Best Podcast Episodes About Timothee Chalamet
Everything podcasters are saying about Timothee Chalamet — curated from top podcasts
Updated: Apr 02, 2026 – 38 episodes
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Ridealong has curated the best and most interesting podcasts and clips about Timothee Chalamet.
Top Podcast Clips About Timothee Chalamet
“… every statement or conversation. Yeah, yeah. It robs us of the nuance that you experience in murder documentaries that like helps us communicate. If Timothee Chalamet had said, it was Timothee, right? But I guess you seem weird if you say Timothee, whatever. Timothee. Timothee, Timothee. But if Timothee Chalamet had said, you know, I grew up, my family was in ballet and my mom was a ballet dancer and my grandmother was a ballet and I grew up in the ballet”
“… is. His mom does ballet and his sister too. That's what people don't realize about the statements. About his statement? Yeah, is that he grew up in that world. Yeah, yeah, yeah. And so he was saying, this is what I mean by the context we remove from every statement or conversation. Yeah, yeah. It robs us of the nuance that you experience in murder documentaries that like helps us communicate. If Timothee Chalamet had said, it was Timothee, right? But I guess you seem weird if you say Timothee, whatever. Timothee. Timothee, Timothee. But if Timothee Chalamet had said, you know, I grew up, my family was in ballet and my mom was a ballet dancer and my grandmother was a ballet and I grew up in the ballet”
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Timothee Chalamet's upbringing in a ballet family adds depth to his public persona, challenging societal expectations. This segment explores how context is often stripped from celebrity statements, emphasizing the importance of understanding their backgrounds. By recognizing Chalamet's ballet roots, we can appreciate the nuances behind his statements and the media's portrayal of him.
“… when it comes to boys. Okay. We're clearly like her and her girlfriends talk about it. And some of her girls are boy crazy. All of Timothy Chalamet, right? There's like some go-tos. Here's who they love.”
“… deal with this shit. No. And so I've always hated homework and seeing them have to do like hours of homework, I'm like, just let it be kids. Have you had a Valentine's heartbreak yet? No, not a Valentine's. She has been perfect amount of healthy detachment when it comes to boys. Okay. We're clearly like her and her girlfriends talk about it. And some of her girls are boy crazy. All of Timothy Chalamet, right? There's like some go-tos. Here's who they love.”
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Ike shares a relatable and hilarious moment when he excitedly prepares his daughter's favorite dinner, only to find out she's opting to sleep over at a friend's house instead. His emotional rollercoaster of feeling proud yet heartbroken resonates with any parent who's faced similar disappointments.
“… right so pause it every moment and you say a word take the beer from al no i'm not even cooking yet no you're cooked uh we need what we need is a chalamet okay because they just dropped dune part three were you a fan do you like the dune okay you're into dune yeah yeah okay how do you think of him as an actor in dune great phenomenal he's nice like this i think he's a good actor this is the revisionist history shit i don't like you said he's phenomenal actor i think he's phenomenal he's not phenomenal he's good can you just give me baseline for phenomenal is leo your baseline for phenomenal he …”
“… dune we probably can't watch it right when we get clipped if we watch it why we're reviewing yeah i mean talking over it and like pausing and stuff that's where we get caught as we just play it through oh we play it straight through all right fair all right so pause it every moment and you say a word take the beer from al no i'm not even cooking yet no you're cooked uh we need what we need is a chalamet okay because they just dropped dune part three were you a fan do you like the dune okay you're into dune yeah yeah okay how do you think of him as an actor in dune great phenomenal he's nice like this i think he's a good actor this is the revisionist history shit i don't like you said he's phenomenal actor i think he's phenomenal he's not phenomenal he's good can you just give me baseline for phenomenal is leo your baseline for phenomenal he yeah he's up there yeah yeah okay and he's not leo yet yeah yeah is he leo at 27 how old was leo when he was titanic uh gilbert great uh i can tell you that was wild that's you didn't have to do that to say it he did say the name of the character that was wild and i'm the bad one i'm not saying that you're bad but like if i'm impersonating like if …”
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In a hilarious back-and-forth, the hosts debate whether Timothée Chalamet is on the same acting level as Leonardo DiCaprio. The comedic tension builds as they argue over what constitutes 'phenomenal' acting, with one host hilariously insisting that Chalamet's talent is just as good as Leo's iconic performances. The absurdity of comparing their ages and acting prowess makes for a laugh-out-loud segment.
“… with money What one stock everyone should own Oh that this It's the index. That's what you should know because you can't ever get it right. Timothy Chalamet. Is he a better actor or ping pong player? He's a better actor. There's a lot of CGI in that he can play ping pong, though. He's a pretty good guitarist, too, by the way. That kid's pretty talented. Secret to building wealth in one sentence Discipline That was one word That's pretty good Yeah What's your number one regret? I don't have any I wouldn't change a thing Do you still want more money? And if so, how much? No I don't want more money …”
“… 50, you don't even need any more money. I mean, people say, I want to buy a yacht and all this crap. But my life didn't change after I had $5 million very much. I mean it just you know I have a lot more now but other than watches I don do crazy stuff with money What one stock everyone should own Oh that this It's the index. That's what you should know because you can't ever get it right. Timothy Chalamet. Is he a better actor or ping pong player? He's a better actor. There's a lot of CGI in that he can play ping pong, though. He's a pretty good guitarist, too, by the way. That kid's pretty talented. Secret to building wealth in one sentence Discipline That was one word That's pretty good Yeah What's your number one regret? I don't have any I wouldn't change a thing Do you still want more money? And if so, how much? No I don't want more money I'm very fortunate I get more money Because I really focus on what I do But I don't need more I need more time Would you retire for $10 billion post-tax right now? No No interest in that If you were to leave the viewer with one piece of advice It doesn't have to be money It doesn't have to be finance It could be anything. What would it be? Figure out …”
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Kevin O'Leary reveals that reaching $5 million in T-bills is the key to financial freedom, after which investing in stocks and alternatives can enhance quality of life. He emphasizes that true wealth isn't about accumulating more money but focusing on what truly matters in life. O'Leary shares his personal philosophy on wealth, discipline, and the importance of avoiding distractions.
“… popular actors, I don't know half of them in the top 10. You don't know the Bo Garrett. I don't know the Bo Garrett. Garrett, who's a chick. Timothy Chalamet. All right. Uh-huh. Oh, Nicholas Brendan just died. I don't think I know who Emily Rudd is either. Well, there must be a Paul Rudd thing, sister. Possibly. Keep going. That would make sense. Let's see. Sean Penn. All right, Oscars. Ryan Gosling, movie out. Alan Richardson's beat a guy down in the street. Elle Chapman. don't know turned out we were right about Richson by the way what would we figure out the part of the video that you don't see …”
“… this is fresh off the Oscars, though. That's the problem with this. Nicholas Brendan. Don't know who he is. Don't know who that is. Michael B. Jordan. I do know that. Leonardo DiCaprio. All right. Emily Rudd. How is it that the list of the 100 most popular actors, I don't know half of them in the top 10. You don't know the Bo Garrett. I don't know the Bo Garrett. Garrett, who's a chick. Timothy Chalamet. All right. Uh-huh. Oh, Nicholas Brendan just died. I don't think I know who Emily Rudd is either. Well, there must be a Paul Rudd thing, sister. Possibly. Keep going. That would make sense. Let's see. Sean Penn. All right, Oscars. Ryan Gosling, movie out. Alan Richardson's beat a guy down in the street. Elle Chapman. don't know turned out we were right about Richson by the way what would we figure out the part of the video that you don't see is the neighbor jumping in front of Alan Richson's motorcycle and screaming at him God his kids what a life what a life Matt Clark just died too I guess maybe in a weird way the problem with this list is there's some guy you never heard of, but he just got a DUI. So now he's at the number five. Like, I don't I don't think that's a good way to …”
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In a hilariously absurd moment, the host recounts the commitment of letting a neighbor's house burn down instead of calling the fire department, all while pondering the strange power dynamics of celebrity rankings. The segment blends humor with a critique of Hollywood's celebrity culture, leaving listeners in stitches over the ridiculousness of it all.
“… I am jealous. girl. You're protecting your peace, girl. I spend my time listening to NPR. Well, that's good for you. No, I'll give it to you. It's Timothee Chalamet. The star of Marty Supreme seemed pretty much on track to win a Best Actor Oscar, but then he really pissed off the opera and ballet people with that comment. Weird move from a guy whose own name sounds like a ballet move. Yeah. Plie, releve, Chalamet. Yeah. I tore a hamstring doing a Chalamet once. Yeah. you gotta be young you gotta be young and flexible to chalamet uh he said this he was talking to uh matthew mcconaughey of all people uh …”
“… need a hint. Well, let's see. I mean, he doesn't think that opera and ballet are as important and culturally significant as, say, movies about ping pong players. Oh, I'm afraid I have no idea. Or chocolatiers. You really live out there. Yeah, Jen, I am jealous. girl. You're protecting your peace, girl. I spend my time listening to NPR. Well, that's good for you. No, I'll give it to you. It's Timothee Chalamet. The star of Marty Supreme seemed pretty much on track to win a Best Actor Oscar, but then he really pissed off the opera and ballet people with that comment. Weird move from a guy whose own name sounds like a ballet move. Yeah. Plie, releve, Chalamet. Yeah. I tore a hamstring doing a Chalamet once. Yeah. you gotta be young you gotta be young and flexible to chalamet uh he said this he was talking to uh matthew mcconaughey of all people uh about how he did not want movies to come become irrelevant like ballet and opera this brought an enormous clap back from people like isabel leonard and sean tester and many others that let us be honest you have never heard it it's my personal opinion yes that timothy is beefing with his sister and mother right now turns out yeah they both have this …”
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In a hilarious twist, Timothée Chalamet's offhand comment about opera and ballet nearly derails his Oscar hopes, leading to a comedic backlash. The segment features jokes about cabinet members wearing ill-fitting shoes and a playful jab at Chalamet's name sounding like a ballet move, making for a laugh-out-loud exploration of celebrity faux pas.
“… the way Timmy is dressing? It's, you know, there's a sort of collective unconscious, but also there is something about as much as people think like, Chalamet was great, that's the best performance of the year. And then you get your link and you open up for voting and you look at the five and suddenly there's this sort of like, wait a second. Yeah. You run the mental simulation. You imagine the speeches they're going to give. And sometimes I think you make an impulsive decision based on like vibes, right? Yeah. And I think you look at the two other, the two youngest best actor winners of all time. …”
“… unserious in a way that we can't reward him until he gains that piece. Right. Yeah. And obviously we talk about these things as if the Academy is like, you know, 800 people in robes who all sit around a long table and go, how do we feel about the way Timmy is dressing? It's, you know, there's a sort of collective unconscious, but also there is something about as much as people think like, Chalamet was great, that's the best performance of the year. And then you get your link and you open up for voting and you look at the five and suddenly there's this sort of like, wait a second. Yeah. You run the mental simulation. You imagine the speeches they're going to give. And sometimes I think you make an impulsive decision based on like vibes, right? Yeah. And I think you look at the two other, the two youngest best actor winners of all time. The people that Chalamet would have been in the class with are Richard Dreyfuss and Adrian Brody, who are both cases. Beloved figures. Where they gave it to these guys young and their egos went out of control. It's ruined them, yeah. And arguably were already bad like before. Yes. Yeah. Right. And I think, to me, a current state is better than either …”
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Timothée Chalamet's Oscar presence sparks debate over whether his perceived unseriousness affects voters' decisions. The discussion compares him to past young winners like Richard Dreyfuss and Adrian Brody, highlighting concerns about ego and character portrayal. Ultimately, the conversation suggests that voters may subconsciously reject Chalamet due to his character's moral ambiguity in his latest film.
“Our first question is an amalgamation of about 5,000 emails. Is Timothee Chalamet going to be okay? Will he be nominated for Dune Part 3? And is he the next Leo and will need to wait a painfully long time? yes maybe yes is the short version he's gonna be fine our our our sweet baby timothy chalamet we never we never stopped believing uh even if we had some notes about delivery and you know maybe we also maybe we all learned something from that that that that you do got to think about what you're saying before you say it …”
“Our first question is an amalgamation of about 5,000 emails. Is Timothee Chalamet going to be okay? Will he be nominated for Dune Part 3? And is he the next Leo and will need to wait a painfully long time? yes maybe yes is the short version he's gonna be fine our our our sweet baby timothy chalamet we never we never stopped believing uh even if we had some notes about delivery and you know maybe we also maybe we all learned something from that that that that you do got to think about what you're saying before you say it whether you're typing it or whether you're saying it on a recorded podcast slash town hall but on the other hand it's him not thinking before he says things that got him where he was and gotten millions of people to go see marty supreme in theaters the rest of the time so you win you lose some Timmy going to be fine Timmy we love you They never take …”
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Timothée Chalamet is likely to be just fine in his career, despite speculation about his Oscar chances for 'Dune: Part Three.' While comparisons to Mel Gibson's 'Braveheart' highlight the challenges of being a lead in a war epic, Chalamet's smart choices in roles suggest a promising future. The discussion emphasizes the importance of balancing prestige and genre, showcasing Chalamet's unique path in Hollywood.
“I mean, what else you got? One more thing I wanted to talk about at the Oscars. Did you see this Timothy Chalamet, your buddy, Timmy? Did you see he got in trouble for this clip that's going around? It's him talking to Matthew McConaughey. And it's let me hear the clip. I know the clip, but I haven't seen it. Yeah, we'll pull the clip up. This is from one of those variety, like actors on actors kinds of kinds of discussions. I admire people. when I've done it myself to go on a talk show and go, hey, we've got to keep movie theaters alive. You know, we've …”
“I mean, what else you got? One more thing I wanted to talk about at the Oscars. Did you see this Timothy Chalamet, your buddy, Timmy? Did you see he got in trouble for this clip that's going around? It's him talking to Matthew McConaughey. And it's let me hear the clip. I know the clip, but I haven't seen it. Yeah, we'll pull the clip up. This is from one of those variety, like actors on actors kinds of kinds of discussions. I admire people. when I've done it myself to go on a talk show and go, hey, we've got to keep movie theaters alive. You know, we've got to keep this genre alive. And another part of me feels like if people want to see it like Barbie, like Oppenheimer, they're going to go see it and go out of their way and be loud and proud about it. And I don't want to be working in ballet or opera or, you know, things where it's like, hey, keep this thing alive, even though no one cares about …”
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Timothée Chalamet faced backlash after discussing the relevance of ballet and opera compared to modern cinema. Initially criticized by Doja Cat and others, he ultimately sparked a conversation about the changing landscape of entertainment and audience preferences. This controversy highlights how social media reactions can often lead to misunderstandings and hasty judgments.
“… No politics No politics Just what else is happening all right america is some real controversy here is a marathon 26 miles or is it 18 should timmy chalamet have opinions on ballet like this is what we're dealing with exactly it's usually america has news that is you know controversial and it gets us going and we're talking about they're not even providing that right like there's no i don't do you guys give a fuck what uh timmy chalamet thinks about ballet or opera no i don't think anyone does the culture war has gone soft it's gone so soft it's bad also timmy you gotta just stop talking take it …”
“Let try it Let try it No politics No politics Just what else is happening all right america is some real controversy here is a marathon 26 miles or is it 18 should timmy chalamet have opinions on ballet like this is what we're dealing with exactly it's usually america has news that is you know controversial and it gets us going and we're talking about they're not even providing that right like there's no i don't do you guys give a fuck what uh timmy chalamet thinks about ballet or opera no i don't think anyone does the culture war has gone soft it's gone so soft it's bad also timmy you gotta just stop talking take it from guys who know yeah stop talking it's listen you you killed it the the rollout for marty supreme was amazing your white boy of the month once your white boy you don't need to add a podcast ass i know i'm being i'm being like once once you become white boy of the month or white boy the year whatever it is yeah there's it's only down yeah you can …”
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In a hilariously critical take, the hosts question why Timothée Chalamet feels the need to share his thoughts on ballet, suggesting that he should just enjoy his status as 'white boy of the month' without complicating it with opinions. The segment cleverly critiques the absurdity of celebrity culture and the pressure to constantly promote oneself, making it both funny and relatable.
“… at the end. And so maybe if you want to save your answer to this. So then what do you give in? Hey, we're this is just our cast. We've got Timmy Chalamet and Zendaya and Pew and like. He long he took it a challenge that already existed with the time jump and made it bigger. It's 12 years in the text and he made it 17. What what is your do you have a theory for why? Not that I have a very strong theory, but not outside. OK, we'll come back to it. We will come back to it then. So yeah 17 years later is where we find these characters I will say on your just the kind of opening reminder of of frank …”
“… do a very, very quick, just a few minutes. We're going to talk about doing a lot over the next few months before we get to watch this movie in December. This will not be the only preview conversation we have. We'll do a few minutes of book spoiler talk at the end. And so maybe if you want to save your answer to this. So then what do you give in? Hey, we're this is just our cast. We've got Timmy Chalamet and Zendaya and Pew and like. He long he took it a challenge that already existed with the time jump and made it bigger. It's 12 years in the text and he made it 17. What what is your do you have a theory for why? Not that I have a very strong theory, but not outside. OK, we'll come back to it. We will come back to it then. So yeah 17 years later is where we find these characters I will say on your just the kind of opening reminder of of frank herbert desire to interrogate the idea of the chosen one the messiah the savior the figure of lore and prophecy um i i think that and we like you like you you mentioned we've been talking about this across the the coverage of both of the prior films but i that was one of the things that i thought like Villeneuve did so undeniably well was like …”
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In 'Dune: Part Three', Paul Atreides grapples with the heavy burden of power and the cycle of violence he has inadvertently created. Set 17 years after the previous film, this installment explores the consequences of being viewed as a messiah and the emotional turmoil that comes with it. The discussion highlights the challenges of adapting Frank Herbert's themes, particularly the critique of the savior narrative.
“… there. And then he said, distinctly disrespectfully, I just lost 14 cents in viewership. Damn, I just took shots for no reason. There is evidence of Chalamet showing having made similar comments before, such as on the Graham Norton show in 2019, when he called opera a, quote, outdated art form, and at an event the same year where he was worried that cinema would become like opera or ballet or something, kind of a dying art form or something. He also, as many people, as many of those who claim to feel so offended have pointed out, has close family connections to the world of classical dance. His …”
“people out there. And then he said, distinctly disrespectfully, I just lost 14 cents in viewership. Damn, I just took shots for no reason. There is evidence of Chalamet showing having made similar comments before, such as on the Graham Norton show in 2019, when he called opera a, quote, outdated art form, and at an event the same year where he was worried that cinema would become like opera or ballet or something, kind of a dying art form or something. He also, as many people, as many of those who claim to feel so offended have pointed out, has close family connections to the world of classical dance. His mother, grandmother, and sister all dance with the New York City Ballet. Wow. And he has spoken out about growing up, dreaming big backstage at the Koch Theater in New York, where the ballet performs. As someone who tried to pursue a career in pop music while my older sister, this is the writer in the Financial Times, my older sister pursued one in …”
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Timothée Chalamet sparked backlash by calling opera and ballet outdated art forms, claiming cinema might follow in their decline. Despite his family's deep ties to ballet, his comments seemed to invite criticism, as they undermined other artists' pursuits of greatness. This incident highlights the tension between different art forms and the evolving landscape of entertainment.
“… pushes michael b jordan and then people are like i'm i haven't been sure what to do this race has been wide open i'm not passionate about timothy chalamet or whatever so michael b and then the the one battle is the best picture and so instead of like a best picture best director split it's a best picture best or best actor split i i don't know i again i fully agree with you i mean that that was how i rationalized it that and And that something strong had to burble up for sinners because of how beloved it is. And this is the strongest thing that could burble up Yeah This is the thing where Leo …”
“… And that happened before SAG, which was a real boost to sinners and just also sinners prominent on screen and sinners dominant in an awards setting. And in the middle of Oscar voting. So my best rationalization for this was that the vibe shift is what pushes michael b jordan and then people are like i'm i haven't been sure what to do this race has been wide open i'm not passionate about timothy chalamet or whatever so michael b and then the the one battle is the best picture and so instead of like a best picture best director split it's a best picture best or best actor split i i don't know i again i fully agree with you i mean that that was how i rationalized it that and And that something strong had to burble up for sinners because of how beloved it is. And this is the strongest thing that could burble up Yeah This is the thing where Leo hasn really been competing You know he hasn been winning anything And so that was a place where one battle was not strong And that was a place where sinners could be much stronger. Maybe this is cope from a couple of one battle fans who just can't see the sinners wave. It could be about to crash down on Sunday night. Yeah. But also like the, The list …”
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The Oscars race is a battle between precedent and vibes, with 'One Battle After Another' potentially making historic wins despite strong competition from 'Sinners'.
Michael B. Jordan's win is seen as part of a broader 'vibe shift' in the awards race, reflecting uncertainty and a split between traditional frontrunners and emerging favorites.
“I mean, before we get to reality TV, did you see Timothee Chalamet dogging on the opera and ballet? Mr. Timmy Tim Tim LaGuardia High graduate himself. And I love this man down, but why would you say that? I'm a pretty positive son of a ballerina. He's the son of a ballerina? Yeah. Or opera. Or things where it's like, hey, keep this thing alive. Even though no one cares about this thing. Oh, my God. For the people who obviously are big into the arts and ballets, coming from that was, he wasn't, he was like, the …”
“I mean, before we get to reality TV, did you see Timothee Chalamet dogging on the opera and ballet? Mr. Timmy Tim Tim LaGuardia High graduate himself. And I love this man down, but why would you say that? I'm a pretty positive son of a ballerina. He's the son of a ballerina? Yeah. Or opera. Or things where it's like, hey, keep this thing alive. Even though no one cares about this thing. Oh, my God. For the people who obviously are big into the arts and ballets, coming from that was, he wasn't, he was like, the thing no one cares about. I mean, he was dogging on it. I don't think he was being fully serious, but I think the tone of I think he seriously thinks no one cares about it yes he does seriously think that I don't think he was trying to be like derogatory to the arts but well because he also followed it up with well I just lost 14 cents in …”
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Timothée Chalamet recently stirred controversy by downplaying the significance of opera and ballet, stating that 'no one cares' about these art forms. This remark sparked a response from Doja Cat, who defended the arts, emphasizing that performances are often sold out and highly valued. The discussion highlights the ongoing tension between high and low art in pop culture.
“… Again, not super surprising. Stock's up around 2% today. I would expect this to pop even harder once these layoffs are actually announced. Yeah. Timothee Chalamet is getting taken to task in the Financial Times over his views on opera and ballet, of all things. It's quite sweet, really. So desperate are some people to get their knickers in a twist on the Internet that in the face of a lull in the culture wars, we have real wars now. The only thing they have found to get outraged about recently relates to a man saying nobody cares about ballet and opera anymore. The man I refer to as Timothee Chalamet, a …”
“Three sources familiar with the matter told Reuters, as Meta seeks to offset AI infrastructure bets and prepare for greater efficiency brought by AI-assisted workers. Again, not super surprising. Stock's up around 2% today. I would expect this to pop even harder once these layoffs are actually announced. Yeah. Timothee Chalamet is getting taken to task in the Financial Times over his views on opera and ballet, of all things. It's quite sweet, really. So desperate are some people to get their knickers in a twist on the Internet that in the face of a lull in the culture wars, we have real wars now. The only thing they have found to get outraged about recently relates to a man saying nobody cares about ballet and opera anymore. The man I refer to as Timothee Chalamet, a talented young actor who stars in the multi-Oscar nominated Marty Supreme. He said, I don't want to be working in ballet or opera or things where it's like, hey, keep this thing alive, even though like no one cares about this anymore. So his apparent instant regret, his slip felt a bit disingenuous. There's a world where the film and movie industry …”
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Timothée Chalamet ignited controversy by claiming that no one cares about ballet and opera anymore, leading to backlash from the arts community. His comments reflect a larger conversation about the relevance of traditional art forms in modern culture, especially as he positions himself as a figure striving for greatness in film. This clash highlights the tension between pursuing personal success and respecting established artistic traditions.
“… I would say all of the acting nominees, directors as well. Now and again, a few other nominees if the Academy asks that. But yeah. For example, like Timothee Chalamet, he's going to be someone who will stop on the carpet. I hope so. Right. Oh my God, fingers crossed. So do you already have ideas of how that interview would start if he came up to you at the carpet? Yeah. Well, right now, no. I feel like that's what I need to get into over the next two weeks. But what happened last year was he walked past me and I thought, okay, I've lost him. Like that's it. You know everyone walks one way down the carpet and …”
“… my I'm doing my prep in January and I have my sister and then another writer called Albie Swigler, who we all work together doing the research and writing up questions. But yeah, I prepare for all of the normal. Well, I would say all the nominees. I would say all of the acting nominees, directors as well. Now and again, a few other nominees if the Academy asks that. But yeah. For example, like Timothee Chalamet, he's going to be someone who will stop on the carpet. I hope so. Right. Oh my God, fingers crossed. So do you already have ideas of how that interview would start if he came up to you at the carpet? Yeah. Well, right now, no. I feel like that's what I need to get into over the next two weeks. But what happened last year was he walked past me and I thought, okay, I've lost him. Like that's it. You know everyone walks one way down the carpet and you have to grab them in that moment Otherwise they gone you know and you can find them again so he walked past and I thought it so annoying because I prepped my questions and I was super excited to get an interview with Timothy Chalamet never had an interview with him before and then I'm and then I think someone in my ear says okay some another …”
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Interviewing Timothée Chalamet on the red carpet is a thrilling yet nerve-wracking experience. The speaker shares their preparation process and the excitement of finally catching Chalamet after almost missing him at a previous event. The unpredictability of his mood and demeanor makes each interview unique, showcasing the multifaceted nature of the actor.
“… names and make a portmanteau of Dune and Doomsday. And luckily, the film stars already did it for us. if Doomsday star Robert Downey Jr. and Timothy Chalamet, the star of Dune, were at an event in January and Downey joked, we both have films opening on December 18th and we decided to coin it. We're thinking Doomsday. We'll see if we're still friends by then. That seems pretty on the end. I had not even thought about it before five seconds ago and that was the first thing that came to mind. But if you had to move one, which one would you move? I mean, it feels like Disney because again, I think the …”
“… the Oppenheimer treatment in the large scale. But that movie made one point four seven billion dollars globally. It actually outgrossed Oppenheimer. So maybe IMAX isn't as big of a draw in this particular case. Obviously, you have to combine the two names and make a portmanteau of Dune and Doomsday. And luckily, the film stars already did it for us. if Doomsday star Robert Downey Jr. and Timothy Chalamet, the star of Dune, were at an event in January and Downey joked, we both have films opening on December 18th and we decided to coin it. We're thinking Doomsday. We'll see if we're still friends by then. That seems pretty on the end. I had not even thought about it before five seconds ago and that was the first thing that came to mind. But if you had to move one, which one would you move? I mean, it feels like Disney because again, I think the IMAS thing is an issue, even though I just said it's not a big issue. that's kind of Disney coping, I think, because you just make way more money from these big screen formats. It feels like a bigger event when you go to an IMAX theater. So if I was Disney, I'd be the one to budge, especially because I was second to this weekend. I thought you were …”
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Doomsday, starring Robert Downey Jr. and Timothy Chalamet, is set to clash with Dune 3 at the box office on December 18. Despite the IMAX hype, Doomsday has already outgrossed Oppenheimer with $1.47 billion globally, suggesting that big names might be the real draw rather than the format. With both films vying for attention, the question remains: which will dominate the box office?
“… four in the morning, at times having started at lunchtime. And even as I was feeling sorry for myself, everybody else, especially the director and Timothee Chalamet, were working round the clock. And as soon as they stopped, Timothee Chalamet had a series of other engagements because his film was up for the Academy Award last year, A Complete Unknown, in which he was playing Bob Dylan. But I think part of what was interesting about this film was that almost all the scenes in which I was acting were completely improvised and unscripted. So I spent a lot of weeks in advance diligently learning my lines for …”
“… very, very hard work, much harder even than I'd imagined. Really? Oh, my goodness. It made me happy by comparison to go back to my desk where I just write for eight hours a day because many in this crew were putting in 23-hour days. We were filming at four in the morning, at times having started at lunchtime. And even as I was feeling sorry for myself, everybody else, especially the director and Timothee Chalamet, were working round the clock. And as soon as they stopped, Timothee Chalamet had a series of other engagements because his film was up for the Academy Award last year, A Complete Unknown, in which he was playing Bob Dylan. But I think part of what was interesting about this film was that almost all the scenes in which I was acting were completely improvised and unscripted. So I spent a lot of weeks in advance diligently learning my lines for every scene. And then when my first scene came up, it was late at night, I was suddenly whisked off to a little room, all kinds of cameras began to descend upon me. Suddenly, Timothee Chalamet walked into the room and we started shouting at one another. I'm good for table tennis, Mr. Seth. Appeal to the USTTA, maybe they can find something better. …”
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Pico Iyer reveals that acting in 'Marty Supreme' was far more challenging than he anticipated, involving intense improvisation and long filming hours. Despite being a seasoned TED speaker, he had to adapt quickly, delivering unscripted lines and navigating a chaotic filming environment, which ultimately transformed his perspective on performance and creativity.
“… you. I also, even though it became sort of like the running gag of the night, and it got old very quickly, I did find it quite amusing how Timmy Chalamet just kept coming. He was the punching bag of the night. him and Trump were like the bunch of guys for very different reasons, obviously. But of course, there was this clip that went around from this town hall interview he did with Matthew McConaughey, where Timmy Chalamet is saying like, he wants to keep movie theaters alive and how he doesn't want to be working in ballet or opera things that as he says no one cares about anymore You know there …”
“I absolutely agree with you. I also, even though it became sort of like the running gag of the night, and it got old very quickly, I did find it quite amusing how Timmy Chalamet just kept coming. He was the punching bag of the night. him and Trump were like the bunch of guys for very different reasons, obviously. But of course, there was this clip that went around from this town hall interview he did with Matthew McConaughey, where Timmy Chalamet is saying like, he wants to keep movie theaters alive and how he doesn't want to be working in ballet or opera things that as he says no one cares about anymore You know there were a lot of jokes they were beaten dead but I did find it kind of amusing because you know Well and the sound was a constant problem all evening And I will grant you, this is a really complex, lots of moving parts, sort of engineering feat, I am sure. But it was roof. Well, and one section where the sound suffering kind of meant the most was in, …”
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At the 2026 Oscars, Timothée Chalamet became the night's running gag, enduring jokes alongside Donald Trump. While the humor was prevalent, the ceremony faced significant sound issues that marred key moments, including a rare performance by Barbra Streisand during the in-memoriam segment, highlighting the challenges of live event production.
“… Oklahoma on Broadway. Wagner Mora for The Secret Agent. Mora plays a researcher who goes into hiding during Brazil's military dictatorship. Timothy Chalamet for Marty Supreme. He plays Marty Mauser, a scoundrel, a hustler, and an aspiring world champion in table tennis. Well, I live with the confidence that if I believe in myself, the money will follow. Ultimately my struggle isn even about money How do you pay rent I don You avoiding the question No I not avoiding anything How do you plan on eating food today Honestly I was going to order room service the second you leave And Michael B Jordan for …”
“… our nominees are Leonardo DiCaprio for One Battle After Another. DiCaprio plays a washed-up ex-revolutionary whose past catches up with him. Ethan Hawke for Blue Moon. Hawke plays songwriter Lorenz Hart on The Worst Night of His Life, the opening of Oklahoma on Broadway. Wagner Mora for The Secret Agent. Mora plays a researcher who goes into hiding during Brazil's military dictatorship. Timothy Chalamet for Marty Supreme. He plays Marty Mauser, a scoundrel, a hustler, and an aspiring world champion in table tennis. Well, I live with the confidence that if I believe in myself, the money will follow. Ultimately my struggle isn even about money How do you pay rent I don You avoiding the question No I not avoiding anything How do you plan on eating food today Honestly I was going to order room service the second you leave And Michael B Jordan for Sinners he plays twins Smoke and Stack who face off against vampires when they open a juke joint. I never saw no roots, no demons, no ghosts, no magic, just power. And only money can give you that. So once again, we are going to start with who do you think will win? Aisha, who do you think will win? Actor in a leading role? You know, I made this …”
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Timothée Chalamet is poised to win the Oscar for Best Actor for his role as Marty Mauser in the film 'Marty Supreme.' Despite some controversy over his campaign tactics and persona, his performance is seen as showy and charismatic, setting him apart from other nominees. The discussion reveals insights into the dynamics of Oscar campaigning and public perception of actors.
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The film 'One Battle After Another' emerged as the dominant winner at the 2026 Oscars, capturing several major awards. The event also sparked discussions about 'Chalamet fatigue,' referring to the overexposure of actor Timothée Chalamet in recent films. This highlights ongoing trends in the film industry regarding star power and audience preferences.
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