Best Podcast Episodes About Animation
Everything podcasters are saying about Animation — curated from top podcasts
Updated: Apr 27, 2026 – 55 episodes
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Ridealong has curated the best and most interesting podcasts and clips about Animation.
Top Podcast Clips About Animation
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The segment dives into the absurdity of David Carradine's accidental death by autoerotic asphyxiation, with the hosts hilariously speculating if he at least 'got to nut' before he died. They transition to a bizarre story about a man in Thailand performing penis enlargements in his car, promoting his services on TikTok, leaving listeners in disbelief over the unsanitary conditions and the light punishment he faces.
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In the post-apocalyptic show 'Paradise,' the character Xavier grapples with his mission to protect the president while dealing with personal trauma and moral dilemmas. The narrative explores the tension between survival instincts and humanity, questioning what it means to retain one's essence in a world gone awry. As Xavier's journey unfolds, the show examines how characters navigate their roles amidst chaos, highlighting the emotional stakes involved in their decisions.
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In Season 2, Episode 7 of Paradise, a shocking revelation unfolds as Link Sinatra's son, Dylan, is introduced, with his birthday linked to a pivotal moment in the story. The episode explores time travel elements and the eerie connection between characters, leading to dramatic nosebleeds that signify deeper ties. As Sinatra's demeanor shifts, viewers are left wondering how this revelation will impact the unfolding narrative.
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In the movie Pixels, a wild twist reveals that Gad is not just battling pixelated aliens but also engaging in a bizarre relationship with the video game character Q-Bert. After a comedic sequence involving a human actress and a rapid gestation of Q-Bert babies, the film culminates in a transformation that raises eyebrows about love and identity. This quirky narrative leaves audiences questioning the implications of such a storyline.
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In this hilarious segment, the host mocks Gavin Newsom's ambitious environmental goals, comparing them to whimsical dreams like suspending gravity to avoid using cars. The absurdity peaks when he jokes about Newsom's plans resulting in a 'donkey with three legs' instead of a bullet train, highlighting the ridiculousness of lofty political promises.
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In this segment, the hosts hilariously recount a friend's wedding where he unexpectedly Rick-rolled the guests during his first dance. The emotional twist of the moment, combined with the absurdity of a wedding Rick-roll, leaves the hosts and audience in stitches, showcasing the blend of humor and heartfelt moments.
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Sarah Sherman hilariously reveals she has the same anxiety dream for 25 years—working at SNL and constantly failing to please Lorne Michaels. Her blend of childhood emo vibes and bizarre adult dreams creates a relatable yet absurd scenario that keeps listeners laughing.
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In a hilarious rant, the host critiques Tom Steyer's push for free school meals, pointing out the absurdity of claiming anything is free. With a mix of sarcasm and sharp wit, they highlight the irony of taxpayers footing the bill, leaving listeners laughing at the absurdity of the situation.
“… off international markets that Snow White relied on for profitability. Fantasia becomes Walt's most ambitious experiment, an attempt to elevate animation to high art by marrying it with classical music. Leopold Stokowski conducts the Philadelphia Orchestra, while Mickey Mouse appears as the sorcerer's apprentice. Hippos and alligators perform ballet, and dinosaurs march to Stravinsky's The Rite of Spring. It's beautiful, innovative, and too avant-garde for general audiences who prefer their cartoons to include more jokes and fewer abstract visualizations of Beethoven's Pastoral Symphony. The …”
“The film costs 2.6 million dollars, even more than Snow White, and while it's a critical success, the outbreak of World War II in Europe closes off international markets that Snow White relied on for profitability. Fantasia becomes Walt's most ambitious experiment, an attempt to elevate animation to high art by marrying it with classical music. Leopold Stokowski conducts the Philadelphia Orchestra, while Mickey Mouse appears as the sorcerer's apprentice. Hippos and alligators perform ballet, and dinosaurs march to Stravinsky's The Rite of Spring. It's beautiful, innovative, and too avant-garde for general audiences who prefer their cartoons to include more jokes and fewer abstract visualizations of Beethoven's Pastoral Symphony. The studio has grown to over a thousand employees, operating out of a brand new facility in Burbank that looks more like a college campus than a factory for fantasy. The buildings are sleek and modern, designed with the latest thinking about workspace efficiency and employee comfort There a cafeteria recreational facilities and even classes available on …”
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Disney's 'Fantasia' aimed to elevate animation through classical music but faced backlash for its avant-garde style. As World War II shifted priorities, the studio's labor tensions culminated in a five-week strike, revealing the disparity between creative roles. Despite the challenges, Disney adapted with 'Dumbo,' proving that limitations can spark creativity.
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The gold standard officially ended in 1971 when Nixon declared the U.S. couldn't back its currency with gold anymore. This shift led to rampant government spending and inflation, raising questions about the stability of fiat currency. While some argue for a return to gold to curb spending, others highlight the flexibility of fiat systems in managing economic crises.
“… get a Miyazaki. And now I feel like it's a little, the aperture has been widened for what's eligible. And also interesting moment for Sony Pictures Animation too. Obviously Netflix distributed the movie, but they've, they've just had another hit with goat and, uh, they're kind of riding high right now. I, I loved the moment. I loved the speech. I thought both Maggie and Chris, like they are another situation where they've won everything all season long and kind of had to know it was coming, but still, and were ready and knew what they wanted to say, but also were clearly very moved by the moment. So …”
“… of art. And I think it's a really cool movie. And it's like a pretty good win and an interesting win in terms of that category, which is really evolving right now. Like it used to just be like, all right, it's Pixar. And then maybe every 10 years you get a Miyazaki. And now I feel like it's a little, the aperture has been widened for what's eligible. And also interesting moment for Sony Pictures Animation too. Obviously Netflix distributed the movie, but they've, they've just had another hit with goat and, uh, they're kind of riding high right now. I, I loved the moment. I loved the speech. I thought both Maggie and Chris, like they are another situation where they've won everything all season long and kind of had to know it was coming, but still, and were ready and knew what they wanted to say, but also were clearly very moved by the moment. So it was great. I was happy to see at least one K-pop Demon Hunters up earlier because I do know that there were a lot of young children just waiting for K-pop Demon Hunters wherever they could get it. It's been interesting, like in the span of this awards season is when my household has really caught on to that movie because we're a bit younger. …”
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K-pop Demon Hunters took home the Oscar for Best Animated Feature at the 2026 Academy Awards, marking a significant win for the evolving animation category. The film's creators, Maggie Kay and Chris Applehans, delivered heartfelt speeches highlighting the importance of cultural connection through art, making it a meaningful moment for both the audience and young viewers. This win reflects a shift in the animation landscape, expanding beyond the traditional dominance of Pixar.
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In a hilarious analysis of the Super Mario Bros. movie, the hosts question the bizarre relationship dynamics between Mario and Luigi, suggesting it sounds more like a cover for a gay relationship than brotherly love. They dive into the absurdity of casting choices, including the fact that Bob Hoskins and John Leguizamo have no familial resemblance at all, and the odd adult themes that creep into a children's movie.
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In a hilarious exchange, the hosts debate whether college basketball coaches should wear suits, leading to a wild tangent about Rick Pitino's infamous bathroom scandal. The absurdity peaks when they question the moral high ground of well-dressed coaches while pointing out some questionable life choices. This segment is a rollercoaster of unexpected twists and laughs!
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David Lowery, the writer-director of the upcoming film 'Mother Mary', reveals that he began writing the script seven years ago during a challenging period in his life while filming 'The Green Knight'. He creatively harnessed his struggles and experiences, turning them into a dialogue that ultimately became a pop star movie, demonstrating a shift to a more modest filmmaking approach. This personal narrative highlights the evolution of his creative process and the film's unique character casting.
“… that he did that really, really got me was Puss in Boots, The Last Wish, where he played the wolf slash death. And it is genuinely one of the best animation voice performances I've ever experienced in my entire life. It was scary. It was so good. And so I was really excited to see that he was in the voice cast here. But Richard Ayoade is one of my favorite guys of all time. He's already voiced a droid in Mandalorian like he's you know but he is built to voice droids and so um I'm excited for him because I know he's a Star Wars fan so I hope that he enjoyed doing this I just think he's so funny he's …”
“he's missing out um on the uh cat mouse front anything else about lawson or that character set that you want to hit um so vagnar moore is so exciting to me because um i you know i love him in general, but honestly, it wasn't Narcos. The thing that he did that really, really got me was Puss in Boots, The Last Wish, where he played the wolf slash death. And it is genuinely one of the best animation voice performances I've ever experienced in my entire life. It was scary. It was so good. And so I was really excited to see that he was in the voice cast here. But Richard Ayoade is one of my favorite guys of all time. He's already voiced a droid in Mandalorian like he's you know but he is built to voice droids and so um I'm excited for him because I know he's a Star Wars fan so I hope that he enjoyed doing this I just think he's so funny he's one of the driest people alive this is just kind of how he talks all the time um and so to get paid by Lucasfilm to do it uh great I love that for him but I I like on a personal level Richard Iawade. I'm just like, this is for the Anglophiles who love him. So here he is. My favorite droid in the show so far through the two-part premiere is Spybot. …”
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In the new animated series 'Star Wars: Maul—Shadow Lord', the character Spybot emerges as a fan-favorite, delivering hilarious moments and showcasing unique dynamics with other characters. The hosts discuss the voice talents of actors like Vagner Moura and Richard Ayoade, highlighting the engaging relationships and humor that define the show's early episodes. As tensions rise between characters like Lawson and the Empire, the narrative sets the stage for exciting developments ahead.
“… brutal there are no characters no there's no no no defining traits of any of the characters i thought it it is like this very flashy fast-moving 3d animation style that is increasingly prevalent yeah i don't know i don't know if i thought it was ugly so much as i thought it was noisy i i would agree like like i said i understand that it it is technically accomplished and it doesn't look bad or ugly the way that you know the third acts of many marvel movies look bad or it's just like we ran out of time and we just didn't have the resources required to achieve what was in our heads um i think it was …”
“… this and I think if you're anywhere from the ages of like 4 to 11 it's fun it's a lot of fun and if you're like 20 and you have a lot of 30 and have a lot of nostalgia for Mario you you will get something satisfying out of this but it is narratively brutal there are no characters no there's no no no defining traits of any of the characters i thought it it is like this very flashy fast-moving 3d animation style that is increasingly prevalent yeah i don't know i don't know if i thought it was ugly so much as i thought it was noisy i i would agree like like i said i understand that it it is technically accomplished and it doesn't look bad or ugly the way that you know the third acts of many marvel movies look bad or it's just like we ran out of time and we just didn't have the resources required to achieve what was in our heads um i think it was noisy frenetic you know as we mentioned there are so many references and like they're not even jokes they're just like sound cues that are supposed to take you back jammed into this movie but the pace was really really shocking in so fast so fast and the cuts are so fast and they move from one like quote unquote problem like even faster than you …”
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The 'Super Mario Galaxy Movie' has sparked mixed reactions, with some viewers, like the speaker's daughter, enjoying the sisterly bond between Rosalina and Princess Peach, while others find it to be a dismal cinematic experience. Despite its expected commercial success, the film is criticized for its chaotic pacing and lack of character depth, reflecting a broader trend in animated films that prioritize action over narrative substance.
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The Super Mario Galaxy Movie is a nostalgic joyride for fans, delivering a high fun factor despite its flaws. While it may not be a cinematic masterpiece, the film's abundance of references and character depictions create an entertaining experience that appeals to both kids and longtime Nintendo enthusiasts. The lack of backstory allows for a direct dive into the Mushroom Kingdom, enhancing the overall enjoyment.
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The latest 'Super Mario Galaxy Movie' misses the mark by not capturing the same multi-layered humor and creativity found in Nintendo's games. Critics lament the film's lack of engaging jokes and inventive storytelling, making it less enjoyable for both kids and adults. While it appeals to young audiences, it doesn't quite deliver the same magic that makes Mario a beloved character across generations.
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In the Paradise Season 2 finale, Sinatra's character is likened to Thanos, willing to sacrifice everything for the chance to bring her son back. The discussion reveals the complexity of her motivations, questioning whether her actions truly saved anyone or just led to more chaos. This analysis dives into the moral implications of her choices and sets the stage for the upcoming season's conflicts.
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The animated film 'Goat' has become one of the year's biggest hits, crossing $100 million at the box office. It tells the story of Will, a small goat who dreams of playing 'roar ball,' a high-intensity sport featuring various animals, while also subtly commenting on the rivalry between basketball stars Stephen Curry and LeBron James. With a talented voice cast, including Nick Kroll and Gabrielle Union, the film cleverly intertwines sports themes with family-friendly entertainment.
Top Podcasts About Animation
The Big Picture
5 episodes
The Ringer-Verse
4 episodes
Rob Has a Podcast | Survivor, The Traitors & Reality TV - RHAP
4 episodes
How Did This Get Made?
3 episodes
Adam Carolla Show
3 episodes
The Bobby Bones Show
3 episodes
The Prestige TV Podcast
3 episodes
House of R
2 episodes