Best Podcast Episodes About Mallory Rubin
Everything podcasters are saying about Mallory Rubin — curated from top podcasts
Updated: Mar 21, 2026 – 6 episodes
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Ridealong has curated the best and most interesting podcasts and clips about Mallory Rubin.
Top Podcast Clips About Mallory Rubin
“… Time is the actual villain of the movie. So I would give it to Youngblood because I don't like the pluck. I'm going to give it to Climate Change. Mallory Rubin was your one. Yeah, I already I already said mine at the beginning. I think the way that certain characters like Hugh Mann or, in a way, Thank you for using his full name. You're welcome, the elder Dr. Brand, or even in some respects, like, Tom, older Tom, refusing to let his family go, even though they're dying by staying there. The way that this, like, aspect of a survival instinct, your choice, the threat of time and loss can be warped and …”
“But no, that's the movie to me doesn't really have a true villain besides time. Time is the actual villain of the movie. So I would give it to Youngblood because I don't like the pluck. I'm going to give it to Climate Change. Mallory Rubin was your one. Yeah, I already I already said mine at the beginning. I think the way that certain characters like Hugh Mann or, in a way, Thank you for using his full name. You're welcome, the elder Dr. Brand, or even in some respects, like, Tom, older Tom, refusing to let his family go, even though they're dying by staying there. The way that this, like, aspect of a survival instinct, your choice, the threat of time and loss can be warped and allow you to make the wrong decisions. like when man when he man says um of dr brand when they're talking about that reveal he knew how hard it would be to get people to save the species instead of themselves i think that connects to what to what van is saying and it's obviously true but then you build toward i've always really loved the moment …”
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In the film 'Interstellar', time emerges as the true villain, overshadowing human conflicts. The discussion explores how characters like Dr. Mann and older Tom grapple with survival instincts, leading to morally ambiguous decisions that threaten humanity's future. The analysis highlights the film's complex themes of sacrifice and the darker sides of human nature in the face of extinction.
“… wide shot where he's about to burn it, and then we go wide shot and replace the painting? I don't know. It's life as art, you know? Ruffalo Hannah Rubin Partridge overacting word. I have Panko here. What are we going to do now? It's good, though. it's good shit that's what you would feel like i would i got robert downey senior here as thomas bateman as well did you like him in this movie i did he's just put a little mustard on it every time he gets into a scene i was just coming to see you yeah yeah you must be a mind reader he very amusing but uh it a lot It very noticeable every time he shows …”
“… of redeeming qualities oh i forgot i had the marion cabretti pizza cutting word for why didn't anyone on the set stop the star from doing this? The painting. Shouldn't somebody on the set have been like, yo, man, we can't actually burn that. Can we go wide shot where he's about to burn it, and then we go wide shot and replace the painting? I don't know. It's life as art, you know? Ruffalo Hannah Rubin Partridge overacting word. I have Panko here. What are we going to do now? It's good, though. it's good shit that's what you would feel like i would i got robert downey senior here as thomas bateman as well did you like him in this movie i did he's just put a little mustard on it every time he gets into a scene i was just coming to see you yeah yeah you must be a mind reader he very amusing but uh it a lot It very noticeable every time he shows up You have a flex category”
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In William Friedkin's 'To Live and Die in L.A.', a shocking moment occurs when a valuable painting is burned on screen, a decision that left viewers stunned. The discussion dives into the implications of such choices and how they reflect a shift in filmmaking, particularly around the mid-90s. The segment also explores the film's characters and the director's regrets about deleted scenes that could have added depth to the story.
“… or whatever. And my nephew's like, oh, actually, I mean, it's just cloned meat. I was like, sure. But that's still fundamentally a burger of you. Mallory Rubin. Here we go. Yeah. If you had to survive and the only way for you to survive to get the protein that you need is for your iridian friends to clone meat and make it into a burger Yeah I just going to assume that you going to do it You going to eat the burger to survive Would you rather It me meat You meat or me meat. Mallory burgers or Joanna burgers? Could we do both? For some variety? Yeah. Well, like, or maybe like Tuesday night. On 6040? …”
“… get to do it. And it has been saved. They figure out a Big Sur habitat for him. And then in order to solve the food problem. Got to make some man burgers. They made, they clone his flesh and make him burgers out of human flesh. I called them me burgers or whatever. And my nephew's like, oh, actually, I mean, it's just cloned meat. I was like, sure. But that's still fundamentally a burger of you. Mallory Rubin. Here we go. Yeah. If you had to survive and the only way for you to survive to get the protein that you need is for your iridian friends to clone meat and make it into a burger Yeah I just going to assume that you going to do it You going to eat the burger to survive Would you rather It me meat You meat or me meat. Mallory burgers or Joanna burgers? Could we do both? For some variety? Yeah. Well, like, or maybe like Tuesday night. On 6040? Okay. Okay. Sloppy Joe night. Please. don't say sloppy joe I resent it we're just trying to like you know maybe I mean it's just me we can make we can make tacos one night tidy mal and sloppy joe listen messy mal there we go it took me years but I did get you to admit that you would eat the meat of your friend to survive”
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In a humorous discussion about the movie 'Project Hail Mary,' the hosts explore a key adaptation choice where the protagonist, Rylan Grace, must eat cloned human flesh to survive. They debate the ethics and implications of this decision while sharing light-hearted banter about their own survival instincts. The conversation highlights the film's unique blend of science fiction and moral dilemmas, making it both entertaining and thought-provoking.
“… and counters What are we doing here? There needs to be more negative coverage of cats in media. This is wild. First of all, I just want to say Mallory Rubin is very important to me. I can't go anti-cat and be as pro-Mallory Rubin as I am. So that puts me in a bad spot. I was in the same spot, even worried about doing this email. in general. It is a good point, though, when you especially if... Does your Instagram algorithm ever send you cats? Sometimes. Like cats hitting dogs in the face and stuff? I did get that same clips, those AI clips that you got, where it was like cats fighting bears or …”
“… the bigger cats get, the more likely they are to hunt you for sport. the bigger dogs get they still lick your face and want pets like all good boys do Also I could go on and on Cats shit indoors They cover said shit with their paws They walk on tables and counters What are we doing here? There needs to be more negative coverage of cats in media. This is wild. First of all, I just want to say Mallory Rubin is very important to me. I can't go anti-cat and be as pro-Mallory Rubin as I am. So that puts me in a bad spot. I was in the same spot, even worried about doing this email. in general. It is a good point, though, when you especially if... Does your Instagram algorithm ever send you cats? Sometimes. Like cats hitting dogs in the face and stuff? I did get that same clips, those AI clips that you got, where it was like cats fighting bears or whatever. In the first 20 seconds, you're like, oh my god, cats can beat up bears. And then you're like, oh, this is just fake. It is an interesting point that the bigger cats get, the more they become predators. And the cats that we have as Pets are just the mini version of those predators. The first thing that came to mind was, I think it was that …”
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Bigger cats tend to become more predatory, and our household cats are just smaller versions of these hunters. An amusing story reveals the darker side of feline instincts when one observer witnesses a cat torturing a mouse, highlighting the bizarre nature of pet ownership. This raises the question: Are cats really the cuddly companions we think they are?
“… said and this spiked the stock briefly until people thought about it that Nvidia was poised to sell a trillion dollars worth of Blackwell and Vera Rubin chips next year Trillion up from 500 billion is inference just another word for application And does this mean that this is an effort to get the the industry going into retail channels? So yeah So when we talk about the foundational model, that's the traditional, we're going to shove a bunch of data into this training, and then we're going to get something out that we can use. The inference model is sort of continuous training. So we now deploy …”
“… it's not there. I don't think it's nearly as profitable as they think it's going to be. Jensen did take a little bit of a victory lap. Here's the picture. I said this would be the picture. This is the picture of him with his WWF belt or something. He said and this spiked the stock briefly until people thought about it that Nvidia was poised to sell a trillion dollars worth of Blackwell and Vera Rubin chips next year Trillion up from 500 billion is inference just another word for application And does this mean that this is an effort to get the the industry going into retail channels? So yeah So when we talk about the foundational model, that's the traditional, we're going to shove a bunch of data into this training, and then we're going to get something out that we can use. The inference model is sort of continuous training. So we now deploy a foundational model, but it starts to learn through its interactions with the real world environment, and it goes back into the training. And to be fair, Claude Code, which is one of the hottest things in AI right now, is basically an inference machine, right? Yeah, yes. Actually, one of the things I've been really thinking about lately, my goal …”
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NVIDIA's Jensen Huang declares it's the 'era of inference,' suggesting a shift towards continuous learning AI models. While the potential for profit in this untapped market is evident, there are concerns about the sustainability and practicality of these inference models. As AI evolves, the challenge remains: can we truly encapsulate human editorial judgment within these systems?
“… a review. That helps boost this episode and everything we do here at Crooked. Pod Save America is a Crooked Media production. Our producer is Saul Rubin. Our associate producer is Farrah Safari. Austin Fisher is our senior producer. Reid Churlin is our executive editor. Adrian Hill is our head of news and politics. The show is mixed and edited by Andrew Chadwick. Jordan Cantor is our sound engineer with audio support from Kyle Seglin and Charlotte Landis. Matt DeGroat is our head of production. Naomi Sengel is our executive assistant. Thanks to our digital team, Elijah Cohn, Haley Jones, Ben …”
“… back with a new show on Friday. If you want to listen to Pod Save America ad-free and get access to exclusive podcasts, go to crooked.com slash friends to subscribe on Supercast, Substack, YouTube, or Apple Podcasts. Also, please consider leaving us a review. That helps boost this episode and everything we do here at Crooked. Pod Save America is a Crooked Media production. Our producer is Saul Rubin. Our associate producer is Farrah Safari. Austin Fisher is our senior producer. Reid Churlin is our executive editor. Adrian Hill is our head of news and politics. The show is mixed and edited by Andrew Chadwick. Jordan Cantor is our sound engineer with audio support from Kyle Seglin and Charlotte Landis. Matt DeGroat is our head of production. Naomi Sengel is our executive assistant. Thanks to our digital team, Elijah Cohn, Haley Jones, Ben Hefcoat, Mia Kelman, Carol Pellaviv, David Tolles, and Ryan Young. Our production staff is proudly unionized”
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In today's media landscape, President Trump faces tough questions from reporters, contrasting sharply with the more serious inquiries faced by past presidents like Obama. The accessibility of Trump to the press has changed the nature of questions, with some being trivial while others are profoundly challenging. This shift highlights the evolving dynamics of press interactions and the impact on presidential communication.
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