Best Podcast Episodes About Cannes Film Festival
Everything podcasters are saying about Cannes Film Festival — curated from top podcasts
Updated: Mar 15, 2026 – 26 episodes
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Ridealong has curated the best and most interesting podcasts and clips about Cannes Film Festival.
Top Podcast Clips About Cannes Film Festival
“… oh, it's going to be a little stinger on this that's going to be really interesting. You know what I mean? And so for people who are tapped into film language, I think they end up staying. And for people who maybe they got to go, maybe they had a babysitter or what have you, and they get up. And that's cool. I'm fully comfortable with somebody leaving. you know what I mean like um uh and and they saw you know um uh Sammy go from Miles Caden to Buddy Guy that's that's you know he made it to Chicago you know you know what I'm saying like he lived he lived a full life as a as a as a it became …”
“… bro. Can't wait. Yeah, bro. Run, bro. Don't walk. But yeah, his movie has an end credit scene after the credits. And I knew it was coming. You know what I'm saying? For somehow how he set his music up, how he was running his credits, I was like, oh, it's going to be a little stinger on this that's going to be really interesting. You know what I mean? And so for people who are tapped into film language, I think they end up staying. And for people who maybe they got to go, maybe they had a babysitter or what have you, and they get up. And that's cool. I'm fully comfortable with somebody leaving. you know what I mean like um uh and and they saw you know um uh Sammy go from Miles Caden to Buddy Guy that's that's you know he made it to Chicago you know you know what I'm saying like he lived he lived a full life as a as a as a it became the blues man that Delta Slim said he wasn't yet you know you know I mean like that that is a that is a that is a great ending to a movie you know I'm saying like very satisfying like um and I think people that I gotta imagine people that went home you know i'm saying didn't feel like they missed anything you know but but but yes like that that end …”
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Ryan Coogler discusses the importance of the end credits in his film, emphasizing the trust he places in the audience to stay engaged. He reflects on how the music and cinematic language are crafted to keep viewers in their seats for a significant scene that follows the credits. This approach highlights a deep connection between music, storytelling, and audience experience in filmmaking.
“… The original trip is the best. What is it? It's just like, it's them two. It's literally like a kind of like a loose, it's like a loose concept film about these two. It feels docu style, but it's not. But it is. Heightened versions of themselves. They're in Hollywood still like. It's them, but it's not. It's very brilliant. And it's just two best friends on vacation. Then they just get themselves into some bullshit. Oh, they're movies. Yeah. Yeah, there's a series. Are they good? They're fantastic. They're funny. We should do that. Yeah, we should do that. We should do our version of the …”
“… that is, right? Damian Cockburn? Yeah, Mr. Cockburn. You see these? The trips are great. That's why Americans might know them because of the trips, but I just think they're so popular in England and not as much here. Yeah. But those movies are so good. The original trip is the best. What is it? It's just like, it's them two. It's literally like a kind of like a loose, it's like a loose concept film about these two. It feels docu style, but it's not. But it is. Heightened versions of themselves. They're in Hollywood still like. It's them, but it's not. It's very brilliant. And it's just two best friends on vacation. Then they just get themselves into some bullshit. Oh, they're movies. Yeah. Yeah, there's a series. Are they good? They're fantastic. They're funny. We should do that. Yeah, we should do that. We should do our version of the trip. Yeah. I went to a Christmas party last night. Who? Arden Marin. Oh, I know. I heard you told me this. Yeah. But it was her and Bert? Bert was there, yeah. It was her party, but Bert was there. At her house? At her house. And I ran into one of my favorite people of all time. Ooh, wait, hold on, hold on, hold on. Let me guess. MH is his initials. …”
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Seeing Joy Division in the film '24 Hour Party People' transformed my appreciation for their music. The portrayal of Ian Curtis and the vibrant Manchester music scene struck a chord, leading me to explore their work deeply. This moment made me realize how film can reshape our understanding of music and culture.
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Cher reveals how a powerful conversation with Lucy Arnaz gave her the courage to embrace her talent after a difficult divorce. This pivotal moment led to her resurgence in music and film, showcasing her incredible ability to reinvent herself despite industry challenges and personal struggles.
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Remembering the bizarre films of childhood, like 'Beastmaster' with ferrets and midnight movie marathons, this segment dives into the chaos of growing up in the 80s. The hilarity peaks when the host recalls his dad's confused reaction to him watching 'Eraserhead'—'Why are you doing this to yourself?'—highlighting the absurdity of youth and cinema choices.
“… know the timeline and he's not sure exactly how this will come out, but he says there might be a new category, just like there's best animated film at the Oscars, but then CGI and animation works its way into the Avengers, which is not an animated film, but Thanos was animated with CGI. It just wasn't hand drawn. And so the categories blur together. Clearly AI is coming for all sorts of different levels of the stack. Uh, and he's just saying, you shouldn't just sit by and hope that it doesn't happen. You should embrace and figure out how you fit in. There is a $36.5 million waterfront …”
“… is great industry leadership. I love it. Yeah. So I can see there being an, uh, uh, incremental category that said, I still think AI will be used in every category. That's what he says. Yeah. Yeah. Yeah. He says he's definitely, he, he says he doesn't know the timeline and he's not sure exactly how this will come out, but he says there might be a new category, just like there's best animated film at the Oscars, but then CGI and animation works its way into the Avengers, which is not an animated film, but Thanos was animated with CGI. It just wasn't hand drawn. And so the categories blur together. Clearly AI is coming for all sorts of different levels of the stack. Uh, and he's just saying, you shouldn't just sit by and hope that it doesn't happen. You should embrace and figure out how you fit in. There is a $36.5 million waterfront compound for sale in the Florida Keys. And take a look at this picture. It has 1,700 feet of shoreline and two 5,000 square foot homes. You thinking what I'm thinking? Next door neighbors. That's right. We can do it. So, so you remember, I think it, not, not Asana, the, uh, Atlassian. They did. They had this crazy. So, so the founders of Atlassian, …”
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A journalist was accused of using AI to write his Olympics coverage, leading to a dramatic defense from his editor who claimed it was his unique style. However, investigations revealed that his writing had changed significantly since the introduction of AI tools. This incident raises questions about the authenticity of AI-generated content in journalism.
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After seven years in an emotionally abusive relationship, an actress reveals how she secretly created a film about the experience without telling her friends or therapist. This decision stemmed from her desire to explore the darkness she had just escaped, despite the fear of being talked out of it. The film's premise, initially disguised as a lighthearted story, ultimately became a profound exploration of emotional trauma.
“Do you watch I watch a lot of everything? Yeah, I love television Films and then you know, like eight months ago. I I know I'm late to the game came across cross podcasts Only eight months ago. Yeah, pretty much. Yeah. Yeah, that's interesting, isn't it? Yeah. Yeah. What what made you get into that? I Can't remember but it was your podcast and I'm trying to think what it was and Then and then it was like, oh and then I came and then you know once you watch something on your phone it like suggests other things and …”
“Do you watch I watch a lot of everything? Yeah, I love television Films and then you know, like eight months ago. I I know I'm late to the game came across cross podcasts Only eight months ago. Yeah, pretty much. Yeah. Yeah, that's interesting, isn't it? Yeah. Yeah. What what made you get into that? I Can't remember but it was your podcast and I'm trying to think what it was and Then and then it was like, oh and then I came and then you know once you watch something on your phone it like suggests other things and And then you had two guys on that. I thought really interesting and then they do a trigger trigonometry And then I find that very fascinating. Oh, they're great. Yeah great. And so that's how it just started So now it's like a huge part of like I have this whole little thing like like often I'll go to bed and my daughter's listening to you But I do …”
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Podcasts have become a soothing part of daily life, influencing how we consume film and television. The conversation reveals how the authenticity of performances in shows like 'The Beast in Me' resonates deeply with viewers, reminding us that true artistry requires vulnerability and a willingness to fail. This connection between creators and their audiences is what makes content truly impactful.
“At the end of the day, when I was at film school, I took a class about editing on old systems and we saw a demonstration of gluing together film and running it through the old edit bay. We saw that. We understood the process. I have never once in my life, and I was an editor, That's how I started in my career. I edited starting on Final Cut Pro and then Avid. And I have never touched physical film to edit it beyond that day. And I made my life as a professional editor. And now with …”
“At the end of the day, when I was at film school, I took a class about editing on old systems and we saw a demonstration of gluing together film and running it through the old edit bay. We saw that. We understood the process. I have never once in my life, and I was an editor, That's how I started in my career. I edited starting on Final Cut Pro and then Avid. And I have never touched physical film to edit it beyond that day. And I made my life as a professional editor. And now with things like CapCut, the next generation of editors may not have that skill. Is that the concern that you're espousing? Absolutely. This is part of my concern. When we talk about execution, obviously, now you were mentioning editing, but when we talk about execution, execution happens at so many levels. From the storyboard artist who is sketching the …”
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Creativity isn't dying; it's evolving in response to technological advancements. While traditional skills like editing physical film may fade, new platforms like TikTok are fostering a resurgence in creative expression across various fields. This shift challenges us to rethink the role of technology in creativity and how we adapt to it.
“… I don't know, but I think he'll enjoy it a lot, especially as someone in radio. I read a long recent piece about some of the controversy about the film that he made next, which is called The Magnificent Ambersons. And this is a story that's a lot less known than Citizen Kane. So Citizen Kane obviously these days has Orson Welles on the map for one of the best movies ever made. But at the time, he still had total control in filmmaking, and he makes Magnificent Ambersons, which is a film about a wealthy family in the sort of horse and buggy era that gets drowned out by the automobile. And it was …”
“… want Scott I've never seen Citizen Kane 1941 Orson Welles and I want to ask first of all should I see Citizen Kane absolutely yes what if I know what Rosebud is it's it's it's so good it's I was kind of skeptical the first time I saw it too I'm like I don't know, but I think he'll enjoy it a lot, especially as someone in radio. I read a long recent piece about some of the controversy about the film that he made next, which is called The Magnificent Ambersons. And this is a story that's a lot less known than Citizen Kane. So Citizen Kane obviously these days has Orson Welles on the map for one of the best movies ever made. But at the time, he still had total control in filmmaking, and he makes Magnificent Ambersons, which is a film about a wealthy family in the sort of horse and buggy era that gets drowned out by the automobile. And it was a downer, according to a lot of people at the studio. They didn't like it. Orson Welles goes off to South America. He's working on a separate project. He's already made this film. They cut 40 minutes out of the movie, and they release it when he's out of the country. And they got rid of it. That 40 missing minutes is gone. They tried to soften it, …”
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Recreating lost footage using AI might be considered 'evil' by cinephiles, as discussed in a podcast segment. The conversation centers around Orson Welles' film 'The Magnificent Ambersons,' which had 40 minutes cut before its release, and whether AI should be used to reconstruct it. The consensus is a firm 'no,' emphasizing the importance of preserving original artistic intent over speculative recreations.
“… I mean? So if you care to find me, like how it feels. Yeah. Oh, but memorizing lines is so hard. I know. I just, I just had the hardest. I, we just filmed my movie in Chicago and I am in every single scene and have like long dialogue in a lot of them. How did you do it? It was so fucking hard. Yeah. I tried to do most of it before the movie to just be like. I helped that I co-wrote the script. So like some of it was in there sometimes, but it was really hard. But when you do it, like I was in a movie called Maintenance Required and I played. Yeah. And. Have you played that role before or after? …”
“… you want to be away from it. So if I'm doing a Broadway show every day, it's like, don't you ever see alpha bus? Sometimes I'm Broadway. Like, and you'll see her defying gravity. And you're like, aren't you exhausted of this shit? Yeah. You know what I mean? So if you care to find me, like how it feels. Yeah. Oh, but memorizing lines is so hard. I know. I just, I just had the hardest. I, we just filmed my movie in Chicago and I am in every single scene and have like long dialogue in a lot of them. How did you do it? It was so fucking hard. Yeah. I tried to do most of it before the movie to just be like. I helped that I co-wrote the script. So like some of it was in there sometimes, but it was really hard. But when you do it, like I was in a movie called Maintenance Required and I played. Yeah. And. Have you played that role before or after? No, this was new for me. And I was really uncomfortable at first, but I thought, you know what, I'm really gonna like, like dig deep down and see what I can find. And turns out working at Michael's Arts and Crafts really helped. Oh, I want to talk about heated rivalry in a minute. But anyhow, I, I, my lines were always like girlfriend, you know, …”
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Actors often find themselves pigeonholed into stereotypical roles, like the 'gay best friend' written by straight men. This segment dives into the challenges of memorizing lines and the frustration of limited representation in film. The conversation reveals the disconnect between how characters are portrayed and the reality of LGBTQ+ experiences.
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In a thought-provoking analysis, the speaker questions the nature of character agency in animation, highlighting how characters like Bugs Bunny and Daffy Duck are manipulated by their creators. They draw parallels to a film where the presence of a star like Brad Pitt overshadows the narrative, leaving the audience confused about the true protagonist. This exploration reveals the complexities of storytelling and character dynamics in both animation and film.
“… was not, But it was just not something I thought of. I enjoyed musical theater. I loved stuff like that, but it was just not a vocation. So after my film school was my acting career. I was thrown onto a movie set right after pageants. I had to learn everything on an actual set on the job. What was your first movie? It was a movie called Tamilian in the Tamil language in India. Do you have to learn a new language? I had to phonetically learn the language. It's impossible to learn a new language, but I would memorize my lines and I would say them. But it was my first exposure to a little bit of …”
“… it was like Nepo vibes only. I don't know. I just thought like everyday people don't become actors. And I was going to high school in Cedar Rapids. I was like, what are you, you don't think that you're suddenly going to be an actor. I didn't, it was not, But it was just not something I thought of. I enjoyed musical theater. I loved stuff like that, but it was just not a vocation. So after my film school was my acting career. I was thrown onto a movie set right after pageants. I had to learn everything on an actual set on the job. What was your first movie? It was a movie called Tamilian in the Tamil language in India. Do you have to learn a new language? I had to phonetically learn the language. It's impossible to learn a new language, but I would memorize my lines and I would say them. But it was my first exposure to a little bit of fame, I think, for my co-actor. His name is Vijay. He is extremely popular. And I remember when we used to land up on set, there used to be people like stand, hundreds and hundreds and hundreds of people just standing there to watch him. And while he was dancing and while he was doing his thing and it's my first movie, I had no idea what happens …”
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Transitioning from pageants to acting, the speaker reflects on their unexpected journey into Bollywood cinema. Their first film, a Tamil movie, introduced them to fame and the overwhelming fan culture in India, especially around their co-actor Vijay. The speaker highlights the challenges of learning a new language and the surreal experience of being on set for the first time.
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The podcast segment dives into the casting process for a hypothetical vampire film, highlighting potential actors like Lakeith Stanfield and Jonathan Majors for key roles. The conversation explores the need for diversity in casting, suggesting musicians Kid Cudi and Coco Jones as supporting characters, while also debating the merits of actresses like Christina Hendricks and Sarah Snook for leading roles.
“… Flynn in me wanting to do that, right? And we did do that. The hair was important to me. There are a lot of the beards, there are beards in that film that have come under criticism. And rightly so, I might say. But not mine. Mine, that was all, that was all my own stuff. So that all was really, really, you know, central to me. To get that look just right And then to find that Tidewater accent that would have been appropriate for Pickett Worked hard on that as well So there was just a lot of a lot of details to work on in that role And then Jackson, it was the you know, the process was a bit …”
“The way he would ride the horse? Yeah, I said I want a rare in horse because I knew when my first line was Virginia has arrived. So I knew I was going to ride in, and I wanted to rare up and do it. That would be the Errol Flynn in me wanting to do that, right? And we did do that. The hair was important to me. There are a lot of the beards, there are beards in that film that have come under criticism. And rightly so, I might say. But not mine. Mine, that was all, that was all my own stuff. So that all was really, really, you know, central to me. To get that look just right And then to find that Tidewater accent that would have been appropriate for Pickett Worked hard on that as well So there was just a lot of a lot of details to work on in that role And then Jackson, it was the you know, the process was a bit different for gods and generals. You know, when I say about playing Jackson, Thomas Stonewall Jackson, you know, you got to have you got to have two hands, Because in one hand, you have to have Bud Robertson's great biography, the biography of Jackson. Everything you could ever need to know and should know and have to know about playing Jackson. …”
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In this segment, the actor discusses the meticulous preparation for his role as Thomas 'Stonewall' Jackson in the film 'Gods and Generals.' He emphasizes the importance of details like accent and appearance, and shares insights on working with iconic actors like Gene Hackman and Amy Madigan, highlighting the collaborative nature of filmmaking and the depth of character development required for historical figures.
“… Kate Hudson was on the show back in December and i was talking to her about this exact thing and she was talking about how she when she watches films for her parents like kurt russell and goldie hahn she can see the soul their souls in the movie and i was like whoa like like so essentially she's she could see her parents in the characters in some way as like a the soul of them when you look back at work you've done do you see part of your soul in a way of like who you were at that time you're playing a different person but do you see some of yourself well i rarely do look back on work that …”
“… from the journey from life to death I be remembered by my family and by a couple of hardcore movie fans I good You said something interesting just now about re-watching Avatar and having them see you and they weren't born before that movie was made. Kate Hudson was on the show back in December and i was talking to her about this exact thing and she was talking about how she when she watches films for her parents like kurt russell and goldie hahn she can see the soul their souls in the movie and i was like whoa like like so essentially she's she could see her parents in the characters in some way as like a the soul of them when you look back at work you've done do you see part of your soul in a way of like who you were at that time you're playing a different person but do you see some of yourself well i rarely do look back on work that i've done i rarely do view it i don't know if that's a failing or what but i mean uh but but i i do think that that you do put a big piece of yourself into these into into the work that one does and that that piece of yourself is there forever. That doesn't mean it's not replenished within you with something else and, and, and, and re rejuvenated …”
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In a recent podcast segment, an actor reflects on their experience with the 'Avatar' franchise, discussing how each film takes a piece of their heart while also providing a legacy for their family. They relate this to a conversation with Kate Hudson about seeing her parents' souls in their films, emphasizing the emotional connection actors have with their work. Looking ahead, they express eagerness for future projects, including 'Avatar 4' and 'Avatar 5', while acknowledging the importance of revitalizing oneself as an artist.
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Steven Spielberg's 'Hook' reimagines the classic Peter Pan story by presenting a grown-up Peter who returns to Neverland to rediscover his childhood. This fascinating take explores themes of nostalgia and maturity, contrasting with other remakes like 'Clueless' or '10 Things I Hate About You.' The discussion also touches on how reimaginings can provide fresh perspectives on beloved tales, exemplified by films like 'The Fly' and 'Cruella.'
“… how to use something to make something move forward. But yeah, and we saw that with the digital transition where, you know, people who shoot on film, there are still movies that get shot on film. It's a smaller community and those films are special in their own way. And I don't think anyone expects a complete revolution overnight in any of these things.”
“… of workers that are going to be approaching this? Yeah, but those workers, the workers are very straightforward. You either learn how to use tools or if you stick your heels in the ground and drag yourself, then you're going to be passed by. So you learn how to use something to make something move forward. But yeah, and we saw that with the digital transition where, you know, people who shoot on film, there are still movies that get shot on film. It's a smaller community and those films are special in their own way. And I don't think anyone expects a complete revolution overnight in any of these things.”
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AI is transforming Hollywood by streamlining production and drastically reducing costs. With advanced tools, filmmakers can now create high-quality content faster and at a fraction of the expense, making global locations more viable for shoots. This shift not only enhances audience engagement but also challenges traditional production methods, urging professionals to adapt or risk being left behind.
“The piece from Deadline says Jared Harris has joined the upcoming Apple Original Films Martin Scorsese title, What Happens at Night? According to an earlier piece from Deadline, the dreamlike story follows a married American couple who travel to a small, snowy European town to adopt a baby. They check into a cavernous, largely deserted hotel, where they encounter an enigmatic cast of characters, including a flamboyant chanteuse, a depraved businessman, and a charismatic faith healer. Nothing is quite as it seems in this strange, …”
“The piece from Deadline says Jared Harris has joined the upcoming Apple Original Films Martin Scorsese title, What Happens at Night? According to an earlier piece from Deadline, the dreamlike story follows a married American couple who travel to a small, snowy European town to adopt a baby. They check into a cavernous, largely deserted hotel, where they encounter an enigmatic cast of characters, including a flamboyant chanteuse, a depraved businessman, and a charismatic faith healer. Nothing is quite as it seems in this strange, frozen world. As the couple struggle to claim their baby, the less they seem to know about themselves and the life they have built together. Check out this cast. Leonardo DiCaprio and Jennifer Lawrence will headline. They're on the call sheet with Patricia Clarkson, Mads Mikkelsen, and now, Jared Harris. Harris you may know from Apple TV's …”
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Apple's upcoming film, 'What Happens at Night?' features a star-studded cast led by Leonardo DiCaprio and Jennifer Lawrence, exploring a surreal story of a couple adopting a baby in a mysterious hotel. Meanwhile, Muppet Vision 3D is set to make a comeback in virtual reality, though it won't fully replicate the original theme park experience. Fans are excited about these developments, but questions remain on how they will unfold.
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In today's world, aspiring comedians can showcase their humor instantly online, but the stage still holds a unique power. This segment dives into how living in a loft inspired one comedian's journey and the importance of practice in honing comedic skills. It emphasizes that while social media offers a platform, the essence of stand-up remains irreplaceable.
“… to put them into hockey, they'll win an Olympic gold medal. And I thought it was so funny. Cause to be honest, I kind of forgot, like when we were filming, like I wasn't like on the forefront of my mind. Um, but am I a hockey fan? Um, you know, I don't know. I haven't been able to get into it. I had a couple of years ago, I had a roommate who loved the Maple Leafs, but the thing is, the thing that keeps me away from like getting into it is like the pain that I see the hockey fans go through, especially the Toronto Maple Leafs. Like, I feel like we cannot catch a win. And like, I don't know, …”
“… like we're related and he's like, you know, he's a legend, right? And I'm like, I don't know, like he was like, he was making sure I was respecting, respecting my roots. You know, he was like, you have to know these like, if you have kids, you have to put them into hockey, they'll win an Olympic gold medal. And I thought it was so funny. Cause to be honest, I kind of forgot, like when we were filming, like I wasn't like on the forefront of my mind. Um, but am I a hockey fan? Um, you know, I don't know. I haven't been able to get into it. I had a couple of years ago, I had a roommate who loved the Maple Leafs, but the thing is, the thing that keeps me away from like getting into it is like the pain that I see the hockey fans go through, especially the Toronto Maple Leafs. Like, I feel like we cannot catch a win. And like, I don't know, like, like last summer I got really into baseball and, you know, like we got all, we got so far, you know, what a run. Yeah. That was painful. That was painful. The loss was painful, you know, the last game. But, um, yeah, I don't know. I guess it's just that that keeps me away from it. But I do, I do find that it's a, it's a, it's a fun sport. Like …”
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Did you know a gold medalist is in the family? An actor shares a hilarious story about their Olympic hockey relative and how it influenced their performance in a new role. They also reveal how they prepared for the character without reading the source material, relying instead on fan insights from Reddit and wikis.
Top Podcasts About Cannes Film Festival
On Film…With Kevin McCarthy
3 episodes
TBPN
2 episodes
The Big Picture
2 episodes
Bad Friends
1 episode
Armchair Expert with Dax Shepard
1 episode
This Past Weekend w/ Theo Von
1 episode
Call Her Daddy
1 episode
The Joe Rogan Experience
1 episode