency, love the moves that they made. They brought in a lot of youth and athleticism. Can't wait to see what they do in the draft. I hope I hear either Downs, Tate, or Love at the number seven pick. Man, pushing forward last night, that game, the energy, the atmosphere was palpable. You can feel it through the TV, the WBC. Man, the USA, I felt …”
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Listeners are divided on who reigns supreme in Hollywood: Timothée Chalamet or Leonardo DiCaprio. This debate unfolds as James and Adam, two passionate fans, share their thoughts on the best performances and the future of these actors. With Chalamet's rising star power and DiCaprio's legendary status, the conversation heats up, leaving listeners to ponder who truly deserves the title of GOAT.
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Best Podcasts on Michael B. Jordan's Oscar Win
The 98th Academy Awards saw "One Battle After Another" take home multiple major awards, including Best Picture. Michael B. Jordan delivered a memorable speech after winning Best Actor for "Sinners." The telecast itself garnered mixed reactions, with discussions ranging from Hollywood's declining relevance to specific snubs, political commentary, and the perceived "Timothée Chalamet fatigue."
98th Academy Awards