Best Podcast Episodes About Michael Mann
Everything podcasters are saying about Michael Mann — curated from top podcasts
Updated: Mar 25, 2026 – 5 episodes
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Ridealong has curated the best and most interesting podcasts and clips about Michael Mann.
Top Podcast Clips About Michael Mann
“… an experience because it's a genre that you like. Yeah. And then if you get somebody like Ridley Scott or Denis Villeneuve or Christopher Nolan or Michael Mann directing one of those movies, like that pop that you feel when you're like, oh, shit, this is going to be even better than just OK. Yeah. Like this could be great. And you're watching it. I think I saw Sicario like immediately twice in the theater, which I only do with movies like this. Oh, you doubled up? Yeah. I think it was like a real like I have to go back like in a day or two. Craig, you were 19 in 2015? Yeah. So did you Sakari or …”
“… about that Yeah The Martian and Sicario are really good comparisons, too, of my favorite kind of movie, which is basically, it's like heat. It's like training day. It's like primal fear or the firm where you go in expecting a baseline, like, floor of an experience because it's a genre that you like. Yeah. And then if you get somebody like Ridley Scott or Denis Villeneuve or Christopher Nolan or Michael Mann directing one of those movies, like that pop that you feel when you're like, oh, shit, this is going to be even better than just OK. Yeah. Like this could be great. And you're watching it. I think I saw Sicario like immediately twice in the theater, which I only do with movies like this. Oh, you doubled up? Yeah. I think it was like a real like I have to go back like in a day or two. Craig, you were 19 in 2015? Yeah. So did you Sakari or Martian? Martian. Yeah. I think Martian kind of blew it out of the water a little bit. I did. I saw them both, but Martian was the one to go out and see first. It was a more commercial movie. It was a much bigger hit. Yeah. Also, like at the time, nobody really knew the director. We just knew him from Prisoners, like for actual mainstream movies. It was …”
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Sicario's director made a bold choice by cutting 90% of Benicio Del Toro's dialogue, transforming him into a mysterious figure that heightened the film's tension. This decision not only showcased Del Toro's acting prowess but also elevated the overall storytelling, proving that sometimes less is more in cinema. The film's impact can be traced back to screenwriter Taylor Sheridan's unique vision, which redefined character development in modern thrillers.
“Yeah, that we paid homage to in season one. Exactly. So here's the crazy thing. Now, in that scene, if you watch the Michael Mann shot, you never see De Niro and Pacino's face in the same shot in that scene. Yeah. OK. And I knew that as a kid, I was always under the impression that they didn't film it together because you have. I remember hearing that rumor. Yeah. It was like history. Like I remember going I remember watching the film. I'm like, wait a second. So Coppola had them in Godfather 2. They never crossed paths, obviously, because of the timelines. and now you're …”
“Yeah, that we paid homage to in season one. Exactly. So here's the crazy thing. Now, in that scene, if you watch the Michael Mann shot, you never see De Niro and Pacino's face in the same shot in that scene. Yeah. OK. And I knew that as a kid, I was always under the impression that they didn't film it together because you have. I remember hearing that rumor. Yeah. It was like history. Like I remember going I remember watching the film. I'm like, wait a second. So Coppola had them in Godfather 2. They never crossed paths, obviously, because of the timelines. and now you're putting them in probably one of the most iconic scenes in movie history and you're not going to show their two faces together yeah wow why and i was like okay this has got to be some you know whatever because they do share scenes in the film eventually but like that particular scene so i remember my dad and mom took me to see toy story in 95 and …”
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In the iconic movie 'Heat', director Michael Mann chose not to show Robert De Niro and Al Pacino's faces together in a pivotal scene, heightening its intensity. Actor Charlie Cox shares how he discovered the reasoning behind this decision during a conversation with De Niro, revealing that it was a deliberate choice to maintain the scene's emotional weight. This storytelling technique exemplifies the importance of serving the narrative over showcasing star power.
“That's Michael Mann. Oh yeah, Michael Mann. I didn't see it. So good about the Philip Morris 60 Minutes debacle. I'll watch it. Kurt Russell. Can you guess, can you, okay, I'll give you a hint. Okay. See if you can guess the last movie. This is a tough year. They were all tough. That's my point. I guess you're right, I guess you're right. This movie is scandalous. Eyes Wide Shut. No, it had someone in it who's now been canceled. Kevin, whatever his fucking name …”
“That's Michael Mann. Oh yeah, Michael Mann. I didn't see it. So good about the Philip Morris 60 Minutes debacle. I'll watch it. Kurt Russell. Can you guess, can you, okay, I'll give you a hint. Okay. See if you can guess the last movie. This is a tough year. They were all tough. That's my point. I guess you're right, I guess you're right. This movie is scandalous. Eyes Wide Shut. No, it had someone in it who's now been canceled. Kevin, whatever his fucking name is. Spacey. Spacey. The big one. Seven? No. No. Usual Suspects. No, scandalous. Is this where he got sexually harassed at work by Demi Moore? No. Oh, that's Michael Douglas. There's two women. Oh, sexy women? And, well, there's three women. I think I know what it is. You know what it is? What is it? American Beauty? Yes. Good job. Oh, my favorite. …”
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Today, the cinematic landscape has shifted dramatically, with studio films once dominating the box office now overshadowed by indie productions. In the past, movies like 'American Beauty' and 'Good Will Hunting' were studio-backed masterpieces, while today's phenomenal films often come from smaller, independent creators. This stark contrast highlights a significant change in how quality films are distributed and recognized.
“that introduced me to michael man then i went back and found those man is one of the greatest filmmakers of all time, the way he uses sound design, the way just everything, the cinematography, Dante Spinoody, one of the greatest DPs of all time. Talk about your experience with Michael Mann. That's a really early part of your career as well. And to work with a filmmaker like that at that time, just what your memories are of him and kind of like what he gave you that you …”
“that introduced me to michael man then i went back and found those man is one of the greatest filmmakers of all time, the way he uses sound design, the way just everything, the cinematography, Dante Spinoody, one of the greatest DPs of all time. Talk about your experience with Michael Mann. That's a really early part of your career as well. And to work with a filmmaker like that at that time, just what your memories are of him and kind of like what he gave you that you still use now. Well, I was doing, the first thing I did for Michael was Manhunter. And then he had said, I'd like you to do this series with me, which was Crime Story, which was a very important show for, well, I think it was anyway. And you look at the actors and directors who came through that show, and it's quite a list. You know, Michael has always …”
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Collaborating with Michael Mann was a transformative experience for many filmmakers, particularly during projects like 'Crime Story.' This series not only showcased Mann's talent for spotting emerging actors but also highlighted his unique approach to filmmaking, blending sound design and cinematography. The speaker reflects on their time with Mann, expressing gratitude for the roles and lessons learned, especially in their later collaboration on 'Public Enemies.'
“… i think the risk is probably worth the reward at that point of the draft yeah i think that's the right spot he was followed by tyler sodostrum and michael bush so a couple of guys who could hit 30 homers nico horner i think is pretty much always a good value um yeah not huge upside but like man 280 35 steals, a bunch of runs, that's a pretty good player. And the batting average is always helpful. Nick Pavetta, it's a little earlier than I want to go with Nick Pavetta, even before we learn that he's dealing with some arm fatigue, which it doesn't sound like it's super concerning, but for me, it's …”
“… is any kind of injury or any kind of ailment pitching is probably the first thing that will go and having him just as a pitcher there like that could be a tough drop in the seventh round if there is some kind of arm problem in may or something but i think the risk is probably worth the reward at that point of the draft yeah i think that's the right spot he was followed by tyler sodostrum and michael bush so a couple of guys who could hit 30 homers nico horner i think is pretty much always a good value um yeah not huge upside but like man 280 35 steals, a bunch of runs, that's a pretty good player. And the batting average is always helpful. Nick Pavetta, it's a little earlier than I want to go with Nick Pavetta, even before we learn that he's dealing with some arm fatigue, which it doesn't sound like it's super concerning, but for me, it's just kind of, you know, it's kind of like the, the Jedi, uh, you know, meme where it's like the, the dumb guy on the right, the bell curve, where it's like the dumb guy on the left, the Jedi on the right and the guy in the middle. And it's like, the dumb guy's like, don't pay for a 34 year old coming off a career year. And the guy in the middle is …”
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Drafting Shohei Otani as a pitcher carries significant risk, but the potential reward could be a Cy Young-caliber season. As a player who may not pitch every week, the decision hinges on balancing risk and reward in your draft strategy. Meanwhile, players like Michael Harris, despite inconsistency, hold untapped potential that could surprise many.
Top Podcasts About Michael Mann
On Film…With Kevin McCarthy
2 episodes
The Rewatchables
1 episode
Armchair Expert with Dax Shepard
1 episode
Fantasy Baseball Today
1 episode