Best Podcast Episodes About Johnny Weir
Everything podcasters are saying about Johnny Weir — curated from top podcasts
Updated: Apr 24, 2026 – 16 episodes
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Ridealong has curated the best and most interesting podcasts and clips about Johnny Weir.
Top Podcast Clips About Johnny Weir
“… do this. Someone who is not me should do this. Happy to show up to some meetings. Love a brainstorm. No bad idea to brainstorm. But what's weird is in the intervening time, my wife and I have had a kid. And so now I have a little boy. He's four years old. And now I'm like, okay, I would die to save the world because he's on it, right? And so it's kind of strange just the way that parenthood changes you. That's not really the focus of what we're talking about today. But it was just an interesting side note of just how much it's affected me. I'm like, okay, now if it was like me or …”
“… hero. So it's funny because when I wrote the book, I thought to myself, I was like, I would never be willing to sacrifice myself to save the world. I'd want I'd really want someone to do it, but not me. Someone should do this. Someone should definitely do this. Someone who is not me should do this. Happy to show up to some meetings. Love a brainstorm. No bad idea to brainstorm. But what's weird is in the intervening time, my wife and I have had a kid. And so now I have a little boy. He's four years old. And now I'm like, okay, I would die to save the world because he's on it, right? And so it's kind of strange just the way that parenthood changes you. That's not really the focus of what we're talking about today. But it was just an interesting side note of just how much it's affected me. I'm like, okay, now if it was like me or nothing and I had to die to save the world, well, then I would. Whereas other times I'd be like, can we talk about this? I mean, that's, I love that part of the book though, where Rylan is thinking about the kids in his class and their future, even though he doesn't have his own like biological kids, like that, that future, his emotional investment in …”
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In 'Project Hail Mary,' the character Ryland Grace evolves from a fearful individual to a self-sacrificing hero, highlighting the complexity of morality in storytelling. Author Andy Weir discusses how Grace's journey reflects real human anxieties and the profound changes that parenthood can bring to one's sense of duty. This exploration of character development makes for a compelling narrative about courage and sacrifice.
“… device form factor for AI? Like, what do you anticipate? Sure. I mean, so just look at all of OpenAI's hardware efforts, right? Being led in part by Johnny Ive, who is a former Apple guy and knows their playbook from back to front. It is not inconceivable to me that they could come up with something that you put on your desk or a pin that you wear on your sweater. And maybe for whatever reason, that means that you decide not to buy an Apple Watch or you decide not to buy your iPad. So, you know, as you sort of said a moment ago, it's not clear to me that something's going to come along to disrupt …”
“… he becomes a CEO is if and when it does start to cost them. And like, how would it cost them? Would it look like a new smartphone coming up that just has much better AI integration into it? Is it going to look like some totally new thing that is the device form factor for AI? Like, what do you anticipate? Sure. I mean, so just look at all of OpenAI's hardware efforts, right? Being led in part by Johnny Ive, who is a former Apple guy and knows their playbook from back to front. It is not inconceivable to me that they could come up with something that you put on your desk or a pin that you wear on your sweater. And maybe for whatever reason, that means that you decide not to buy an Apple Watch or you decide not to buy your iPad. So, you know, as you sort of said a moment ago, it's not clear to me that something's going to come along to disrupt the iPhone anytime soon. But you could start to see how AI could chip away at some of these accessories that are around the iPhone. And that might be how we eventually start to see some cracks in Apple's armor. Yeah, and I think it's useful to contrast them with Google, who did make early bets on AI. And obviously, they were sort of late to the …”
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Apple has become an AI laggard under Tim Cook, failing to advance Siri despite years of promises, and remains behind in AI innovation.
Apple's Vision Pro flop highlights a failure to find the next big platform, but their dominance with the iPhone remains unchallenged.
“… cast Rachel lap. Can I just jump in here with one thing? What? Don't say it with that. I like talking about the making of the movie witness. Peter Weir was like, I love this script. I, this is a list movie star. Is this guy going to be a diva? Is he going to swing around too much weight? Like I need to meet with him and see if there's like an unspoken connection or not, because otherwise i don't know what i'm getting into i've never worked with someone at this level before and he goes to where harrison ford lives at the time at some ranch and harrison ford picks him up himself at the local …”
“But like, yeah, but it's not him. Condom thief. That movie's awesome. That movie's so good. Um, so, uh, he, you know, and he, what, he hung out, hung out with some Philly homicide cops. He did his work now to cast Rachel lap. Can I just jump in here with one thing? What? Don't say it with that. I like talking about the making of the movie witness. Peter Weir was like, I love this script. I, this is a list movie star. Is this guy going to be a diva? Is he going to swing around too much weight? Like I need to meet with him and see if there's like an unspoken connection or not, because otherwise i don't know what i'm getting into i've never worked with someone at this level before and he goes to where harrison ford lives at the time at some ranch and harrison ford picks him up himself at the local airport and he's like good sign of character you know didn't send a fucking chauffeur right and then they like sit down in harrison ford's kitchen and they go over the script and he was like all he wanted to talk about was what could make the story better there was no like i want my character to have a moment like this right what's the motivation here …”
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Harrison Ford's approach to acting in the film 'Witness' is a masterclass in collaboration and character development. Director Peter Weir was initially concerned about Ford's star power, but after meeting him, he found a craftsman focused on enhancing the story rather than seeking ego-driven moments. This dynamic not only shaped the film but highlighted Ford's unique ability to engage audiences through thoughtful performance.
“… was making the last wave and that he wasn't sticking with period films because picnic had had such a big impact that everyone flipped the other way weir's take is that the rock literally opened up and swallowed them by the way whoa he's got a yeah he's got because he says like over the years he talked with her a lot over you know as after she he makes the movie she sort of trusts him more where she's like basically like of course she made it up quote unquote but there's some the rock opened up and swallowed him fucking just eating people right fucking hanging rock more like hungry rock hungry …”
“that had finally opened up, and they were already trying to pigeonhole it to, this is the only thing we export. that after picnic at hanging rock people were angry that he was making the last wave and that he wasn't sticking with period films because picnic had had such a big impact that everyone flipped the other way weir's take is that the rock literally opened up and swallowed them by the way whoa he's got a yeah he's got because he says like over the years he talked with her a lot over you know as after she he makes the movie she sort of trusts him more where she's like basically like of course she made it up quote unquote but there's some the rock opened up and swallowed him fucking just eating people right fucking hanging rock more like hungry rock hungry right um and like then eventually at one point he's like did a ufo get them and she's like maybe and he's like all right you're too much like and then she dies but then Peter Weir is like, he's like, I just had to have an answer in my head. And I've decided that like, they just got swallowed by essentially the earth. I love that. Right. But I don't …”
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In the exploration of Peter Weir's 1975 film 'Picnic at Hanging Rock,' the discussion reveals how the film's mysterious narrative led to various interpretations, including the idea that the rock itself swallowed the girls. Jane Schoenbrun highlights the emotional truth behind the film, contrasting the original author's vision with Weir's dreamy adaptation. This conversation dives into the haunting atmosphere of the actual location and the impact it had on the film's storytelling.
“… of Bruce, but I always felt Bruce and his E Street Band were the second best band in New Jersey. To me, the best band in New Jersey was Southside Johnny and the Asbury Jukes. And a lot of people, that didn't get further than Jersey for many people, but it should. Southside's still out, so I wanted to pick a song by him. And this is a song from his second record, the second Southside. Little Steven wrote a lot of the stuff before he was on Sopranos and before he was with Bruce full But this is a song called This Time It For Real and it just I learned about What year are we talking about here …”
“… shows? I gather that's going on. I don't know, but I'm not buying the, this is the last time he's ever going to play in New Jersey. I've bought into that eight times now. What if I could tell you that I grew up in Jersey, and I grew up around the time of Bruce, but I always felt Bruce and his E Street Band were the second best band in New Jersey. To me, the best band in New Jersey was Southside Johnny and the Asbury Jukes. And a lot of people, that didn't get further than Jersey for many people, but it should. Southside's still out, so I wanted to pick a song by him. And this is a song from his second record, the second Southside. Little Steven wrote a lot of the stuff before he was on Sopranos and before he was with Bruce full But this is a song called This Time It For Real and it just I learned about What year are we talking about here 70... I didn't look that up, I'm sorry. 77, maybe? And this was a group... I learned about soul music from white guys in New Jersey, and then I backtracked to the real stuff. But this is just great. It's like, to me, here it is. This time it's for real Southside Johnny and the Asbury Jukes. The horn section was stolen by Conan O'Brien. It's La Bamba. …”
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In a hilarious twist, the hosts debate the true musical royalty of New Jersey, with one declaring Southside Johnny and the Asbury Jukes as the real deal over Bruce Springsteen. The banter escalates as they stumble over the band's name, leading to a comedic revelation about the awkwardness of saying 'Asbury Jukes' out loud. Their playful jabs and nostalgic references make for a delightful and relatable segment.
“… said moving, breathing flesh. Just say a person. We're all moving, breathing flesh. I don't like it. Anyway, these checks are done every half hour. Johnny Unusual writes, it's worth noting that the writer on this film is Kurt Wimmer, master of films that are both tremendously preposterous and very dumb and still very fun. He's written the How Did This Get Made classics, Ultraviolet, The Beekeeper, Expendables 4, and Double Trouble. I'm not going to name the films because it's not a recommendation station, but I assure you that if you are ever stuck for movies, most of his films are the right kind …”
“… saying the institutions in my state have a log system where officers have to physically touch a tracking scanner on the door and then go to a data pad after looking in the window of the cell door to see moving, breathing flesh. I don't like how you said moving, breathing flesh. Just say a person. We're all moving, breathing flesh. I don't like it. Anyway, these checks are done every half hour. Johnny Unusual writes, it's worth noting that the writer on this film is Kurt Wimmer, master of films that are both tremendously preposterous and very dumb and still very fun. He's written the How Did This Get Made classics, Ultraviolet, The Beekeeper, Expendables 4, and Double Trouble. I'm not going to name the films because it's not a recommendation station, but I assure you that if you are ever stuck for movies, most of his films are the right kind of movies for this show. You can probably skip his Total Recall and Point Break remakes. Johnny Unusual, thank you for not making this a recommendation station. And as a matter of fact, because you didn't, now I am inclined to go deeper. But you're right about Total Recall and Point Break. What whiffs? Like a whiff and a miss. I mean, or I guess a …”
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In this hilarious segment, the hosts dive into absurd script changes from 'Law Abiding Citizen,' including a jaw-dropping scene where a guide dog meets a tragic, explosive fate. Their banter about prison logistics and the ridiculousness of the film's plot twists keeps the energy high and the laughs rolling.
“So his brother was in Indonesia for the fall of the Sukarno regime. Weir reads the book and reads it in a single day and inquires for the rights immediately. His quote is, I could smell the... What's this word? Sate? Sate? I don't know what that is. S-A-T-E? Yes. Interesting. Not sure. I think it's just a different spelling of satay. The tang of clove cigarettes, the distant sound of the gamelan, the exotic Japanese atmosphere. His whole thing I feel like with Weir is he has these like aesthetic reactions to stories …”
“So his brother was in Indonesia for the fall of the Sukarno regime. Weir reads the book and reads it in a single day and inquires for the rights immediately. His quote is, I could smell the... What's this word? Sate? Sate? I don't know what that is. S-A-T-E? Yes. Interesting. Not sure. I think it's just a different spelling of satay. The tang of clove cigarettes, the distant sound of the gamelan, the exotic Japanese atmosphere. His whole thing I feel like with Weir is he has these like aesthetic reactions to stories or whatever it's like he'll read a script and be like yeah that's interesting but then once in a while he reads a script where he's like oh i can't stop thinking about the world like the how you know and that's always seems to be why he then pursues a project he reads a thing he goes this is overwhelming i could never touch this and then he can't …”
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Peter Weir's adaptation of 'The Year of Living Dangerously' stems from a deep cultural fascination, sparked by his brother's experiences during the fall of the Sukarno regime in Indonesia. Weir's aesthetic reactions to stories drive his creative choices, leading him to pursue projects that resonate with him on a profound level, much like his previous films 'Gallipoli' and 'The Last Wave'.
“Yeah, right. You have three Peter Weir movies. Yeah, he's the last wave was a film we covered where I think we felt very out of our depth in terms of the sort of like the cultural stuff he's wrestling with. I loved it. It's a very interesting movie. You're just kind of aware that there's a bunch of stuff underneath the surface that we don't have the ability to pick up on. But it was fantastic. I think Join the Club in that it is, you know, it's a film about sort of climate, not …”
“Yeah, right. You have three Peter Weir movies. Yeah, he's the last wave was a film we covered where I think we felt very out of our depth in terms of the sort of like the cultural stuff he's wrestling with. I loved it. It's a very interesting movie. You're just kind of aware that there's a bunch of stuff underneath the surface that we don't have the ability to pick up on. But it was fantastic. I think Join the Club in that it is, you know, it's a film about sort of climate, not climate change, but it's an environmental film, I think. And, you know, the Aboriginal presence in it, what I really admired that he did was just let them go. Right. Let them leave what the story is. And I mean, that's what we did in Nightingale as well was, you know, the script was made in full consultation with Palawa people. people Tasmanian …”
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Gallipoli, directed by Peter Weir, contrasts with Saving Private Ryan by presenting a conventional narrative that leads to a shocking and horrifying climax. The film spends most of its runtime focusing on friendship and camaraderie, only to reveal the brutal realities of war in its final moments. This analysis highlights how Gallipoli's structure builds tension and delivers a poignant critique of war's romanticization.
“… is not to sell houses. It's just to have not a game. Yeah. Well, it's not. It's definitely not a game. Well, okay. All right. So now we're left with Johnny and Paul on the block against each other on the hit list. the two roommates who now somehow have to turn on each other. And Paul is up against the wall here because Paul knows that in that minion challenge, people were willing to help Johnny. Paul was begging people to help him. At least Johnny has Drita, you know, and so he's really got to go to work. New York is like, I'm not I'm good on Paul. He didn't abuse his power when he had the chance. …”
“… little bit of a clarification on the rules of selling sunset Apparently nobody has ever seen selling sunset Did we watch selling sunset one time We I think we did We did one of the seasons It was like on Netflix We watched one episode And the point is not to sell houses. It's just to have not a game. Yeah. Well, it's not. It's definitely not a game. Well, okay. All right. So now we're left with Johnny and Paul on the block against each other on the hit list. the two roommates who now somehow have to turn on each other. And Paul is up against the wall here because Paul knows that in that minion challenge, people were willing to help Johnny. Paul was begging people to help him. At least Johnny has Drita, you know, and so he's really got to go to work. New York is like, I'm not I'm good on Paul. He didn't abuse his power when he had the chance. Paul goes to Tyson and Tyson's like he doesn't hear anything Paul is saying he's over it and it's really Tyson that's really pushing for Paul to go over Johnny Middlebrooks but later on this will flip and somehow you know Paul loses all of his standing because Johnny has betrayed the trust of Tom Sandoval and you just don't do that to man of …”
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In Season 3 Episode 6 of House of Villains, Tom Sandoval and Tyson engage in a tense emotional confrontation about loyalty and betrayal. Tyson tries to mend their friendship while Tom grapples with feelings of hurt after Johnny's betrayal, showcasing the intricate dynamics of their relationships. The episode highlights how personal emotions intertwine with game strategy in reality TV.
“And. Hold on a second. Everyone, the great silver medal winner. Johnny Weir. Johnny how are you okay Rob you look so cute I had to get this done in a hurry T was like get on this podcast and now I'm here you can hear the rest of this story and then Rob we can talk about all Johnny and Tara things because that's our favorite subject good but anyways Jay I was just telling them sort of at the end with Natalie the round table. So, okay, where was I, Rob? Okay, so I thought it was Maura and Rob. I really thought it was a …”
“And. Hold on a second. Everyone, the great silver medal winner. Johnny Weir. Johnny how are you okay Rob you look so cute I had to get this done in a hurry T was like get on this podcast and now I'm here you can hear the rest of this story and then Rob we can talk about all Johnny and Tara things because that's our favorite subject good but anyways Jay I was just telling them sort of at the end with Natalie the round table. So, okay, where was I, Rob? Okay, so I thought it was Maura and Rob. I really thought it was a Bonnie and Clyde moment, which clearly it was not Maura. But we went around, Natalie and I went to Maura, and then they showed that. And I think you can see Maura was a no-go, and she actually went back and told Rob and Eric that we were going that way. And then Johnny had an interaction with Eric where he found out that Rob, Maura, Mark, and Eric …”
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In a gripping moment from the reality show, Natalie finds herself cornered during a tense roundtable discussion, leading to unexpected gameplay shifts. The dynamics between contestants Johnny, Tara, and Natalie reveal the high stakes and intricate strategies involved in their decisions, showcasing the emotional turmoil of competition. As alliances shift and tension escalates, the episode highlights the unpredictable nature of reality television.
“… Party, you know, we had an alliance. I was the only person to really get anybody out. And I got three people out, including myself. When it came to Johnny, I was talking to him the whole time. I was like, Johnny's been trying to work with us. I'm like, OK, Johnny, before the Toxic Tea Party, I was like, we're going to work together. OK. and i was like i'm not only gonna work with you but i'm gonna show you how dedicated i am by making you super villain and i literally did that i got two people out and then when i put the team in front of tyson i like he went to he went to johnny and johnny's like …”
“and he he immediately you know i felt like he was threatened and intimidated by tyson and i And that's why he was targeting us. And, you know, with the Toxic Tea Party, you know, we had an alliance. I was the only person to really get anybody out. And I got three people out, including myself. When it came to Johnny, I was talking to him the whole time. I was like, Johnny's been trying to work with us. I'm like, OK, Johnny, before the Toxic Tea Party, I was like, we're going to work together. OK. and i was like i'm not only gonna work with you but i'm gonna show you how dedicated i am by making you super villain and i literally did that i got two people out and then when i put the team in front of tyson i like he went to he went to johnny and johnny's like it wasn't me tyson came to me and i was like i don't know like like so i got myself out to make him super villain when we went inside johnny was like you know you nobody's safe like that and he's like but you're safe you know and then afterwards you know he takes me there the next day tells me i'm gonna be on the hit list and i was like of all …”
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In the latest episode of House of Villains Season 3, a player reveals how their trust was shattered after a betrayal by ally Johnny. Despite working hard to make Johnny a super villain and eliminate competitors, the player finds themselves on the hit list, highlighting the cutthroat dynamics of reality TV alliances. This segment captures the emotional rollercoaster of strategy and deception in the game.
“… with a knife. And Paramount was like, oh, man, this is not what we asked him for. This is really not what we asked him for. He'll never replace Johnny. Oh, fuck off. But what I knew, I knew were ridiculous. I was where I was because I snuck in through syndication, did a first run syndication. I know network wasn't for me. And when Letterman got CBS, I knew I was really in trouble. So I had to figure out an exit plan. But the bottom line is for six years, I did it the way I wanted to do it. And I wouldn't change a thing, man. To do it for 26 years, I wouldn't trade those six. The thing about …”
“… got in trouble because Eazy-E came on my show in his bathrobe. And he was like, you gave it to me. You know, because we would give out bathrobes. And so he said, well, fuck it. I'll wear it out there. And he wore it out and had a he was picking his teeth with a knife. And Paramount was like, oh, man, this is not what we asked him for. This is really not what we asked him for. He'll never replace Johnny. Oh, fuck off. But what I knew, I knew were ridiculous. I was where I was because I snuck in through syndication, did a first run syndication. I know network wasn't for me. And when Letterman got CBS, I knew I was really in trouble. So I had to figure out an exit plan. But the bottom line is for six years, I did it the way I wanted to do it. And I wouldn't change a thing, man. To do it for 26 years, I wouldn't trade those six. The thing about it is, man, everybody wanted to be Johnny back then. It was so crazy. Even Letterman. I joked at the Emmys. I said I had a dream. I wanted to be an old white man with a desk. And that was my – to the point, Joe, that when I made it, I hired Johnny's architect that built his house to build me a house. I was deep into the shit like that. Well, he was …”
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Arsenio Hall recalls a hilarious moment when Eazy-E showed up on his show in a bathrobe, claiming it was a gift from the host. The absurdity escalated when Eazy-E started picking his teeth with a knife on stage, leaving the network in a panic. Hall's unapologetic attitude about his unconventional style makes this segment both entertaining and relatable.
“… things don't happen. Other things do happen. But what I just described is kind of what the movie's about. It's David being like, something feels weird and I'm having weird dreams. What's going on? And these people largely are sort of like, we don't want to talk about it. And it's kind of none of your business. And he's like, I know, but I'm having these weird dreams. And they're like, well, that is weird. And that is interesting, but I don't know, man. Like, it's like a lot of that. It is kind of fascinatingly a like anti white savior movie or like inverted white savior movie in a way where …”
“And that is the vibe of the movie until the end. I'm not saying other things don't happen. Other things do happen. But what I just described is kind of what the movie's about. It's David being like, something feels weird and I'm having weird dreams. What's going on? And these people largely are sort of like, we don't want to talk about it. And it's kind of none of your business. And he's like, I know, but I'm having these weird dreams. And they're like, well, that is weird. And that is interesting, but I don't know, man. Like, it's like a lot of that. It is kind of fascinatingly a like anti white savior movie or like inverted white savior movie in a way where it's like, oh, here's like a noble, square-jawed, very conventional white lawyer who is assigned to a case to prove the innocence of Aboriginal men. And the worst version of this movie he's seen 20 times is he's like, I've learned that you are a person. And he gives some 20-minute monologue arguing that they have feelings and thoughts. And he …”
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In Peter Weir's 1978 film 'The Last Wave', the narrative unfolds around a white lawyer, David, who grapples with strange dreams while defending Aboriginal men. The film cleverly inverts the white savior trope, showcasing the importance of Aboriginal law and culture through authentic representation, particularly in a pivotal dinner scene. The actors contributed significantly to the authenticity, ensuring that their traditions were respected and accurately portrayed.
“… to be relatable. I think she just was relatable. Yeah, I think that's well put, man. So getting back to her bio, she started dating a guy named Johnny Lyons who lived down the street. I knew a guy named Johnny Lyons, by the way. Do you really? Is this the same guy? No, I knew him a long time ago. But when I read that, I was like, oh, yeah, Johnny Lyons. It's whatever happened to that dude. It's a good name. Good, solid name. Yeah. He lived down the street, and they ended up getting married about eight years after high school. And as we'll see, it didn't last very long. But in the meantime, …”
“… that she was like, hey, I'm just like you. You know, she she was an every woman and she she even sort of poo pooed sometimes like, you know, the movie stars with their fur coats and like they're basically unrelatable. And she I don't think she wanted to be relatable. I think she just was relatable. Yeah, I think that's well put, man. So getting back to her bio, she started dating a guy named Johnny Lyons who lived down the street. I knew a guy named Johnny Lyons, by the way. Do you really? Is this the same guy? No, I knew him a long time ago. But when I read that, I was like, oh, yeah, Johnny Lyons. It's whatever happened to that dude. It's a good name. Good, solid name. Yeah. He lived down the street, and they ended up getting married about eight years after high school. And as we'll see, it didn't last very long. But in the meantime, she went to the University of Cincinnati. I think the Bearcats? Go Bearcats. Wildcats? Bearcats. Bearcats, thank you. And she was just there for one year. She made quite a splash while she was there the first year. She's the humor editor for the yearbook, and she wrote music for the school musical. And I think she became a tridel't even. She was the …”
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Ruth Lyons, a pioneering figure in daytime television, was relatable in a way that movie stars were not. Starting her career at the University of Cincinnati, she quickly made a name for herself but dropped out to support her struggling family during the Depression. Her story showcases her resilience and the challenges she faced in a male-dominated industry.
“… to where the puck is going moves and then that got ripped out of the company's dna no risk taking no skating to where the puck is going losing johnny ive there's no product that they've released that I have been inspired by, like at a, you know, it's just all incremental. I think they, and this is weird to say, but I think they're actually better now as a Hollywood studio than a tech hardware company Sure That is true A lot of the best product coming out of Apple today is stuff like Severance and Silo They good at making TV shows but I don know Which makes sense Yeah. Which makes sense. Even …”
“… bleep all this out, but I am losing my mind. the okay so if i agree like maybe apple stumbled into the diamond mind of steve jobs's brilliance in 2008 of buying this company and setting them up for this 18 years later he made so many prescient skating to where the puck is going moves and then that got ripped out of the company's dna no risk taking no skating to where the puck is going losing johnny ive there's no product that they've released that I have been inspired by, like at a, you know, it's just all incremental. I think they, and this is weird to say, but I think they're actually better now as a Hollywood studio than a tech hardware company Sure That is true A lot of the best product coming out of Apple today is stuff like Severance and Silo They good at making TV shows but I don know Which makes sense Yeah. Which makes sense. Even Apple Payments, Apple TV, they were working on a TV, Lon. They were going to make a TV. Right. An actual television set. Yes, I remember that. I mean, Steve Jobs would have released that, right? Can you imagine having like a $5,000 Apple television that like had Siri that worked on it and then you have your glasses and everything. I mean, I have …”
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Apple's soul is missing, and it's affecting innovation. The seeds of their chip development were planted by Steve Jobs in 2008, but now the company is seen as more of a Hollywood studio than a tech innovator. With no groundbreaking products and missed opportunities to acquire innovative companies, the future of Apple looks uncertain.
“… good defense, they still moved the ball so well. We played well on them, but they moved the ball great. Who's next? On that note, let's give our Johnny Rocker personal injury attorney, moneymaker of the game, Matt. Injured, get small-town compassion with Big City Results when you call the Rocker at 270-321-4429. And while it was 0-8 on Friday, today is Denzel Aberdeen. He led the team with 20 points. He was 4 of 9 from 3 and 4 of 5 from the free throw line. In 37 minutes, he was minus 5, and he is our Johnny Rocker personal injury attorney, moneymaker of the game, Ryan Lemon's favorite player. …”
“… Like, that was, there really wasn't a lot of identity. And when we were sitting, man, you got to see Iowa State, what they were doing offensively and cutting and passing. They moved the ball so much. Even at the beginning, when we were playing really good defense, they still moved the ball so well. We played well on them, but they moved the ball great. Who's next? On that note, let's give our Johnny Rocker personal injury attorney, moneymaker of the game, Matt. Injured, get small-town compassion with Big City Results when you call the Rocker at 270-321-4429. And while it was 0-8 on Friday, today is Denzel Aberdeen. He led the team with 20 points. He was 4 of 9 from 3 and 4 of 5 from the free throw line. In 37 minutes, he was minus 5, and he is our Johnny Rocker personal injury attorney, moneymaker of the game, Ryan Lemon's favorite player. Let me read that. I want to read that stat again. Played 37 minutes in a game we lost by 19, and he was minus five, which means the three minutes he was out was minus 14. Ouch. If you don't think that kid, like everybody's going to love Owe. I hope people have a good spot in their heart for Aberdeen. Yes. Because for 37 minutes he was on the court …”
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Denzel Aberdeen's performance was pivotal in Kentucky's 82-63 defeat to Iowa State, as he led the team with 20 points despite being on the court during a significant deficit. His presence highlighted the team's lack of offensive identity, contrasting sharply with Iowa State's efficient ball movement. This analysis reveals how one player's impact can illuminate broader team dynamics in a crucial game.
Top Podcasts About Johnny Weir
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5 episodes
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3 episodes
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Top Podcasts on Apple's Siri AI Upgrade
Apple is reportedly working on a major update for Siri, incorporating advanced AI features and deeper integration across its ecosystem. This move aims to enhance user experience and keep pace with competitors in the AI-driven voice assistant market. The revamp could significantly impact how users interact with Apple devices.
Apple
Siri
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Apple has reported robust earnings for the second quarter, largely attributed to the strong sales of its iPhone 17. However, there is ongoing debate about the future of its Vision Pro product, which has not met expectations. This performance highlights Apple's continued dominance in the smartphone market, while raising questions about its strategy in augmented reality.
iPhone 17e
Apple Vision Pro
Apple