Best Podcast Episodes About Steven Spielberg
Everything podcasters are saying about Steven Spielberg — curated from top podcasts
Updated: Mar 31, 2026 – 26 episodes
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Ridealong has curated the best and most interesting podcasts and clips about Steven Spielberg.
Top Podcast Clips About Steven Spielberg
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Steven Spielberg passionately argues that the collective experience of watching movies in theaters creates a unique bond among strangers, unlike viewing at home. He emphasizes the importance of moviegoing in fostering community and shared emotions, especially in an era where this experience is under threat. Spielberg reflects on how a great film can unite audiences, leaving them with shared feelings as they exit the theater.
“… in the Wes Anderson movies now. He's good in those. He's very good. I think he's good at that. I mean, Cranston. Yeah. They're cooking. Scorsese or Spielberg? Clearly Scorsese. Yeah, but I do think it would be interesting to see Spielberg have... The way that this movie excises some of the gross stuff from LA Confidential and also makes the characters a little less I mean actually lies about his war record in the novel There a lot of stuff about these characters that are even worse But if you kind of gave Spielberg this script, I do think it would be good. That being said... He would have cast …”
“… a lot of new instruments they don't all sound good I think when you fly as close to the sun as he did in the 90s and then with Cast Away, I don't... At some point, it's like, I've won seven titles. What else do you want from me? He only seems happy in the Wes Anderson movies now. He's good in those. He's very good. I think he's good at that. I mean, Cranston. Yeah. They're cooking. Scorsese or Spielberg? Clearly Scorsese. Yeah, but I do think it would be interesting to see Spielberg have... The way that this movie excises some of the gross stuff from LA Confidential and also makes the characters a little less I mean actually lies about his war record in the novel There a lot of stuff about these characters that are even worse But if you kind of gave Spielberg this script, I do think it would be good. That being said... He would have cast DeVito as the hush-hush editor. Thank you. A hundred percent. Dreyfus would have been back in the mix. Yeah, Dreyfus. That's great. Dreyfus. That's a great pick. Oh my god. That's great. That would have been great. Sean, for this category, I feel like you have to stand up for the working director. like curtis hansen because again if it's scorsese or …”
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Tom Hanks seems happiest in Wes Anderson films, but his recent choices have sparked debate. The podcast discusses his filmography and critiques a Netflix movie titled 'Gaslit by My Husband,' which captivated listeners despite its lesser-known cast. The segment highlights how suspense films can keep audiences engaged, drawing comparisons to classic works like 'Gaslight.'
“… answer in private than you'd give in public. So do you stand behind being two-faced? And this is what she said. After having seen the wonderful Steven Spielberg movie called Lincoln, It was a master class watching President Lincoln get the Congress to approve the 13th Amendment. It was principled and it was strategic. And I was making the point that it is hard sometimes to get the Congress to do what you want to do. And you have to keep working at it. And yes, President Lincoln was trying to convince some people. He used some arguments convincing other people. He used other arguments. That was a great, …”
“… next clip, Hillary compares her comments to Abe Lincoln. That was something I said about Abraham Lincoln. Oh, I'm sorry, will you stop it for a second? The question, I apologize, was you basically have said before that you're allowed to give a different answer in private than you'd give in public. So do you stand behind being two-faced? And this is what she said. After having seen the wonderful Steven Spielberg movie called Lincoln, It was a master class watching President Lincoln get the Congress to approve the 13th Amendment. It was principled and it was strategic. And I was making the point that it is hard sometimes to get the Congress to do what you want to do. And you have to keep working at it. And yes, President Lincoln was trying to convince some people. He used some arguments convincing other people. He used other arguments. That was a great, I thought, a great display of presidential leadership.”
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In a hilarious analysis of the presidential debate, the hosts dissect Trump's infamous 'grab them by the pussy' remark while hilariously comparing his antics to Alec Baldwin's SNL portrayal of him. The segment captures the absurdity of political debates and the comedic brilliance of Baldwin, making it a must-listen for anyone needing a laugh amidst the chaos.
“… out, right? Yeah. I mean, I know they drove out David Sachs, came to Austin. I think Mark Zuckerberg moved to Florida. I heard rumors of Steven Spielberg. I don't know if that's – I don't want to spread disinformation. I don't want to spread misinformation, but I heard he was leaving. But yeah, it's called the – The thing that drives me the most nuts is when these progressive talking heads saying they don't want to pay their fair share. with the amount of waste and fraud why would you you don't think there should be some accountability to how much fucking waste and fraud that has been clearly …”
“… such a fucking terrible job of governing their state. It's so – that place is so crazy. Like every time there's some new law that they're trying to push through, some new bill. I'm like, do they just want everyone to leave? Well, they drove the billionaires out, right? Yeah. I mean, I know they drove out David Sachs, came to Austin. I think Mark Zuckerberg moved to Florida. I heard rumors of Steven Spielberg. I don't know if that's – I don't want to spread disinformation. I don't want to spread misinformation, but I heard he was leaving. But yeah, it's called the – The thing that drives me the most nuts is when these progressive talking heads saying they don't want to pay their fair share. with the amount of waste and fraud why would you you don't think there should be some accountability to how much fucking waste and fraud that has been clearly demonstrated like you the the solutions just give more money oh and they can do it because they have it so what you just give more money and now it's 30 billion dollars goes to homeless with no accountability like what are you what are you saying like where do you think this money is going to go where it's actually going to help people and affect …”
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In a hilarious rant, the host questions California's governance, joking about how the state seems to be driving billionaires away. With quips about new laws pushing people out and the absurdity of high gas prices, the segment captures the frustration and humor in the chaos of political decisions.
“… and then I knew that was my last year. And luckily I had another show to go to. It was called Champs. It was the first show that Imagine was doing, Steven Spielberg. It was their first foray into sitcoms. So I was excited about that. But Don Ulmeier, who was the head of NBC at the time, he pushed Norm out and Jim Downey, who was the writer. Did he push you out? Got me off. Yeah. So he was like, I don't want you. And then Norm came in and he was like, I don't want him either. Eventually. And they wanted Farley out. Adam Sandler out. Yeah. So we all went out pretty much. But I was kind of, I didn't make a …”
“… like, oh, yeah, I was gone more or less and then I started hosting Update. Yeah. It's kind of what happened to Seth Meyers too. Is it? Yeah. Yeah, and like a lot of people, I got pushed out of the show. You know, they gave a week and update to Norm, and then I knew that was my last year. And luckily I had another show to go to. It was called Champs. It was the first show that Imagine was doing, Steven Spielberg. It was their first foray into sitcoms. So I was excited about that. But Don Ulmeier, who was the head of NBC at the time, he pushed Norm out and Jim Downey, who was the writer. Did he push you out? Got me off. Yeah. So he was like, I don't want you. And then Norm came in and he was like, I don't want him either. Eventually. And they wanted Farley out. Adam Sandler out. Yeah. So we all went out pretty much. But I was kind of, I didn't make a big deal about it, you know, and I just went and did the sitcom that didn't last.”
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Imagine being on the brink of your big break and the show's creator, Lorne Michaels, casually asks, 'Are you sure this is what you want?' The absurdity of the moment and the hilarious chemistry between the hosts make this segment a must-listen for comedy fans.
“… the last 10 years by basically re-centering to being like we're a filmmaker studio, right? We're the home of Jordan Peele and Christopher Nolan and Steven Spielberg. And we sign up a plus talent. That's what we do. And we make cool movies. Okay. Yeah. We do really okay. Yeah. Um, so in that respect, I think it's okay for the broader, like, what does P what does this mean for Peacock? I mean, Peacock was not in a good place before. I can't imagine they're in a better place now. Yeah. I don't, I don't know. I just feel like this is really, really, really, really, really, really bad. And I would love somebody …”
“… scary to have to compete if you're universal which is also you know a broadband cable company to have to compete with a paramount megalith plus netflix plus amazon and apple's unyielding financial power however they've done a really smart thing in the last 10 years by basically re-centering to being like we're a filmmaker studio, right? We're the home of Jordan Peele and Christopher Nolan and Steven Spielberg. And we sign up a plus talent. That's what we do. And we make cool movies. Okay. Yeah. We do really okay. Yeah. Um, so in that respect, I think it's okay for the broader, like, what does P what does this mean for Peacock? I mean, Peacock was not in a good place before. I can't imagine they're in a better place now. Yeah. I don't, I don't know. I just feel like this is really, really, really, really, really, really bad. And I would love somebody to say Wesley. It's not that bad. No one has said that. Nobody has said that. I mean, the other thing we've talked about on this show that echoes what you're saying is just as movie people and as movie people who came of age when movies were still like the dominant American art form and an art form that wasn't created here. But certainly, as you …”
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Apple's recent acquisition moves are reshaping the film industry landscape, leading to significant job losses and fewer creative opportunities. The merger of major studios like Paramount and Warner Brothers signals a shift towards corporate greed over artistic integrity, leaving many in the industry worried about the future of filmmaking. This transformation reflects a broader trend where the art of cinema is overshadowed by corporate interests.
“… that they made to accomplish this but i am obsessed with these movies and have been obsessed with them since you know you know i just talked to steven spielberg i mean his movies in this world definitely changed my relationship to science fiction made me fall in love with these kinds of stories this is a really really high level version of it in terms of how it looks and feels and you know there is of course a lot of cgi in the movie but it almost always feels like you're in a thing that was built by a person yes and that quality whether we're on grace's ship whether we're on rocky ship whether we're …”
“… what would happen they don't have to kind of over explain all of those things um i do want to go back to both like that weight of influence and also how it manifests in the movie yeah i mean you can hear phil and chris talk about the very specific steps that they made to accomplish this but i am obsessed with these movies and have been obsessed with them since you know you know i just talked to steven spielberg i mean his movies in this world definitely changed my relationship to science fiction made me fall in love with these kinds of stories this is a really really high level version of it in terms of how it looks and feels and you know there is of course a lot of cgi in the movie but it almost always feels like you're in a thing that was built by a person yes and that quality whether we're on grace's ship whether we're on rocky ship whether we're at the base with sandra hula or in a bar on a boat it always feels like a real place and a real thing all of the things that rocky sculptures that he makes out of his kind of solid xenon clearly an artisan made those for the movie and i like this is this is how it should be yeah i genuinely feel like this is if you i know it's expensive and i know …”
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The film 'Project Hail Mary' cleverly uses science and puppetry to communicate complex ideas, making them accessible to viewers. Ryan Gosling's character, Grace, conducts a memorable experiment with a diorama-like setup, while the unique flashback structure helps keep the timeline clear. This engaging approach to storytelling and science enhances the film's believability and emotional depth.
“… I've seen the new Disclosure Day trailer. You have not. You are abstaining from further info. With all respect to your close personal friend, Steven Spielberg. Listen, by the way, before we get to the trailer, it's an amazing picture. oh yeah really genuinely very good flattering of both of you yeah it's just like print it out put it on a christmas card it was it was yes i met stephen before our conversation uh we had we hung out for a little bit and uh it was it was a nice time did you tell i was very happy yeah but that's i'm saying it you know it captured a moment it was lovely it really we could …”
“Okay, Amanda. I've seen the new Disclosure Day trailer. You have not. You are abstaining from further info. With all respect to your close personal friend, Steven Spielberg. Listen, by the way, before we get to the trailer, it's an amazing picture. oh yeah really genuinely very good flattering of both of you yeah it's just like print it out put it on a christmas card it was it was yes i met stephen before our conversation uh we had we hung out for a little bit and uh it was it was a nice time did you tell i was very happy yeah but that's i'm saying it you know it captured a moment it was lovely it really we could make a big picture christmas card you know well yeah but we got to get you in there it would be fine you just it's the two of you and it's like i'm a parent and you just sign it you know happy holidays from sean amanda and steven sure then on the back you're like 2026 was a big year for the big picture we went live on netflix we got to go to can we …”
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The new trailer for 'Disclosure Day' reveals intriguing plot elements that suggest a grounded narrative involving alien life and governmental distrust. With Josh O'Connor playing a whistleblower and references to real-world phenomena like Roswell and UFOs, the film taps into current cultural sentiments about transparency and truth. Directed by Steven Spielberg, this event movie promises a thrilling experience that blends sci-fi with real-world implications.
“… that gets no news. I don't know if you've heard of AI, but it's in the news recently. AI. AI, right. There you go. What is that? It's a movie by Steven Spielberg. So the AI agent specifically, you've been pretty vocal about the dangers of the agentic AI, the danger it poses to our privacy and security. Can you elaborate on the risks here and what are most people not aware of? Yeah, the risks are the flip side of the promises, really. And we actually started talking about this about a year ago when we were seeing things like Microsoft Recall creep into the product updates, in this case for Windows, and …”
“So I wanted to talk about something that gets no news. I don't know if you've heard of AI, but it's in the news recently. AI. AI, right. There you go. What is that? It's a movie by Steven Spielberg. So the AI agent specifically, you've been pretty vocal about the dangers of the agentic AI, the danger it poses to our privacy and security. Can you elaborate on the risks here and what are most people not aware of? Yeah, the risks are the flip side of the promises, really. And we actually started talking about this about a year ago when we were seeing things like Microsoft Recall creep into the product updates, in this case for Windows, and really recognizing that Signal exists at the application layer, right? Which means that we have to trust the operating system. We build on top of iOS or Android or Windows, and we have to trust that the operating system will be a reliable set of tools that we as developers can leverage to ensure that signal works for the people who rely on us and …”
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Pervasive AI agents threaten your privacy by gaining deep access to your personal data. As these agents integrate into operating systems, they can access everything from your calendar to your contact list, creating significant security vulnerabilities. This alarming trend raises serious concerns about how much control we really have over our data.
“… flight safety? Yeah, right. That's really the question. Just ignore it. Yeah, that's crazy. Fascinating. You know, there's that audio recording of Steven Spielberg, I believe, talking about his trip to the White House. And they do a viewing of E.T. Right, I've heard this, yes. And Reagan says, you know, a lot of you in this room know that everything on that screen there that you just watched is true. And he just stood up and he looked around the room, almost like he was doing a head count, and he said, I want to thank you for bringing E.T. to the White House. We really enjoyed your movie. And then he …”
“… then several years later, it was reinstated. That's horrible that he was fired for that. I mean, what are you supposed to, you experienced something that kind of traumatic and worldview shattering. What would lying about it be a better thing to do for flight safety? Yeah, right. That's really the question. Just ignore it. Yeah, that's crazy. Fascinating. You know, there's that audio recording of Steven Spielberg, I believe, talking about his trip to the White House. And they do a viewing of E.T. Right, I've heard this, yes. And Reagan says, you know, a lot of you in this room know that everything on that screen there that you just watched is true. And he just stood up and he looked around the room, almost like he was doing a head count, and he said, I want to thank you for bringing E.T. to the White House. We really enjoyed your movie. And then he looked around the room, he said, and there are a number of people in this room who know that everything on that screen is absolutely true. And he said it without smiling. But he said that, and everybody laughed, by the way. The whole room laughed because he presented it like a joke, but he wasn't smiling as he said it. And so, yeah, it's pretty …”
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In a jaw-dropping moment, President Reagan hinted that UFOs are real during a White House viewing of E.T., suggesting that many in the room knew the truth. This connection between UFO sightings and nuclear sites, particularly in Alaska, raises questions about secret military knowledge and the bizarre incidents surrounding recent unidentified crafts. The involvement of high-level scientific advisors at UFO crash sites adds another layer of intrigue to this ongoing mystery.
“… nolan's script that he changed dramatically when he came on the project right this project is originally kip thorne and lynda opes bring it to steven spielberg who hires jonathan nolan who works on it for years and then steven spielberg leaves paramount and all of a sudden like leaves the project and then jonathan nolan's like well shit i need a director oh wait i'm related to one and then chris nolan comes on and is like hey i'm going to rewrite your movie. Okay. And he's like, okay. Um, so you can read Jonathan Nolan, like one of his, a version of his earlier script and, and the final script …”
“And so, like, this is a letter to his daughter about being a father and having a daughter. um there are so many things from jonathan nolan's script that he changed dramatically when he came on the project right this project is originally kip thorne and lynda opes bring it to steven spielberg who hires jonathan nolan who works on it for years and then steven spielberg leaves paramount and all of a sudden like leaves the project and then jonathan nolan's like well shit i need a director oh wait i'm related to one and then chris nolan comes on and is like hey i'm going to rewrite your movie. Okay. And he's like, okay. Um, so you can read Jonathan Nolan, like one of his, a version of his earlier script and, and the final script side-by-side, which I did. And it's like the first third, like where we're on a corn fed planet, like that is so Stevie Spielberg, right. Steven Spielberg thinking about close encounters and Richard Dreyfuss leaving his kids to go explore space. Like that is, that's the DNA of, of that version of the movie. And then I will say Jonathan Nolan's other …”
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Interstellar, directed by Christopher Nolan, is praised as his most emotional film, showcasing a father's love through the character Coop's relationship with his daughter. The film's evolution from an early script by Jonathan Nolan, influenced by Steven Spielberg, highlights the emotional stakes of family in a dying world. This connection is what makes the film resonate deeply with audiences, even years after its release.
“… that was cost effective. Even if you think about the character Jaws himself, you don't really see a whole lot of them. And that was the thing that Steven Spielberg made famous of how you reveal your monsters in movies. You get the glimpses of them at the beginning. You see the fin more than anything, and it's not until the third act of the movie where you see Jaws in his full glory, and that is what makes it more terrifying because you build up the suspense in your head of what this giant killer shark looks like. And this is the actual item used to take him down. I would really like to own this one, but I …”
“… movie history. And it was essentially a modified spear gun that they used in the movie Because if you think back on the actual making of Jaws was made for a relatively modest budget compared to now modern day blockbusters, they had to operate in a way that was cost effective. Even if you think about the character Jaws himself, you don't really see a whole lot of them. And that was the thing that Steven Spielberg made famous of how you reveal your monsters in movies. You get the glimpses of them at the beginning. You see the fin more than anything, and it's not until the third act of the movie where you see Jaws in his full glory, and that is what makes it more terrifying because you build up the suspense in your head of what this giant killer shark looks like. And this is the actual item used to take him down. I would really like to own this one, but I think the fact that it's not instantly recognizable is what would keep me from spending my imaginary money on this. So a really cool one, but I think the fact that you'd have to explain it every single time makes it a little bit less cool. But it has an estimated auction value of a quarter million all the way up to half a million dollars.”
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In this hilarious segment, Mike imagines strutting around with a C-3PO light-up head on his own noggin, showcasing his love for iconic movie props. He humorously debates spending his imaginary money on a harpoon gun from Jaws, ultimately deciding that explaining it to guests would be a buzzkill.
“… would want to lean into that and dominate the ability to record video, you know, in these kind of like police interactions. Why was someone like Steven Spielberg giving all this money for body cameras? Like, was there some like entertainment time? Like why were all these other donors getting involved? Are they just super pro police? I can't speak to Spielberg himself, but there's some incredible academic research out there on the very shadowy world of private police foundations. And they raise huge sums of money from some of the most wealthy and powerful interests in our society, including individuals, …”
“the iPhone launches in 2007, which has a camera on it. It's just easier and easier to like record video, I guess. So it makes sense that the police would want to lean into that and dominate the ability to record video, you know, in these kind of like police interactions. Why was someone like Steven Spielberg giving all this money for body cameras? Like, was there some like entertainment time? Like why were all these other donors getting involved? Are they just super pro police? I can't speak to Spielberg himself, but there's some incredible academic research out there on the very shadowy world of private police foundations. And they raise huge sums of money from some of the most wealthy and powerful interests in our society, including individuals, but also large corporations like Target, other big corporations. So the police are very successful at raising money for charity, which, you know, is their police foundation that they then use for equipment, military equipment, surveillance technology, sort of what they see as cutting edge stuff that they can't get public approval to purchase. They …”
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Body cameras, initially seen as tools for police accountability, have transformed into instruments of surveillance that can create confusion during interactions. Funded by wealthy donors and corporations, these cameras are strategically positioned to capture chaotic perspectives, often leading to doubt about police actions. This raises critical questions about the true purpose of body cameras in law enforcement.
“… him out is that tinfoil hat brain shit when people are like yo this is a sequel to close encounters well i think it's a creative continuation of spielberg's preoccupation no question right you have close encounters you have 18 i have disclosure day but like from a different relationship to the idea i heard someone say something and this shit would be dope what if richard dreyfuss was the alien comes back on the ship if the ship lands and richard Dreyfus Returns. Emily Blunt is also her character from Devil Wears Prada 2. Oh my God. Devil Wears Prada 2. Twist my arm. Are you wearing the human …”
“… That's what I'm saying You didn't cut the cut You could have brought it back You know what I'm saying Could have went out and got you a Lakeith Stanfield Alright man enough Enough Jesus Christ Disclosure take if you want to Disclosure take Never count him out is that tinfoil hat brain shit when people are like yo this is a sequel to close encounters well i think it's a creative continuation of spielberg's preoccupation no question right you have close encounters you have 18 i have disclosure day but like from a different relationship to the idea i heard someone say something and this shit would be dope what if richard dreyfuss was the alien comes back on the ship if the ship lands and richard Dreyfus Returns. Emily Blunt is also her character from Devil Wears Prada 2. Oh my God. Devil Wears Prada 2. Twist my arm. Are you wearing the human skin? That would be great. Yeah, Disclosure Day. How do we feel about Disclosure Day? Excited. It's odd that like such a big. I decided to be excited. It's like. Decided to be excited. To a degree. The trailers. I did. I will never doubt Spielberg. I really did like West Side Story. Why? You didn't like West Side Story? No, you can doubt Spielberg. …”
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In a lively discussion about Tom Holland's role as Spider-Man, the podcast highlights how filmmakers shape audience expectations and character development. The conversation shifts to Steven Spielberg's filmography, where they explore the potential of a sequel to 'Close Encounters of the Third Kind' and the excitement surrounding his upcoming projects, including 'Disclosure Day.'
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In 'Close Encounters of the Third Kind,' Richard Dreyfuss plays a bad dad who abandons his family in pursuit of extraterrestrial contact. The film, directed by Steven Spielberg in 1977, is celebrated for its thrilling climax that features non-verbal communication between humans and aliens, symbolizing the universal quest for connection. This segment highlights the film's themes of exploration and the sacrifices made in the name of discovery.
“… You may recall there was a years long running bit on this show about the Holy Grail. I was going to ask if you were going to bring that to Steven Spielberg. Some questions about the last crusade? No, if you were just going to start with, I don't believe in the Grail. You don't care about it. You think I should only make statements to him and not ask questions? But do you care about it now that I've told you that in the Da Vinci Code, it's about the womb and women's power? Do I care about it? Now are you like, sure, the Holy Grail, I'm into it. I mean, it's not real. So I don't know what you're …”
“… no, no, no, no. That's what the original is. and then in the Da Vinci Code, the chalice is actually the womb. That's what it is. Because yeah, it's the feminine sacred. That's yeah, it's women. That's why it's a reimagining. We did it. We fixed Christianity. You may recall there was a years long running bit on this show about the Holy Grail. I was going to ask if you were going to bring that to Steven Spielberg. Some questions about the last crusade? No, if you were just going to start with, I don't believe in the Grail. You don't care about it. You think I should only make statements to him and not ask questions? But do you care about it now that I've told you that in the Da Vinci Code, it's about the womb and women's power? Do I care about it? Now are you like, sure, the Holy Grail, I'm into it. I mean, it's not real. So I don't know what you're asking me. You don't know. But so then the implication of that in the Da Vinci Code is that there is like a line of descendants of Christ and Mary Magdalene. And then like the Holy Grail is like all among us. Maybe the Holy Grail is in you. So when you go to the bookstore and you look for the book, The Da Vinci Code, that book can be found in the …”
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The Da Vinci Code reimagines the Holy Grail as a symbol of feminine power rather than a mere chalice. This twist suggests a lineage from Christ and Mary Magdalene, transforming the narrative into a commentary on women's roles in Christianity. The discussion dives into the implications of this reimagining and its impact on cultural perceptions of the Grail.
“Like something? We shouldn't be sullying the name of Chuck Norris with this talk. Yeah. Keep the focus. No, this was Steven Seagal. Correct. Yeah. We shouldn't be doing... Oh, bringing in Steven Seagal. This should be Chuck Norris. This is about Chuck. Okay. Yeah. All right. This is about Chuck. By the way, new poll question. Can anyone in heaven beat up Chuck Norris? Well, Steven Seagal is still alive. Yeah. Right now, about 67% say no. Okay. Yes, Marvin. Chuck versus Bruce Lee? Oh, I'm going Bruce Lee. Bruce Lee is probably the 33% of the yeses so far as Bruce …”
“Like something? We shouldn't be sullying the name of Chuck Norris with this talk. Yeah. Keep the focus. No, this was Steven Seagal. Correct. Yeah. We shouldn't be doing... Oh, bringing in Steven Seagal. This should be Chuck Norris. This is about Chuck. Okay. Yeah. All right. This is about Chuck. By the way, new poll question. Can anyone in heaven beat up Chuck Norris? Well, Steven Seagal is still alive. Yeah. Right now, about 67% say no. Okay. Yes, Marvin. Chuck versus Bruce Lee? Oh, I'm going Bruce Lee. Bruce Lee is probably the 33% of the yeses so far as Bruce Lee. Yeah. Okay, so what? You're top two so far. What's wrong with that? But what if I put Ali in there? I'm going Chuck. Chuck over Muhammad Ali? Yeah. Get it. For sure. For sure. Yes, Todd? Wouldn't a mixed martial arts person beat up any kind of boxer like 100 out of 100 times? Correct. Unless it's Conor McGregor against Floyd Mayweather. Yeah, but …”
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67% of fans believe no one in heaven can defeat Chuck Norris, not even legends like Bruce Lee or Muhammad Ali. This debate sparked a lively discussion on The Dan Patrick Show, where hosts compared martial arts prowess and iconic fight scenes. The conversation highlights Chuck's legendary status and the impact of his cinematic battles, particularly his famous showdown with Bruce Lee.
“… because it's not early, but it's not like, hey, man, you expected it to happen. Okay. If someone kicks at 82, you don't go, yeah, no problem. But Steven Seagal is still alive. Oh, come on. Right? Yes, Marvin. We're crossing our fingers. I hope he is. Better hairpiece. Chuck Norris or Steven Seagal one's more of a helmet to be fair one's more of a hair helmet Steven Seagal 73 but Steven Seagal I mean that one's that one's a rough hair piece that he's got it almost looks like it should have a chin strap oh it's easy for you to say you got a full head of hair I know I know Yes, Marvin. Steven …”
“… like what is celebration of life age would you say 85 is the cutoff if you get to 85 anything that happens after that then we have a celebration of life. Anything before that? Do we go, oh, tragically died? 80 to 84, that's a shame. Oh, a shame. Yeah, because it's not early, but it's not like, hey, man, you expected it to happen. Okay. If someone kicks at 82, you don't go, yeah, no problem. But Steven Seagal is still alive. Oh, come on. Right? Yes, Marvin. We're crossing our fingers. I hope he is. Better hairpiece. Chuck Norris or Steven Seagal one's more of a helmet to be fair one's more of a hair helmet Steven Seagal 73 but Steven Seagal I mean that one's that one's a rough hair piece that he's got it almost looks like it should have a chin strap oh it's easy for you to say you got a full head of hair I know I know Yes, Marvin. Steven Seagal. He was the king of the three title movies, right? Yeah. Like, don't ever die. Yeah. I think Paulie focused on that, that every one of his movies has Out for Justice. That might be Jean-Claude Van Damme, too. Are you referring to Steven Seagal, famous for Above the Law, Hard to Kill, Marked for Death, Out for Justice, On Deadly Ground, Under …”
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Chuck Norris's passing is acknowledged with a light-hearted discussion on his career and legacy, focusing more on his cultural impact than the somberness of his death.
“… it's just gonna be completely not that I trust him Who's your director then? For this? Yeah. Oh, I had Krieger. You had Krieger. I did too. I had Spielberg. I was like, I'm trying to get $200 million. I was trying to steal money. You're trying to steal money. What you on right now? I was trying to steal money. Steven Spielberg? I was thinking about the budget. Are we doing horror though? Right. What's the scariest has ever been? Jaws? Jaws? Jaws is a horror movie. Jaws definitely is a horror movie. But it's, I mean. No, Jaws is his best horror movie. Is it his scariest? What's the scariest? I …”
“… it's like it is Leon Kennedy it is Valentine it is all of these great things it's gotta be in a big house it's gotta be in a big thing that you fight your way out of and fight this evil corporation Wesker, all these great characters and to know that it's just gonna be completely not that I trust him Who's your director then? For this? Yeah. Oh, I had Krieger. You had Krieger. I did too. I had Spielberg. I was like, I'm trying to get $200 million. I was trying to steal money. You're trying to steal money. What you on right now? I was trying to steal money. Steven Spielberg? I was thinking about the budget. Are we doing horror though? Right. What's the scariest has ever been? Jaws? Jaws? Jaws is a horror movie. Jaws definitely is a horror movie. But it's, I mean. No, Jaws is his best horror movie. Is it his scariest? What's the scariest? I don't know. I'm trying to think. I mean, I'm thinking... Poltergeist? You can count that if you really being a dick about it. That's really the only other thing that I can think of. He technically didn't direct that, but then he actually kind of did. So, Tobey Hooper is actually... Is it Tobey or Tobe? I think it was Tobey, yeah. But he is the guy who …”
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Zach Kregger's upcoming Resident Evil film has sparked mixed feelings among fans, especially given his unfamiliarity with the existing movie franchise. The discussion revolves around whether he can capture the essence of beloved characters like Leon Kennedy and Jill Valentine while creating a new narrative. With a proposed budget of $125 to $150 million, the stakes are high for this reimagining of a horror classic.
“… anthem is the Ohio waltz. Say it again. Ohio State Anthem is the Ohio Waltz. False. False. It's beautiful Ohio. Cucumbers are 95% water. True. True. Steven Spielberg was born in Cincinnati. True. True. How'd they do? 12. Who, who, who, who, who, who? Molly, Molly, Molly. Oh, my God. Who was the last person to win? Who was the last person to win? I don't know who won last. How many did I just get? 12 of 15. Are you going to play the national anthem? The national anthem? That's the national anthem America I just got lightheaded from my excitement Play taps Well I'm sorry about being so immature right there …”
“… student newspaper at the university of dayton is the flyer news true true jolly ranchers are older than tom hanks true true california is the largest u.s state by land mass false it's alaska your nose and ears never stop growing true true ohio state anthem is the Ohio waltz. Say it again. Ohio State Anthem is the Ohio Waltz. False. False. It's beautiful Ohio. Cucumbers are 95% water. True. True. Steven Spielberg was born in Cincinnati. True. True. How'd they do? 12. Who, who, who, who, who, who? Molly, Molly, Molly. Oh, my God. Who was the last person to win? Who was the last person to win? I don't know who won last. How many did I just get? 12 of 15. Are you going to play the national anthem? The national anthem? That's the national anthem America I just got lightheaded from my excitement Play taps Well I'm sorry about being so immature right there but that was No that was beautiful Molly I love how much you locked in Thank you brother He's fine He's fine”
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Ridealong summary
In a rapid-fire game of true or false, the hosts hilariously stumble through bizarre facts, like mistaking the mayor of Cleveland and debating the water content of cucumbers. The excitement peaks when one host gets lightheaded from their impressive score, leading to an unexpectedly funny moment of celebration.
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Best Podcasts on Chuck Norris's Legacy
Chuck Norris, the iconic action movie star and martial artist, has passed away. Known for his roles in films like 'Walker, Texas Ranger' and 'Way of the Dragon', Norris was a beloved figure in the entertainment industry. His death has prompted an outpouring of tributes from fans and celebrities, highlighting his impact on action cinema and popular culture.
Chuck Norris
